Marking 20 years of filmmaking and 17 films to date from critically-acclaimed director Victor Vu, “The Last Wife” dominated the domestic Vietnam box office its debut weekend and is now the 6th Vietnam film this year to join the elite 100-billion-dollar club.
The Last Wife is currently screening in US and Canada cinemas, courtesy of 3388 Films
Inspired by the novel “The Lake of Vengeance (Hồ Oán Hận)” by author Hồng Thái, “The Last Wife” is set in 19th century Vietnam during the Nguyen Dynasty. Linh, a very beautiful young girl who was forced married to the district governor, Quan Đức Trọng, may have given him a daughter, but not the heir neither she, nor the previous two wives have managed to “come up with”. The pressure on everyone involved piles up, while a chance meeting between Linh and her childhood love, Nhan, unravels a string of unexpected events that dramatically changes her life.
The Last Wife is currently screening in US and Canada cinemas, courtesy of 3388 Films
Inspired by the novel “The Lake of Vengeance (Hồ Oán Hận)” by author Hồng Thái, “The Last Wife” is set in 19th century Vietnam during the Nguyen Dynasty. Linh, a very beautiful young girl who was forced married to the district governor, Quan Đức Trọng, may have given him a daughter, but not the heir neither she, nor the previous two wives have managed to “come up with”. The pressure on everyone involved piles up, while a chance meeting between Linh and her childhood love, Nhan, unravels a string of unexpected events that dramatically changes her life.
- 12/10/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Spring is here and we’re kicking off our May slate with The Ancestral, the disturbing new horror film from renowned director Le-Van Kiet that’s now streaming on Screambox!
The Ancestral released theatrically in Vietnam last year. It held the top spot for two consecutive weekends, making it the second consecutive success for the visionary director Kiet. His bold style first caught the eye of the international community after his film Furie became Vietnam’s highest-grossing film of all time; the film went on to become the country’s submission to the Academy Awards for Best International Feature.
In The Ancestral…
“After suffering a family tragedy, a widower moves his two daughters to a centuries-old ancestral home. When both daughters fall prey to sleep paralysis and night terrors, their father seeks the help of a local psychologist. These chilling secrets and frightening visions eventually prove that not everything is...
The Ancestral released theatrically in Vietnam last year. It held the top spot for two consecutive weekends, making it the second consecutive success for the visionary director Kiet. His bold style first caught the eye of the international community after his film Furie became Vietnam’s highest-grossing film of all time; the film went on to become the country’s submission to the Academy Awards for Best International Feature.
In The Ancestral…
“After suffering a family tragedy, a widower moves his two daughters to a centuries-old ancestral home. When both daughters fall prey to sleep paralysis and night terrors, their father seeks the help of a local psychologist. These chilling secrets and frightening visions eventually prove that not everything is...
- 5/2/2023
- by Brad Miska
- bloody-disgusting.com
Cinedigm and Bloody Disgusting have acquired all North American rights to The Ancestral, the disturbing new horror film from renowned director Le-Van Kiet (The Requin). The Ancestral will be a Screambox Original, news that was first announced by Deadline this afternoon.
The Ancestral released theatrically in Vietnam last year. It held the top spot for two consecutive weekends, making it the second consecutive success for the visionary director Kiet. His bold style first caught the eye of the international community after his film Furie became Vietnam’s highest-grossing film of all time; the film went on to become the country’s submission to the Academy Awards for Best International Feature.
In The Ancestral…
“After suffering a family tragedy, a widower moves his two daughters to a centuries-old ancestral home. When both daughters fall prey to sleep paralysis and night terrors, their father seeks the help of a local psychologist. These...
The Ancestral released theatrically in Vietnam last year. It held the top spot for two consecutive weekends, making it the second consecutive success for the visionary director Kiet. His bold style first caught the eye of the international community after his film Furie became Vietnam’s highest-grossing film of all time; the film went on to become the country’s submission to the Academy Awards for Best International Feature.
In The Ancestral…
“After suffering a family tragedy, a widower moves his two daughters to a centuries-old ancestral home. When both daughters fall prey to sleep paralysis and night terrors, their father seeks the help of a local psychologist. These...
- 3/10/2023
- by Brad Miska
- bloody-disgusting.com
Exclusive: Following six seasons as Howard Hamlin on AMC’s megahit Better Call Saul, Patrick Fabian has signed on to lead the indie The Way We Speak from writer-director Ian Ebright (From the Sky).
Billed as an allegory about America’s fractured politics and culture, the film follows Simon (Fabian), an up-and-coming commentator whose world is turned upside down when his best friend and debate opponent suffers a fatal heart attack. Simon refuses to leave the spotlight at an annual thought-leader summit, leading to an obsession with his new opponent and a growing rift with his ailing wife, Claire (Law & Order: Special Victims Unit’s Diana Coconubo).
Ebright’s Broken Telegraph is producing the pic, also to star Kailey Rhodes (Black Pool), Ayanna Berkshire (Twilight) and Lowell Deo (Z Nation). Fabian is repped by The Kohner Agency and Essential Talent Management.
***
Exclusive: Cinedigm has acquired North American rights to...
Billed as an allegory about America’s fractured politics and culture, the film follows Simon (Fabian), an up-and-coming commentator whose world is turned upside down when his best friend and debate opponent suffers a fatal heart attack. Simon refuses to leave the spotlight at an annual thought-leader summit, leading to an obsession with his new opponent and a growing rift with his ailing wife, Claire (Law & Order: Special Victims Unit’s Diana Coconubo).
Ebright’s Broken Telegraph is producing the pic, also to star Kailey Rhodes (Black Pool), Ayanna Berkshire (Twilight) and Lowell Deo (Z Nation). Fabian is repped by The Kohner Agency and Essential Talent Management.
***
Exclusive: Cinedigm has acquired North American rights to...
- 3/10/2023
- by Matt Grobar
- Deadline Film + TV
Selections include new projects from directors Farkhat Sharipov and Ash Mayfair.
The 3rd Tokyo Gap-Financing Market (Tgfm) has unveiled 20 projects selected for financing and development at Tiffcom, the affiliated content market of Tokyo International Film Festival (TIFF).
Selections include new projects by known directors such as recent Berlinale Generation 14plus prize-winner Farkhat Sharipov (Scheme), Ash Mayfair (The Third Wife) and Tom Waller (The Cave).
Hong Kong’s Toe Yuen, known for Annecy prize-winner My Life As McDull (2001), also has a new animation in the lineup.
Organised by UniJapan, Tgfm will run as part of Tiffcom online October 25-27. The 35th...
The 3rd Tokyo Gap-Financing Market (Tgfm) has unveiled 20 projects selected for financing and development at Tiffcom, the affiliated content market of Tokyo International Film Festival (TIFF).
Selections include new projects by known directors such as recent Berlinale Generation 14plus prize-winner Farkhat Sharipov (Scheme), Ash Mayfair (The Third Wife) and Tom Waller (The Cave).
Hong Kong’s Toe Yuen, known for Annecy prize-winner My Life As McDull (2001), also has a new animation in the lineup.
Organised by UniJapan, Tgfm will run as part of Tiffcom online October 25-27. The 35th...
- 9/20/2022
- by Jean Noh
- ScreenDaily
Prolific Singapore-based production company Akanga Film Asia, led by producer Fran Borgia, has revealed a robust film slate, including several global co-productions.
Borgia and filmmaker Yeo Siew Hua teamed on 2018 film “A Land Imagined,” which reaped a rich haul of awards around the world, including top prizes at Locarno, Golden Horse, El Gouna, Pingyao, Singapore and Valladolid. They have now re-teamed on “Stranger Eyes,” which is selected at the ongoing Venice Production Bridge’s gap financing market.
The film follows master of surveillance Inspector Goh, who, as he keeps a close eye on a suspected credit card thief, is drawn into the suspect’s world and starts to see himself in the skin of the perpetrator. As it sets him to question the true meaning of his work, Goh is tasked to track down a serial voyeur on the loose who has been videotaping people’s most private moments.
“It...
Borgia and filmmaker Yeo Siew Hua teamed on 2018 film “A Land Imagined,” which reaped a rich haul of awards around the world, including top prizes at Locarno, Golden Horse, El Gouna, Pingyao, Singapore and Valladolid. They have now re-teamed on “Stranger Eyes,” which is selected at the ongoing Venice Production Bridge’s gap financing market.
The film follows master of surveillance Inspector Goh, who, as he keeps a close eye on a suspected credit card thief, is drawn into the suspect’s world and starts to see himself in the skin of the perpetrator. As it sets him to question the true meaning of his work, Goh is tasked to track down a serial voyeur on the loose who has been videotaping people’s most private moments.
“It...
- 9/2/2022
- by Naman Ramachandran
- Variety Film + TV
Ash Mayfair and Kyoko Miyake are among those included.
Breaking Through The Lens (Bttl), the year-round programme to promote projects by female and non-binary international filmmakers, unveiled its 10 finalists at this year’s Cannes Film Festival (May 17-28).
The participants were chosen from submissions from over 50 countries and pitched their projects to film investors, distributors, and sales agents.
The selection includes Vietnamese-born director Ash Mayfair with If I Had Two Lives, about a surrogate mother who starts re-evaluating her own relationship with her mother and her childhood in a Vietnamese military camp. Mayfair’s feature debut The Third Wife won...
Breaking Through The Lens (Bttl), the year-round programme to promote projects by female and non-binary international filmmakers, unveiled its 10 finalists at this year’s Cannes Film Festival (May 17-28).
The participants were chosen from submissions from over 50 countries and pitched their projects to film investors, distributors, and sales agents.
The selection includes Vietnamese-born director Ash Mayfair with If I Had Two Lives, about a surrogate mother who starts re-evaluating her own relationship with her mother and her childhood in a Vietnamese military camp. Mayfair’s feature debut The Third Wife won...
- 6/6/2022
- by Ellie Calnan
- ScreenDaily
It can take a moment to adjust to the quiet, grave rhythms of the impossibly gorgeous “2000 Songs of Farida,” where the imagemaking is so resplendent as to be disorienting, given how accustomed we are to a cinema in which the pictures primarily serve the storytelling. But Yalkin Tuychiev’s film, which is Uzebkistan’s entry for the international Oscar, is hardly lacking in story: This historical drama is simply told with such grace that its opening scenes feel like snatches of a melody that needs to reach its refrain before we can recognize it as a song — one that harmonizes between the caged bird longing to be free, and the freed bird longing for the comfort and safety of her cage.
The vast backdrop, flattered by the blanched grandeur of Dp Bakhodir Yuldashev’s incredible imagery, is the wilderness where scrubby steppes extend out from the foothills of arid mountains in rural Uzbekistan.
The vast backdrop, flattered by the blanched grandeur of Dp Bakhodir Yuldashev’s incredible imagery, is the wilderness where scrubby steppes extend out from the foothills of arid mountains in rural Uzbekistan.
- 12/17/2021
- by Jessica Kiang
- Variety Film + TV
by Nguyễn Minh Tiến
Whether it was on purpose or not, artistic works produced during the last two decades have continued to promote various perspectives of marginalized voices in an overpowering and dominant Eurocentric realm. Movies depicting iconic female individuals, movies about the feminist movement, or movies directed and produced by women have acquired increasing attention, thus are widely recognized in a male-dominated industry like filmmaking. This might signal a gradual shift towards a world in which women have more rights to tell their stories from their points of view. Ash Mayfair’s debut feature movie, “Vợ Ba” (The Third Wife) (2018), follows May’s journey, a fourteen-year-old girl who was brought into a Northern Vietnamese family as the third wife of a silk merchant. This can be recognized as one of few contemporary features that is both told by a female director and put Vietnamese women’s narratives into the global feminist movement conversations.
Whether it was on purpose or not, artistic works produced during the last two decades have continued to promote various perspectives of marginalized voices in an overpowering and dominant Eurocentric realm. Movies depicting iconic female individuals, movies about the feminist movement, or movies directed and produced by women have acquired increasing attention, thus are widely recognized in a male-dominated industry like filmmaking. This might signal a gradual shift towards a world in which women have more rights to tell their stories from their points of view. Ash Mayfair’s debut feature movie, “Vợ Ba” (The Third Wife) (2018), follows May’s journey, a fourteen-year-old girl who was brought into a Northern Vietnamese family as the third wife of a silk merchant. This can be recognized as one of few contemporary features that is both told by a female director and put Vietnamese women’s narratives into the global feminist movement conversations.
- 12/7/2021
- by Guest Writer
- AsianMoviePulse
Reincarnation, artificial consciousness and augmented reality intersect in U.S. director Jake Wachtel’s Cambodia-set “Karmalink,” for which Variety can reveal the first trailer.
The sci-fi mystery will have its world premiere as the opening film of the Venice Film Festival’s Critics’ Week on Sept. 1.
Set in a near-future Phnom Penh, “Karmalink” is about a 13-year-old boy and his street-smart female friend who team up to search for a gold statue from the boy’s past lives, while traveling across town and also back in time.
But what begins as a hunt for a Buddhist treasure soon leads to greater discoveries in the digital realm that could be either enlightening or obliterating.
Wachtel, who grew up in Palo Alto, started developing the film in 2015, while teaching filmmaking in Phnom Penh. He cast two former students as his leads and shot the film on location after living in their community for several years.
The sci-fi mystery will have its world premiere as the opening film of the Venice Film Festival’s Critics’ Week on Sept. 1.
Set in a near-future Phnom Penh, “Karmalink” is about a 13-year-old boy and his street-smart female friend who team up to search for a gold statue from the boy’s past lives, while traveling across town and also back in time.
But what begins as a hunt for a Buddhist treasure soon leads to greater discoveries in the digital realm that could be either enlightening or obliterating.
Wachtel, who grew up in Palo Alto, started developing the film in 2015, while teaching filmmaking in Phnom Penh. He cast two former students as his leads and shot the film on location after living in their community for several years.
- 8/20/2021
- by Nick Vivarelli
- Variety Film + TV
Tôn Thất An is a Parisian born Vietnamese composer now based in Taipei, and has been writing for contemporary dance, theatre, film and art projects, and composing instrumental music as well as songs.
In the past four years, he has scored for a string of indie Vietnamese films: ‘The Third Wife’ (2018) and ‘Between Shadow and Soul’ (2019) by Ash Mayfair, ‘Song Lang’ (2018) by Leon Le, ‘Goodbye Mother’ (2019) by Trịnh Đình Lê Minh and ‘Ròm’ (2019) by Trần Thanh Huy. He has also contributed to Naomi Kawase’s ‘True Mothers’ (2020).
He significantly collaborated with Japanese choreographer Jo Kanamori: ‘Nina – materialize sacrifice’ (2005), ‘Play 2 Play’ (2007), ‘Les Contes d’Hoffmann’ (2010), ‘The Dream of the Swan’ (2017) and with Taiwanese dance wunderkind Huang Yi: ‘Symphony Project’ (2010), ‘Double Yellow Line’ (2012) and ‘Special Order’ (2014).
His work as a composer also brought him to the Philharmonie Hall in Berlin where he premiered ‘The Legend of Thánh Gióng’ (2013), a symphonic tale commissioned by The Berlin Symphony Orchestra.
In the past four years, he has scored for a string of indie Vietnamese films: ‘The Third Wife’ (2018) and ‘Between Shadow and Soul’ (2019) by Ash Mayfair, ‘Song Lang’ (2018) by Leon Le, ‘Goodbye Mother’ (2019) by Trịnh Đình Lê Minh and ‘Ròm’ (2019) by Trần Thanh Huy. He has also contributed to Naomi Kawase’s ‘True Mothers’ (2020).
He significantly collaborated with Japanese choreographer Jo Kanamori: ‘Nina – materialize sacrifice’ (2005), ‘Play 2 Play’ (2007), ‘Les Contes d’Hoffmann’ (2010), ‘The Dream of the Swan’ (2017) and with Taiwanese dance wunderkind Huang Yi: ‘Symphony Project’ (2010), ‘Double Yellow Line’ (2012) and ‘Special Order’ (2014).
His work as a composer also brought him to the Philharmonie Hall in Berlin where he premiered ‘The Legend of Thánh Gióng’ (2013), a symphonic tale commissioned by The Berlin Symphony Orchestra.
- 3/23/2021
- by Panos Kotzathanasis
- AsianMoviePulse
Horror film is directed by Le Van Kiet, whose credits include Furie, which is Vietnam’s highest-grossing local film.
Endeavor Content’s Asia sales operation has sealed a raft of theatrical deals on Vietnamese horror film The Ancestral, from Furie director Le Van Kiet.
Theatrical rights to the film have gone to the Middle East (Salim Ramia & Co), Taiwan (MovieCloud), Thailand, Cambodia and Laos (M Pictures) and Singapore and Malaysia (Clover Films).
Endeavor Content is also closing deals for Indonesia, Philippines, Myanmar, Australia and New Zealand.
Starring Quang Tuấn (Kumantong), Thanh Mỹ (The Third Wife) and Mai Cát Vi (Furie...
Endeavor Content’s Asia sales operation has sealed a raft of theatrical deals on Vietnamese horror film The Ancestral, from Furie director Le Van Kiet.
Theatrical rights to the film have gone to the Middle East (Salim Ramia & Co), Taiwan (MovieCloud), Thailand, Cambodia and Laos (M Pictures) and Singapore and Malaysia (Clover Films).
Endeavor Content is also closing deals for Indonesia, Philippines, Myanmar, Australia and New Zealand.
Starring Quang Tuấn (Kumantong), Thanh Mỹ (The Third Wife) and Mai Cát Vi (Furie...
- 3/16/2021
- by Silvia Wong
- ScreenDaily
Film co-productions are on the rise in South East Asia, but their growth brings tricky choices for producers.
Leading practitioners Monday shone a useful light on how to navigate the often tricky paths of co-productions at a Singapore International Film Festival panel discussion. The film festival is part of the ongoing Singapore Media Festival.
Co-productions in the region are gaining pace with the Singapore Film Commission’s Southeast Asia Co-Production Grant supporting projects with up to S$250,000 per project, and the Film Development Council of the Philippines’ Asean Co-production Fund that offers up to $150,000 per project, which is due to go live in January.
The Singapore Grants have already borne fruit with beneficiaries showcased at the festival including “Aswang,” “Bình,” “Citizen Hustler,” “Judy Free,” “Nursery Rhymes” and “Ploy.”
Speaking at the ‘Southeast Asian Producers Network: Accessing International Co-production—Why and How?’ panel, Vietnamese producer Tran Thi Bich Ngoc (“The Third Wife...
Leading practitioners Monday shone a useful light on how to navigate the often tricky paths of co-productions at a Singapore International Film Festival panel discussion. The film festival is part of the ongoing Singapore Media Festival.
Co-productions in the region are gaining pace with the Singapore Film Commission’s Southeast Asia Co-Production Grant supporting projects with up to S$250,000 per project, and the Film Development Council of the Philippines’ Asean Co-production Fund that offers up to $150,000 per project, which is due to go live in January.
The Singapore Grants have already borne fruit with beneficiaries showcased at the festival including “Aswang,” “Bình,” “Citizen Hustler,” “Judy Free,” “Nursery Rhymes” and “Ploy.”
Speaking at the ‘Southeast Asian Producers Network: Accessing International Co-production—Why and How?’ panel, Vietnamese producer Tran Thi Bich Ngoc (“The Third Wife...
- 12/1/2020
- by Naman Ramachandran
- Variety Film + TV
The conflicting interaction between a city artist and the villagers of a fishing isle is at the core of young Bangladeshi director and writer Rezwan Shahriar Sumit’s first feature “The Salt in Our Waters”. Even before its world premiere, scheduled at the BFI London Film Festival, the film has been already awarded France’s Cnc Aide aux cinémas du monde, Tfl Audience Design Fund, Bangladesh’s national film grant, and the Spike Lee Fellowship. The bar is high!
“The Salt in Our Waters” is screening at the BFI London Film Festival
City-man and sculptor Rudro (Titas Zia), decides to leave behind the chaos of Dhaka and spend some time on a small mangrove fishing island in the Bay of Bengal, to work but also to retrace the steps of his late father, a coastguard who once had fallen in love with that part of the country. Once on the island,...
“The Salt in Our Waters” is screening at the BFI London Film Festival
City-man and sculptor Rudro (Titas Zia), decides to leave behind the chaos of Dhaka and spend some time on a small mangrove fishing island in the Bay of Bengal, to work but also to retrace the steps of his late father, a coastguard who once had fallen in love with that part of the country. Once on the island,...
- 10/18/2020
- by Adriana Rosati
- AsianMoviePulse
Samantha Laidlaw.
Streaming service Femflix, which carries features, documentaries, miniseries and short-form content celebrating female-centric storytelling, has launched in Australia and New Zealand.
The brainchild of Samantha Laidlaw, the ad-free service costs $8.99 a month and offers 200 titles, all with at least one female-identifying creative in positions such as director, producer, writer, cinematographer or lead actress.
“Our goal is to shine a spotlight on female filmmakers in Australia, New Zealand and from around the world and to increase availability of female-centric storytelling for audiences,” Laidlaw tells If. “As a woman, it’s important to see yourself reflected on screen and have access to storytelling through a female gaze.
“We’re excited to have the support of a number of well-established distributors like Transmission Films, Bonsai Films and Vendetta Films and are in conversation with other distributors now that we have launched.
“We’ve also partnered with a number of screen industry bodies including Wift Australia,...
Streaming service Femflix, which carries features, documentaries, miniseries and short-form content celebrating female-centric storytelling, has launched in Australia and New Zealand.
The brainchild of Samantha Laidlaw, the ad-free service costs $8.99 a month and offers 200 titles, all with at least one female-identifying creative in positions such as director, producer, writer, cinematographer or lead actress.
“Our goal is to shine a spotlight on female filmmakers in Australia, New Zealand and from around the world and to increase availability of female-centric storytelling for audiences,” Laidlaw tells If. “As a woman, it’s important to see yourself reflected on screen and have access to storytelling through a female gaze.
“We’re excited to have the support of a number of well-established distributors like Transmission Films, Bonsai Films and Vendetta Films and are in conversation with other distributors now that we have launched.
“We’ve also partnered with a number of screen industry bodies including Wift Australia,...
- 10/8/2020
- by The IF Team
- IF.com.au
New releases scarce in the week before ‘Tenet’ hits many markets.
UK-Ireland, opening Friday August 21
It is a quiet weekend for new releases in UK and Irish cinemas, with just two new titles on screens: Sam Quah’s Chinese crime thriller Sheep Without A Shepherd and Grégory Magne’s Perfumes.
Sheep Without A Shepherd reached number one at the Chinese box office following a December 2019 release, and was one of the last blockbuster hits in the country before Covid-19 forced the closure of venues in January. It was re-released on July 20, following the reopening of some cinemas.
Released by Trinity Film...
UK-Ireland, opening Friday August 21
It is a quiet weekend for new releases in UK and Irish cinemas, with just two new titles on screens: Sam Quah’s Chinese crime thriller Sheep Without A Shepherd and Grégory Magne’s Perfumes.
Sheep Without A Shepherd reached number one at the Chinese box office following a December 2019 release, and was one of the last blockbuster hits in the country before Covid-19 forced the closure of venues in January. It was re-released on July 20, following the reopening of some cinemas.
Released by Trinity Film...
- 8/21/2020
- by 1101321¦Ben Dalton¦26¦¬1101325¦Gabriele Niola¦35¦¬158¦Martin Blaney¦40¦
- ScreenDaily
New releases scarce in the week before ‘Tenet’ hits many markets.
UK-Ireland, opening Friday August 21
It is a quiet weekend for new releases in UK and Irish cinemas, with just two new titles on screens: Sam Quah’s Chinese crime thriller Sheep Without A Shepherd and Grégory Magne’s Perfumes.
Sheep Without A Shepherd reached number one at the Chinese box office following a December 2019 release, and was one of the last blockbuster hits in the country before Covid-19 forced the closure of venues in January. It was re-released on July 20, following the reopening of some cinemas.
Released by Trinity Film...
UK-Ireland, opening Friday August 21
It is a quiet weekend for new releases in UK and Irish cinemas, with just two new titles on screens: Sam Quah’s Chinese crime thriller Sheep Without A Shepherd and Grégory Magne’s Perfumes.
Sheep Without A Shepherd reached number one at the Chinese box office following a December 2019 release, and was one of the last blockbuster hits in the country before Covid-19 forced the closure of venues in January. It was re-released on July 20, following the reopening of some cinemas.
Released by Trinity Film...
- 8/21/2020
- by 1101321¦Ben Dalton¦26¦¬1101325¦Gabriele Niola¦35¦¬158¦Martin Blaney¦40¦
- ScreenDaily
The Asian Film Festival, directed by Antonio Termenini, presents a selection of the best of Asian research and independent cinema, with particular attention to debuts and young directors of the rich Newcomers section.
The seventeenth edition of the Asian Film Festival presents 27 feature films and 3 short films from 10 East Asian countries and will take place, from July 30 to August 5, at Casa del Cinema, Villa Borghese Park, Rome.
The afternoon screenings will be in the comfort of the Deluxe Room, the evening ones in the Ettore Scola Open Air Theater, to enjoy the films in serenity and in the cool of the park.
8 feature films from the Philippines will celebrate 100 years of Filipino cinema with the best of the most recent productions.The closing evening also will feature the Filipino “Kalel, 15” by Jun Lana, the story of a difficult adolescence in the Manila slums. Saturday 1 August will be Korean Day – a...
The seventeenth edition of the Asian Film Festival presents 27 feature films and 3 short films from 10 East Asian countries and will take place, from July 30 to August 5, at Casa del Cinema, Villa Borghese Park, Rome.
The afternoon screenings will be in the comfort of the Deluxe Room, the evening ones in the Ettore Scola Open Air Theater, to enjoy the films in serenity and in the cool of the park.
8 feature films from the Philippines will celebrate 100 years of Filipino cinema with the best of the most recent productions.The closing evening also will feature the Filipino “Kalel, 15” by Jun Lana, the story of a difficult adolescence in the Manila slums. Saturday 1 August will be Korean Day – a...
- 7/26/2020
- by Adriana Rosati
- AsianMoviePulse
Vietnamese drama Between Shadow And Soul, Polish thriller Sword Of God also join roster.
Icelandic Oscar submission A White, White Day is one of three new international additions to Film Movement’s Virtual Cinema that will get their first-run North American launch on the digital platform.
Vietnamese drama Between Shadow And Soul and Polish thriller Sword Of God also join the roster, which New York distributor Film Movement set up with Art House Convergence last month in response to theatre closures amid the coronavirus pandemic, launching with five titles.
Since then more than 275 theatres across North America including Laemmle Theatres,...
Icelandic Oscar submission A White, White Day is one of three new international additions to Film Movement’s Virtual Cinema that will get their first-run North American launch on the digital platform.
Vietnamese drama Between Shadow And Soul and Polish thriller Sword Of God also join the roster, which New York distributor Film Movement set up with Art House Convergence last month in response to theatre closures amid the coronavirus pandemic, launching with five titles.
Since then more than 275 theatres across North America including Laemmle Theatres,...
- 4/8/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Vietnamese drama Between Shadow And Soul, Polish thriller Sword Of God also join roster.
Icelandic Oscar submission A White, White Day is one of three new international additions to Film Movement’s Virtual Cinema that will get their first-run North American launch on the digital platform.
Vietnamese drama Between Shadow And Soul and Polish thriller Sword Of God also join the roster, which New York distributor Film Movement set up with Art House Convergence last month in response to theatre closures amid the coronavirus pandemic, launching with five titles.
Since then more than 275 theatres across North America including Laemmle Theatres,...
Icelandic Oscar submission A White, White Day is one of three new international additions to Film Movement’s Virtual Cinema that will get their first-run North American launch on the digital platform.
Vietnamese drama Between Shadow And Soul and Polish thriller Sword Of God also join the roster, which New York distributor Film Movement set up with Art House Convergence last month in response to theatre closures amid the coronavirus pandemic, launching with five titles.
Since then more than 275 theatres across North America including Laemmle Theatres,...
- 4/8/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Each of the prominent streaming platforms caters to its own niche of film obsessives.
From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on Film Movement Plus and Ovid.tv, IndieWire’s monthly guide highlights the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.
Here’s the best of the best for February 2020.
“Close-Up”
The Criterion Channel invariably offers the deepest and most compelling slate of any streaming service, but this month’s additions almost border on overkill; how is anyone supposed to choose where to start? The programming lineup kicks off...
From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on Film Movement Plus and Ovid.tv, IndieWire’s monthly guide highlights the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.
Here’s the best of the best for February 2020.
“Close-Up”
The Criterion Channel invariably offers the deepest and most compelling slate of any streaming service, but this month’s additions almost border on overkill; how is anyone supposed to choose where to start? The programming lineup kicks off...
- 2/10/2020
- by David Ehrlich
- Indiewire
Uncut Gems wins best lead actor, directing, editing.
Lulu Wang’s The Farewell was named best feature at the Spirit Awards in Santa Monica on Saturday (8) in a night that recognised female directing talent in stark contrast to tomorrow’s Oscars.
Olivia Wilde won best first film for Booksmart, and American Factory, co-directed by Julia Reichert, (alongside Steven Bognar), won best documentary.
Renée Zellweger won best actress for Judy and has virtually swept the boards this awards season ahead of Sunday’s expected win at the Academy Awards.
Adam Sandler was a popular winner for Uncut Gems, which took home...
Lulu Wang’s The Farewell was named best feature at the Spirit Awards in Santa Monica on Saturday (8) in a night that recognised female directing talent in stark contrast to tomorrow’s Oscars.
Olivia Wilde won best first film for Booksmart, and American Factory, co-directed by Julia Reichert, (alongside Steven Bognar), won best documentary.
Renée Zellweger won best actress for Judy and has virtually swept the boards this awards season ahead of Sunday’s expected win at the Academy Awards.
Adam Sandler was a popular winner for Uncut Gems, which took home...
- 2/9/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
The 2020 Film Independent Spirit Awards were handed out Saturday in recognition of the best in indie films from 2019.
Willem Dafoe won the first award, Best Supporting Male, for his role in “The Lighthouse.” “Uncut Gems” won Best Editing, while the Best Documentary award went to “American Factory.” Best Cinematography went to Jarin Blaschke for “The Lighthouse.”
Kelly Reichardt was awarded The Bonnie Award, which recognizes a mid-career female director with a $50,000 unrestricted grant. The John Cassavetes Award, given to the best feature made for under $500,000, was given to “Give Me Liberty.”
Also Read: Independent Spirit Awards 2020: Aubrey Plaza's Best Jokes (So Far)
“Parasite” won Best International Film. Zhao Shuzhen won Best Supporting Female for her role in “The Farewell.” “Marriage Story” won Best Screenplay. Adam Sandler won Best Male Lead for his performance in “Uncut Gems” and Renée Zellweger received the Best Female Lead for her role in “Judy.
Willem Dafoe won the first award, Best Supporting Male, for his role in “The Lighthouse.” “Uncut Gems” won Best Editing, while the Best Documentary award went to “American Factory.” Best Cinematography went to Jarin Blaschke for “The Lighthouse.”
Kelly Reichardt was awarded The Bonnie Award, which recognizes a mid-career female director with a $50,000 unrestricted grant. The John Cassavetes Award, given to the best feature made for under $500,000, was given to “Give Me Liberty.”
Also Read: Independent Spirit Awards 2020: Aubrey Plaza's Best Jokes (So Far)
“Parasite” won Best International Film. Zhao Shuzhen won Best Supporting Female for her role in “The Farewell.” “Marriage Story” won Best Screenplay. Adam Sandler won Best Male Lead for his performance in “Uncut Gems” and Renée Zellweger received the Best Female Lead for her role in “Judy.
- 2/8/2020
- by Beatrice Verhoeven
- The Wrap
The winners of the 2020 Independent Spirit Awards are being announced live during today’s ceremony, hosted for the second year in a row by Aubrey Plaza (fresh off rave reviews from Sundance for her performance in the indie “Black Bear”). Unlike the Oscars where Netflix is the most-nominated studio, the Spirit Awards are dominated in 2020 by A24. The indie distributor boats 18 nominations across four movies: “The Lighthouse,” “Waves,” “The Farewell,” “Uncut Gems,” and “The Last Black Man in San Francisco.” The Safdie brothers’ “Uncut Gems” and Robert Eggers’ “The Lighthouse” lead all movies with five nominations each. Both of these films are nominated for Best Feature along with Terrence Malick’s “A Hidden Life,” Lulu Wang’s “The Farewell,” Noah Baumbach’s “Marriage Story,” and Chinonye Chukwu’s “Clemency.”
Last year’s big Spirit Award winner was Barry Jenkins’ “If Beale Street Could Talk,” which won prizes for Best Feature,...
Last year’s big Spirit Award winner was Barry Jenkins’ “If Beale Street Could Talk,” which won prizes for Best Feature,...
- 2/8/2020
- by Zack Sharf
- Indiewire
Who won at the Film Independent Spirit Awards on Saturday, February 8? Aubrey Plaza returned to host the 35th annual ceremony from Santa Monica beach, which honored the best in independent films for the 2019 calendar year. The top feature race included one Oscar contender, “Marriage Story,” as well as “Uncut Gems,” “The Farewell,” “Clemency” and “A Hidden Life.” Scroll down to see the full list of 2020 Indie Spirits champs. How did they compare to Gold Derby’s predictions?
SEEIndependent Spirit Awards live blog 2020: All the big winners as they happen [Updating Live]
The Spirit Award nominations were decided by committees made up of film industry members including critics, programmers, producers, directors, writers, cinematographers, editors, actors, past nominees/champs, and members of Film Independent’s Board of Directors. The award winners were chosen by all members of Film Independent who pay yearly dues of $95.
Leading the list of Spirit nominations at five apiece...
SEEIndependent Spirit Awards live blog 2020: All the big winners as they happen [Updating Live]
The Spirit Award nominations were decided by committees made up of film industry members including critics, programmers, producers, directors, writers, cinematographers, editors, actors, past nominees/champs, and members of Film Independent’s Board of Directors. The award winners were chosen by all members of Film Independent who pay yearly dues of $95.
Leading the list of Spirit nominations at five apiece...
- 2/8/2020
- by Marcus James Dixon
- Gold Derby
The 35th annual Spirit Awards, honoring the best in independent cinema, took place Saturday in Santa Monica.
Lulu Wang’s “The Farewell” won best picture, while Adam Sandler and Renee Zellweger took home the top acting prizes.
Full list of winners.
Best Feature
A Hidden Life
Clemency
The Farewell (Winner)
Marriage Story
Uncut Gems
Best Director
Robert Eggers – The Lighthouse
Alma Har’el – Honey Boy
Julius Onah – Luce
Benny Safdie, Josh Safdie – Uncut Gems (Winner)
Lorene Scafaria – Hustlers
Best First Feature
Booksmart (Winner)
The Climb
Diane
The Last Black Man In San Francisco
The Mustang
See You Yesterday
Best Female Lead
Karen Allen – Colewell
Hong Chau – Driveways
Elisabeth Moss – Her Smell
Mary Kay Place – Diane
Alfre Woodard – Clemency
Renée Zellweger – Judy (Winner)
Best Male Lead
Chris Galust – Give Me Liberty
Kelvin Harrison Jr. – Luce
Robert Pattinson – The Lighthouse
Adam Sandler – Uncut Gems (Winner)
Matthias Schoenaerts – The Mustang
Best Supporting Female
Jennifer Lopez...
Lulu Wang’s “The Farewell” won best picture, while Adam Sandler and Renee Zellweger took home the top acting prizes.
Full list of winners.
Best Feature
A Hidden Life
Clemency
The Farewell (Winner)
Marriage Story
Uncut Gems
Best Director
Robert Eggers – The Lighthouse
Alma Har’el – Honey Boy
Julius Onah – Luce
Benny Safdie, Josh Safdie – Uncut Gems (Winner)
Lorene Scafaria – Hustlers
Best First Feature
Booksmart (Winner)
The Climb
Diane
The Last Black Man In San Francisco
The Mustang
See You Yesterday
Best Female Lead
Karen Allen – Colewell
Hong Chau – Driveways
Elisabeth Moss – Her Smell
Mary Kay Place – Diane
Alfre Woodard – Clemency
Renée Zellweger – Judy (Winner)
Best Male Lead
Chris Galust – Give Me Liberty
Kelvin Harrison Jr. – Luce
Robert Pattinson – The Lighthouse
Adam Sandler – Uncut Gems (Winner)
Matthias Schoenaerts – The Mustang
Best Supporting Female
Jennifer Lopez...
- 2/8/2020
- by Variety Staff
- Variety Film + TV
Aubrey Plaza will return to host the Independent Spirit Awards on Saturday in Santa Monica.
The 35th annual Spirit Awards are set to air live on the IFC Channel beginning at 5 p.m. Et/2 p.m. Pt. The network will live stream the ceremony on its website, though audiences will need a cable login to watch. TV subscribers can also watch the show live on IFC app’s, available on iOS and Android, Apple TV, Roku, Fire TV, Xbox, and Android TV devices.
This year’s top Spirit Award nominees include Robert Pattinson’s “The Lighthouse” and Adam Sandler’s “Uncut Gems,” with five nods each. Shia Labeouf’s “Honey Boy” and Kirill Mikhanovsky’s scored four nominations.
“Uncut Gems,” Terrence Malick’s “A Hidden Life,” Chinonye Chukwu’s “Clemency,” Lulu Wang’s “The Farewell” and Noah Baumbach’s “Marriage Story” are up for best feature.
Here’s the full...
The 35th annual Spirit Awards are set to air live on the IFC Channel beginning at 5 p.m. Et/2 p.m. Pt. The network will live stream the ceremony on its website, though audiences will need a cable login to watch. TV subscribers can also watch the show live on IFC app’s, available on iOS and Android, Apple TV, Roku, Fire TV, Xbox, and Android TV devices.
This year’s top Spirit Award nominees include Robert Pattinson’s “The Lighthouse” and Adam Sandler’s “Uncut Gems,” with five nods each. Shia Labeouf’s “Honey Boy” and Kirill Mikhanovsky’s scored four nominations.
“Uncut Gems,” Terrence Malick’s “A Hidden Life,” Chinonye Chukwu’s “Clemency,” Lulu Wang’s “The Farewell” and Noah Baumbach’s “Marriage Story” are up for best feature.
Here’s the full...
- 2/8/2020
- by Variety Staff
- Variety Film + TV
Who will win at the Independent Spirit Awards on February 8? Scroll down to see our predictions in 13 categories listed in order of our racetrack odds, with projected winners highlighted in gold.
More than 2,600 Gold Derby users have placed their bets here in our predictions center as of this writing. That includes Expert journalists from top media outlets, the Editors who cover awards year-round for Gold Derby, the Top 24 Users who got the highest scores predicting last year’s Spirit Award winners and the All-Star Top 24 Users who got the highest scores when you combine prediction results from the last two years.
Sign UPfor Gold Derby’s free newsletter with latest predictions
The Spirit Award nominations were decided by committees made up of members of the film community including film critics, film programmers, producers, directors, writers, cinematographers, editors, actors, past nominees and winners, and members of Film Independent’s Board of Directors.
More than 2,600 Gold Derby users have placed their bets here in our predictions center as of this writing. That includes Expert journalists from top media outlets, the Editors who cover awards year-round for Gold Derby, the Top 24 Users who got the highest scores predicting last year’s Spirit Award winners and the All-Star Top 24 Users who got the highest scores when you combine prediction results from the last two years.
Sign UPfor Gold Derby’s free newsletter with latest predictions
The Spirit Award nominations were decided by committees made up of members of the film community including film critics, film programmers, producers, directors, writers, cinematographers, editors, actors, past nominees and winners, and members of Film Independent’s Board of Directors.
- 2/7/2020
- by Daniel Montgomery
- Gold Derby
The night before the Academy Awards, the Film Independent Spirit Awards will be handed out. Obviously, the indie equivalent to the Oscars is not a predictable precursor, but it has another charm to it. Namely, it’s that this is the final chance to cite some of the beloved movies of 2019 that the Academy snubbed. Films that came close to Oscar nominations but missed, as well as ones that never sniffed a nomination, they both compete equally here. Other years have had more flicks that line up with the big boys, but it’s an interesting mix here. In fact, it’s very hard to tell how the Indie Spirit Awards will go this time around, but I’m about to try, that’s for sure. Take a look now at my predictions for the Spirit Awards. We’ll have another update before the show, but for now, this is my preview…...
- 1/28/2020
- by Joey Magidson
- Hollywoodnews.com
“First Cow” director Kelly Reichardt has been given a $50,000 Film Independent Spirit Awards Filmmaker Grant designed to recognize a mid-career female director.
Reichardt won the third annual Bonnie Award, named for Bonnie Tiburzi Caputo, who became the first woman to pilot a major U.S. airline when she joined the award’s sponsor, American Airlines, in 1973.
Actress Alfre Woodard and filmmaker Jon M. Chu presented the award, one of four grants given out by Film Independent at its nominees brunch at the Boa Steakhouse in West Hollywood on Saturday.
Also Read: 'The Lighthouse,' 'Uncut Gems' Lead Nominees at Independent Spirit Awards
In addition to the $50,000 Bonnie Award, $25,000 unrestricted grants were given to an up-and-coming producer (Molly Asher), director (Rashaad Ernesto Green) and documentary director (Nadia Shihab).
Winners in the rest of the Spirit Awards categories will be announced during the main Spirit Awards show on Saturday, Feb. 4.
The...
Reichardt won the third annual Bonnie Award, named for Bonnie Tiburzi Caputo, who became the first woman to pilot a major U.S. airline when she joined the award’s sponsor, American Airlines, in 1973.
Actress Alfre Woodard and filmmaker Jon M. Chu presented the award, one of four grants given out by Film Independent at its nominees brunch at the Boa Steakhouse in West Hollywood on Saturday.
Also Read: 'The Lighthouse,' 'Uncut Gems' Lead Nominees at Independent Spirit Awards
In addition to the $50,000 Bonnie Award, $25,000 unrestricted grants were given to an up-and-coming producer (Molly Asher), director (Rashaad Ernesto Green) and documentary director (Nadia Shihab).
Winners in the rest of the Spirit Awards categories will be announced during the main Spirit Awards show on Saturday, Feb. 4.
The...
- 1/4/2020
- by Steve Pond and Thom Geier
- The Wrap
Following our top 50 films of 2019, we’re sharing personal top 10 lists from our contributors. Check out the latest below and see our complete year-end coverage here.
I’m not sure if it says more about the quality of international productions above domestic titles in 2019 or my own evolving tastes, but I’ve never had this many foreign language films in a Top Ten before. And it’s not just European countries like France and Germany. The Middle East, Asia, and Scandinavia are represented too. The consistent output of stellar dramatic work that resonated beyond borders was a truly stunning thing to behold and I hope it continues into the next decade.
Another common through-line here is the success of quiet, contemplative dramas that look to mine below the surface to find political, social, and cultural truth. So many titles on this list are dialogue-heavy confrontations in search of identity, strength,...
I’m not sure if it says more about the quality of international productions above domestic titles in 2019 or my own evolving tastes, but I’ve never had this many foreign language films in a Top Ten before. And it’s not just European countries like France and Germany. The Middle East, Asia, and Scandinavia are represented too. The consistent output of stellar dramatic work that resonated beyond borders was a truly stunning thing to behold and I hope it continues into the next decade.
Another common through-line here is the success of quiet, contemplative dramas that look to mine below the surface to find political, social, and cultural truth. So many titles on this list are dialogue-heavy confrontations in search of identity, strength,...
- 12/31/2019
- by Jared Mobarak
- The Film Stage
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column (with a special year-end retrospective today) focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably.
So many posters proved their greatness this year by being bold enough to make interesting choices where composition is concerned. I’m still talking about mid-tier studios (very few of the below twenty-five are advertising movies produced by Hollywood with a capital-h), but even those independent establishments leaning towards artistry above celebrity wasn’t always a guarantee. That they’re using reflections, extreme close-ups, overlapped objects, and uniquely cut windows turning negative space positive is a testament to a willingness of putting craft above commerce.
So many posters proved their greatness this year by being bold enough to make interesting choices where composition is concerned. I’m still talking about mid-tier studios (very few of the below twenty-five are advertising movies produced by Hollywood with a capital-h), but even those independent establishments leaning towards artistry above celebrity wasn’t always a guarantee. That they’re using reflections, extreme close-ups, overlapped objects, and uniquely cut windows turning negative space positive is a testament to a willingness of putting craft above commerce.
- 12/30/2019
- by Jared Mobarak
- The Film Stage
Best international film nominees include Parasite, Portrait Of A Lady On Fire and The Souvenir.
Uncut Gems and The Lighthouse have emerged as the top contenders for this year’s Film Independent Spirit Awards with five nods apiece while A24 leads the distributor pack on 18 nominations.
Adam Sandler from Uncut Gems will face off against The Lighthouse’s Robert Pattinson and others for best lead male and the Safdie brothers and Robert Eggers are among the best director nominees for each film, respectively.
Other best feature nominees announced on Thursday (21) are A Hidden Life, Clemency, The Farewell and Marriage Story.
Uncut Gems and The Lighthouse have emerged as the top contenders for this year’s Film Independent Spirit Awards with five nods apiece while A24 leads the distributor pack on 18 nominations.
Adam Sandler from Uncut Gems will face off against The Lighthouse’s Robert Pattinson and others for best lead male and the Safdie brothers and Robert Eggers are among the best director nominees for each film, respectively.
Other best feature nominees announced on Thursday (21) are A Hidden Life, Clemency, The Farewell and Marriage Story.
- 11/22/2019
- by 31¦John Hazelton¦0¦
- ScreenDaily
Best international film nominees include Parasite, Portrait Of A Lady On Fire and The Souvenir.
Uncut Gems has emerged as the top contender among nominees for this year’s Film Independent Spirit Awards, with the Adam Sandler drama getting nominations in five categories including best feature.
Other best feature nominees are A Hidden Life, Clemency, The Farewell and Marriage Story.
The Lighthouse also got five Spirit Award nominations and other films with multiple citations included Give Me Liberty and Honey Boy with four each and Clemency, Hustlers, The Last Black Man In San Francisco, Luce, Marriage Story and The Third Wife with three each.
Uncut Gems has emerged as the top contender among nominees for this year’s Film Independent Spirit Awards, with the Adam Sandler drama getting nominations in five categories including best feature.
Other best feature nominees are A Hidden Life, Clemency, The Farewell and Marriage Story.
The Lighthouse also got five Spirit Award nominations and other films with multiple citations included Give Me Liberty and Honey Boy with four each and Clemency, Hustlers, The Last Black Man In San Francisco, Luce, Marriage Story and The Third Wife with three each.
- 11/21/2019
- ScreenDaily
Horror story “The Lighthouse” and Adam Sandler’s crime thriller “Uncut Gems” led the 2020 Film Independent Spirit Awards nominations with five each, while “Give Me Liberty” and “Honey Boy” took four apiece.
“Uncut Gems,” Terrence Malick’s “A Hidden Life,” Chinonye Chukwu’s “Clemency,” Lulu Wang’s “The Farewell” and Noah Baumbach’s “Marriage Story” are up for best feature.
Female lead nods went to Karen Allen for “Colewell,” Hong Chau for “Driveways,” Elisabeth Moss for “Her Smell,” Mary Kay Place for “Diane,” Alfre Woodard for “Clemency” and Renée Zellweger for “Judy.” Male lead noms were given to Chris Galust for “Give Me Liberty,” Kelvin Harrison Jr. for “Luce,” Robert Pattinson for “The Lighthouse,” Sandler for “Uncut Gems” and Matthias Schoenaerts for “The Mustang.”
Jennifer Lopez earned a supporting female nomination for “Hustlers,” as did Zhao Shuzhen for her role as the family matriarch in “The Farewell.” Co-stars Noah Jupe...
“Uncut Gems,” Terrence Malick’s “A Hidden Life,” Chinonye Chukwu’s “Clemency,” Lulu Wang’s “The Farewell” and Noah Baumbach’s “Marriage Story” are up for best feature.
Female lead nods went to Karen Allen for “Colewell,” Hong Chau for “Driveways,” Elisabeth Moss for “Her Smell,” Mary Kay Place for “Diane,” Alfre Woodard for “Clemency” and Renée Zellweger for “Judy.” Male lead noms were given to Chris Galust for “Give Me Liberty,” Kelvin Harrison Jr. for “Luce,” Robert Pattinson for “The Lighthouse,” Sandler for “Uncut Gems” and Matthias Schoenaerts for “The Mustang.”
Jennifer Lopez earned a supporting female nomination for “Hustlers,” as did Zhao Shuzhen for her role as the family matriarch in “The Farewell.” Co-stars Noah Jupe...
- 11/21/2019
- by Dave McNary
- Variety Film + TV
The 2020 Independent Spirit Awards nominations were announced Thursday, November 21. So who made the cut at these kudos, which celebrate the best in American independent films? Scroll down to see the full list of nominees for the 2020 Indie Spirits. Remember, only American-made movies with budgets under $20 million were eligible for consideration.
These Spirit contenders were decided by nominating committees that included film critics, film programmers, producers, directors, writers, cinematographers, editors, actors, past nominees and winners, and members of Film Independent’s Board of Directors.
Winners will be chosen by all of Film Independent’s eligible members, including industry insiders and any movie fans who sign up for membership starting at $95 per year.
These awards have come to be a significant preview of the Oscars as the motion picture academy embraces more independent films. Five of the last six Spirit champs for Best Feature went on to win the Oscar for Best Picture.
These Spirit contenders were decided by nominating committees that included film critics, film programmers, producers, directors, writers, cinematographers, editors, actors, past nominees and winners, and members of Film Independent’s Board of Directors.
Winners will be chosen by all of Film Independent’s eligible members, including industry insiders and any movie fans who sign up for membership starting at $95 per year.
These awards have come to be a significant preview of the Oscars as the motion picture academy embraces more independent films. Five of the last six Spirit champs for Best Feature went on to win the Oscar for Best Picture.
- 11/21/2019
- by Paul Sheehan
- Gold Derby
The nominations for the 35th Independent Spirit Awards have been announced, and it was a big morning for “The Lighthouse” and “Uncut Gems.” The annual indie awards ceremony is presented by Film Independent and takes place the day before the Academy Awards on the beach in Santa Monica, California. The Spirit Awards have become known over the last decade for showcasing nominees that are a mix of underdog films and higher-profile awards contenders.
It’s important to note the Indie Spirit Awards has a budget ceiling of $22.5 million, meaning any movie made for more than this amount is ineligible for nominations. For this reason, Martin Scorsese’s Netflix-backed “The Irishman” was not eligible for 2020 nominations (the film had a budget north of $150 million). Netflix’s other top Oscar contender, Noah Baumbach’s “Marriage Story,” is eligible for Spirit Awards and landed a Best Feature nomination. As has become common over the last several years,...
It’s important to note the Indie Spirit Awards has a budget ceiling of $22.5 million, meaning any movie made for more than this amount is ineligible for nominations. For this reason, Martin Scorsese’s Netflix-backed “The Irishman” was not eligible for 2020 nominations (the film had a budget north of $150 million). Netflix’s other top Oscar contender, Noah Baumbach’s “Marriage Story,” is eligible for Spirit Awards and landed a Best Feature nomination. As has become common over the last several years,...
- 11/21/2019
- by Zack Sharf
- Indiewire
Exclusive: Hobbs & Shaw co-writer/producer Chris Morgan has closed a three-year overall deal with Sony Pictures Television for his Chris Morgan Prods. to develop series aimed at broadcast, cable and streaming.
Under the pact, Cmp is already pitching two series projects to premium/streaming networks: sci-fi drama Half-Life, written by Grant Wheeler & Ben Freiburger, creators of YouTube Red’s sci-fi thriller series Lifeline that was produced by Dwayne Johnson; and twisted dark comedy The Ripleys, penned by Duane Swierczynski, a writer of non-fiction, fiction and comic books.
Additionally, the company has secured the rights to two novels for series development, Lisa Jewell’s The Family Upstairs and Alison Gaylin’s If I Die Tonight – both in the suspense genre.
The Family Upstairs tells the story of three entangled families living in a house with the darkest of secrets. If I Die Tonight is about family ties and dark secrets—and...
Under the pact, Cmp is already pitching two series projects to premium/streaming networks: sci-fi drama Half-Life, written by Grant Wheeler & Ben Freiburger, creators of YouTube Red’s sci-fi thriller series Lifeline that was produced by Dwayne Johnson; and twisted dark comedy The Ripleys, penned by Duane Swierczynski, a writer of non-fiction, fiction and comic books.
Additionally, the company has secured the rights to two novels for series development, Lisa Jewell’s The Family Upstairs and Alison Gaylin’s If I Die Tonight – both in the suspense genre.
The Family Upstairs tells the story of three entangled families living in a house with the darkest of secrets. If I Die Tonight is about family ties and dark secrets—and...
- 11/14/2019
- by Nellie Andreeva
- Deadline Film + TV
“Girls need to see positive and authentic characters that can inspire them”.
The world’s most popular films are sending a message to girls and young women that leadership is mostly for men, according to new research from development organisation Plan International and the Geena Davis Institute on Gender in Media.
Even if women are portrayed in positions of leadership, they are still shown as sex objects in most films.
The research, which analysed the 56 top-grossing films of 2018 in 20 countries, found that of the characters in leadership positions, women and girls are four times more likely than male characters to...
The world’s most popular films are sending a message to girls and young women that leadership is mostly for men, according to new research from development organisation Plan International and the Geena Davis Institute on Gender in Media.
Even if women are portrayed in positions of leadership, they are still shown as sex objects in most films.
The research, which analysed the 56 top-grossing films of 2018 in 20 countries, found that of the characters in leadership positions, women and girls are four times more likely than male characters to...
- 10/1/2019
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
Santiago, Chile French director Mikhael Hers’ “Amanda” scooped up the Best Int’l Film award Saturday (Aug. 24) at the 15th Santiago Int’l Film Fest (Sanfic), which reported a 20% audience uptick in the past two years and continues to grow its reputation as the most vibrant and prominent film festival in Latin America’s Southern cone.
Hailed by Variety critic Guy Lodge as a “nourishingly classical tear-jerker as well as a glowing valentine to Paris’s endurance in the age of modern terrorism,” Hers’ third feature has been collecting a raft of trophies since its world premiere at Venice last year, including Venice’s Golden Lantern Award as well as the Grand Prix and Best Screenplay awards at Tokyo.
Colombia’s Alejandro Landes, best known for his career-launching drama, “Porfirio,” snagged the best director prize for “Monos,” his apocalyptic vision of a rebel group of teenagers in the jungle, while...
Hailed by Variety critic Guy Lodge as a “nourishingly classical tear-jerker as well as a glowing valentine to Paris’s endurance in the age of modern terrorism,” Hers’ third feature has been collecting a raft of trophies since its world premiere at Venice last year, including Venice’s Golden Lantern Award as well as the Grand Prix and Best Screenplay awards at Tokyo.
Colombia’s Alejandro Landes, best known for his career-launching drama, “Porfirio,” snagged the best director prize for “Monos,” his apocalyptic vision of a rebel group of teenagers in the jungle, while...
- 8/25/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Set to open Aug. 18 with two of Latin America’s biggest stars, Gael Garcia Bernal and Wagner Moura (“Narcos”), the 15th edition of Chile’s Santiago Int’l Film Festival (Sanfic) promises a focus on women directors and producers as it hosts a Women’s Encounter and Chile’s audiovisual guilds ink a pact to safeguard against sexual harassment in the work place.
The fest will kick off with Moura’s controversial directorial debut, “Marighella,” after bestowing career recognition awards on Garcia Bernal and Argentine thesp Graciela Borges.
On day two, Moura will participate in an Actor’s Studio interview open to the public, said Sanfic artistic director Carlos Nuñez and industry head Gabriela Sandoval, partners at Storyboard Media who jointly run the festival.
Three competitive sections – international, Chilean and shorts – will include cash prizes. The international, jury – Borges, Uruguayan producer Sandino Saravia (“Roma”) and Chilean director/editor Valeria Sarmiento,...
The fest will kick off with Moura’s controversial directorial debut, “Marighella,” after bestowing career recognition awards on Garcia Bernal and Argentine thesp Graciela Borges.
On day two, Moura will participate in an Actor’s Studio interview open to the public, said Sanfic artistic director Carlos Nuñez and industry head Gabriela Sandoval, partners at Storyboard Media who jointly run the festival.
Three competitive sections – international, Chilean and shorts – will include cash prizes. The international, jury – Borges, Uruguayan producer Sandino Saravia (“Roma”) and Chilean director/editor Valeria Sarmiento,...
- 8/9/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Line-up includes new titles from Yosep Anggi Noen, Hussein Hassan, Ash Mayfair and Hu Jia.
Busan International Film Festival (Biff)’s Asian Project Market has unveiled the 29 projects selected for this year’s edition of the financing and co-production event (October 6-8).
The line-up includes Silah And The Man With Two Names, the new project from Indonesian director Yosep Anggi Noen, whose latest film The Science Of Fictions will premiere in competition at this year’s Locarno.
Other projects of note include Black And White Photo, from Nepali filmmaker Rajesh Prasad Khatri, which received development funding from Biff’s Asian Cinema Fund...
Busan International Film Festival (Biff)’s Asian Project Market has unveiled the 29 projects selected for this year’s edition of the financing and co-production event (October 6-8).
The line-up includes Silah And The Man With Two Names, the new project from Indonesian director Yosep Anggi Noen, whose latest film The Science Of Fictions will premiere in competition at this year’s Locarno.
Other projects of note include Black And White Photo, from Nepali filmmaker Rajesh Prasad Khatri, which received development funding from Biff’s Asian Cinema Fund...
- 8/8/2019
- by Liz Shackleton
- ScreenDaily
“What did you do to bring this upon us?”
In her statement about her debut feature “The Third Wife”, director Ash Mayfair states two main reasons why she made the film and which topics it deals with. On the one hand, she names her upbringing in Vietnam, most importantly the women in her life who have supported her through the years. Given her career, which has led her to a degree in English Literature and one in Theater Directing from the prestigious Royal Academy of Dramatic Arts in London, large parts of her biography have taken place outside her home country. Yet, as her statement and the nature of “The Third Wife” prove, she has returned there for her directorial debut paying homage to the women who have been most important in her life.
On the other hand, the movie deals with the matter of arranged and child marriage.
In her statement about her debut feature “The Third Wife”, director Ash Mayfair states two main reasons why she made the film and which topics it deals with. On the one hand, she names her upbringing in Vietnam, most importantly the women in her life who have supported her through the years. Given her career, which has led her to a degree in English Literature and one in Theater Directing from the prestigious Royal Academy of Dramatic Arts in London, large parts of her biography have taken place outside her home country. Yet, as her statement and the nature of “The Third Wife” prove, she has returned there for her directorial debut paying homage to the women who have been most important in her life.
On the other hand, the movie deals with the matter of arranged and child marriage.
- 7/19/2019
- by Rouven Linnarz
- AsianMoviePulse
The Independent Filmmaker Project (Ifp), Filmmaker‘s publisher, announced today the 10 feature films selected for the Narrative Lab, part of the Ifp Filmmaker Labs, Ifp’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. The Lab will support the creative teams as they prepare to finish and release their films into the world. Recent films that have participated in the Narrative Lab have included Clementine; Dead Pigs; House of Hummingbird; Jinn; Lost Bayou; Menashe; Noah Land; Nancy; and The Third Wife. The program runs July 15-19 at the Made in NY Media Center by Ifp located in Dumbo, […]...
- 7/15/2019
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The Independent Filmmaker Project (Ifp), Filmmaker‘s publisher, announced today the 10 feature films selected for the Narrative Lab, part of the Ifp Filmmaker Labs, Ifp’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. The Lab will support the creative teams as they prepare to finish and release their films into the world. Recent films that have participated in the Narrative Lab have included Clementine; Dead Pigs; House of Hummingbird; Jinn; Lost Bayou; Menashe; Noah Land; Nancy; and The Third Wife. The program runs July 15-19 at the Made in NY Media Center by Ifp located in Dumbo, […]...
- 7/15/2019
- by Filmmaker Staff
- Filmmaker Magazine - Blog
As part of their line-up for August Eureka’ Entertainment will release Ash Mayfair’s critically acclaimed “The Third Wife“.
Synopsis
A winner of the Spike Lee Production Fund, and inspired by the history of director Ash Mayfair’s family, The Third Wife is a coming-of-age story; a tale of love and self-discovery in a time when women were rarely given a voice.
In the late 19th century in rural Vietnam, fourteen-year-old May is given away in an arranged marriage and becomes the third wife to her older husband. May learns that she can gain status and security if she gives birth to a male child. This becomes a real possibility when she gets pregnant. However, her path is fraught with danger when May starts to develop an attraction for Xuan, the second wife. As May observes the unfolding tragedy of forbidden love and its devastating consequences, she must make a choice,...
Synopsis
A winner of the Spike Lee Production Fund, and inspired by the history of director Ash Mayfair’s family, The Third Wife is a coming-of-age story; a tale of love and self-discovery in a time when women were rarely given a voice.
In the late 19th century in rural Vietnam, fourteen-year-old May is given away in an arranged marriage and becomes the third wife to her older husband. May learns that she can gain status and security if she gives birth to a male child. This becomes a real possibility when she gets pregnant. However, her path is fraught with danger when May starts to develop an attraction for Xuan, the second wife. As May observes the unfolding tragedy of forbidden love and its devastating consequences, she must make a choice,...
- 6/7/2019
- by Rouven Linnarz
- AsianMoviePulse
Vietnamese director Ash Mayfair has issued a defiant defense of her debut feature The Third Wife following controversy over intimate scenes involving the film’s young female star that led to the production being withdrawn from cinemas in the country.
“I am speaking up for artists and for the right to create,” Mayfair told The Hollywood Reporter, in her first public comments since the film was withdrawn from cinemas in Vietnam last Tuesday.
“This [controversy] cannot make Vietnamese artists afraid to express their viewpoint.”
The Third Wife’s release in Vietnam on May 17 sparked debate in the country’s ...
“I am speaking up for artists and for the right to create,” Mayfair told The Hollywood Reporter, in her first public comments since the film was withdrawn from cinemas in Vietnam last Tuesday.
“This [controversy] cannot make Vietnamese artists afraid to express their viewpoint.”
The Third Wife’s release in Vietnam on May 17 sparked debate in the country’s ...
- 5/31/2019
- The Hollywood Reporter - Movie News
Vietnamese director Ash Mayfair has issued a defiant defense of her debut feature, The Third Wife, following controversy over intimate scenes involving the film’s young female star that led to the production being withdrawn from cinemas in the country.
“I am speaking up for artists and for the right to create,” Mayfair told The Hollywood Reporter, in her first public comments since the film was withdrawn from cinemas in Vietnam last Tuesday.
“This [controversy] cannot make Vietnamese artists afraid to express their viewpoint.”
The Third Wife’s release in Vietnam on May 17 sparked debate in the country’...
“I am speaking up for artists and for the right to create,” Mayfair told The Hollywood Reporter, in her first public comments since the film was withdrawn from cinemas in Vietnam last Tuesday.
“This [controversy] cannot make Vietnamese artists afraid to express their viewpoint.”
The Third Wife’s release in Vietnam on May 17 sparked debate in the country’...
- 5/31/2019
- The Hollywood Reporter - Film + TV
Cross-city transport unties people from different faiths, backgrounds.
Film Movement has picked up North American rights to Amos Gitai’s Venice 2018 award winner A Tramway In Jerusalem, featuring an ensemble that includes Mathieu Amalric.
The Israeli filmmaker’s latest feature is a multi-cultural drama exploring the cultural divides that separate the inhabitants of one of the world’s most iconic cities, as different religions mingle on the Light Rail Red Line of Jerusalem’s tramway that connects the city from East to West, from the Palestinian neighborhoods of Shuafat and Beit Hanina to Mount Herzl, site of Israel’s national cemetery.
Film Movement has picked up North American rights to Amos Gitai’s Venice 2018 award winner A Tramway In Jerusalem, featuring an ensemble that includes Mathieu Amalric.
The Israeli filmmaker’s latest feature is a multi-cultural drama exploring the cultural divides that separate the inhabitants of one of the world’s most iconic cities, as different religions mingle on the Light Rail Red Line of Jerusalem’s tramway that connects the city from East to West, from the Palestinian neighborhoods of Shuafat and Beit Hanina to Mount Herzl, site of Israel’s national cemetery.
- 5/31/2019
- by Jeremy Kay
- ScreenDaily
Tilda Swinton and daughter Honor Swinton Byrne play mother and daughter in writer-director Joanna Hogg’s The Souvenir, which took the World Cinema – Dramatic prize at the Sundance Film Festival, where it debuted in January. In fact, the filmmaking team already is readying their follow-up even as the first installment heads to several theaters this weekend via A24. Roadside Attractions took rights to Telluride premiere Trial by Fire last fall. Starring Laura Dern and Jack O’Connell, the title takes on the death penalty, based on a true story. Amazon Studios is heading out with Sundance debut Photograph by Ritesh Batra in over a half-dozen markets, while Magnolia Pictures is going day-and-date with sci-fi title Aniara, which it acquired out of last year’s Toronto. Samuel Goldwyn Films is “counterprogramming” the early-summer blockbuster season with All Creatures Here Below starring Karen Gillan and David Dastmalchian.
Other limited releases this weekend...
Other limited releases this weekend...
- 5/17/2019
- by Brian Brooks
- Deadline Film + TV
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