Directed by
Charlie Comparetto |
Writing Credits
Charlie Comparetto | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
David Aranovich | ... | associate producer |
Charlie Comparetto | ... | executive producer / producer |
James Del Gatto | ... | producer |
Joe DeSalvo | ... | producer (as Joseph DeSalvo) |
Christopher Korpi | ... | executive producer |
Ken Kushner | ... | producer |
Jared Safier | ... | executive producer |
Rob Simmons | ... | producer (produced by) |
Lennon Stravato | ... | co-executive producer |
Ann Marie Killean Waters | ... | associate producer |
Music by
Assaf Rinde |
Cinematography by
Przemyslaw Reut |
Editing by
Chris Gross |
Production Design by
Carla Sabater Sadornil | ||
Cara Sanz |
Art Direction by
Carla Sabater Sadornil | ||
Cara Sanz |
Set Decoration by
Carla Sabater Sadornil |
Costume Design by
Angelique Pesce | ... | (as Angelique A. Pesce) |
Makeup Department
Morgan Danielle-Cronheim | ... | hair department head (as Morgan Cronheim) / makeup department head (as Morgan Cronheim) |
Alysha Desiree Wehunt | ... | assistant makeup artist |
Danielle Zelin | ... | assistant makeup artist |
Production Management
Judy San Roman | ... | production manager |
Second Unit Director or Assistant Director
Harry Azano | ... | second assistant director |
Andrew Damon Henriques | ... | first assistant director |
Art Department
Cara Sanz | ... | property master |
Sound Department
Hunter Berk | ... | supervising sound editor |
Nick Caramela | ... | foley artist / sound effects supervisor |
Phil Castellano Jr. | ... | re-recording mixer: trailer |
Phil Minard | ... | additional sound editor |
Connor Nagy | ... | foley supervisor |
Chris Neylan | ... | post sound coordinator |
Jacob Ortiz | ... | adr mixer |
David I. Rosenberg | ... | sound mixer |
Ric Schnupp | ... | re-recording mixer |
Lori Shinn | ... | post production sound facility producer |
Travis Tighe | ... | boom operator |
Mike Weber | ... | additional adr recordist |
Enrique Williams | ... | additional sound |
Nikolas Zasimczuk | ... | sound mixer |
Special Effects by
Przemyslaw Reut | ... | special effects |
Jonathan Thornton | ... | makeup/special effects consultant |
Stunts
Brian Alevis | ... | stunt coordinator / stunt performer |
Chris Colombo | ... | stunt coordinator / stunt rigger |
Scott Coscia | ... | stunt coordinator |
Rafael Mateo | ... | assistant stunt coordinator |
Pete Mazziotti | ... | stunt double |
Camera and Electrical Department
David Brown II | ... | lighting technician |
Jon Carr | ... | gimbal operator |
Sergei Franklin | ... | steadicam operator |
Lucas Gonzalez | ... | second assistant camera |
Juan Gordon | ... | lighting technician (specific segments) |
Chris Gross | ... | dit |
Andrew Damon Henriques | ... | camera operator |
Mike Hsieh | ... | first assistant camera |
Takeshi Inamura | ... | 2nd Unit Cinematographer / camera operator |
Marty Lucero | ... | second assistant camera |
Alexander Mandiola | ... | drone operator |
Al Rivera | ... | lighting director |
Paul Wallace | ... | key grip |
Matthew Woolf | ... | additional cinematography |
Costume and Wardrobe Department
Angelique Pesce | ... | wardrobe consultant (as Angelique A. Pesce) |
Tauny Ventura | ... | wardrobe |
Editorial Department
James Casteel | ... | additional editor |
Przemyslaw Reut | ... | additional editor |
Music Department
Aaron Ashton | ... | concertmaster |
Daniel A. Brown | ... | head of music preparation |
Michael Greene | ... | scoring engineer |
Utah Film Orchestra | ... | score performed by |
Jenn Sprague | ... | orchestra contractor |
Jillian Whitaker | ... | Score Coordinator / orchestrator |
Additional Crew
Harry Azano | ... | production coordinator |
John Izarpate | ... | production assistant |
Casey Kelly | ... | production assistant |
Danielle Zelin | ... | production assistant |
Thanks
James Abbott | ... | special thanks |
Karen Kane | ... | very special thanks |
Peter O'Keeffe | ... | special thanks |