The late Alan J. Pakula's 1974 film about political murders is a superbly crafted thriller that holds the audience in its quiet, unsettling grip.
Warren Beatty gives his character of Joe Frady, a "third-rate" journalist, just the right balance of recklessness and determination to enable one to have faith in this man to uncover such shady, potentially threatening goings-on.
Beatty is ably backed up by the supporting cast, most notably Hume Cronyn as Frady's editor, and Paula Prentiss and William Daniels as, respectively, a television reporter and columnist both in fear for their lives.
Composer Michael Small's main theme (used at strategic points throughout the film and often playing on the traditional patriotic sound of the trumpet) has a quality both mournful and despairing that relates effectively to what we are watching. It is a rather sparse music score, but this seems to add to its power. Gordon Willis's Panavision photography conveys threat in even the most everyday of locations (his rendering of modern architecture is especially strong in suggesting a faceless, omnipotent threat), while the editing rhythms and sound design contribute a great deal in throwing the audience off-balance.
Pakula has been involved in more widely-known projects such as All The President's Men and Presumed Innocent, but The Parallax View is definitely one of his best and most powerful films.
Warren Beatty gives his character of Joe Frady, a "third-rate" journalist, just the right balance of recklessness and determination to enable one to have faith in this man to uncover such shady, potentially threatening goings-on.
Beatty is ably backed up by the supporting cast, most notably Hume Cronyn as Frady's editor, and Paula Prentiss and William Daniels as, respectively, a television reporter and columnist both in fear for their lives.
Composer Michael Small's main theme (used at strategic points throughout the film and often playing on the traditional patriotic sound of the trumpet) has a quality both mournful and despairing that relates effectively to what we are watching. It is a rather sparse music score, but this seems to add to its power. Gordon Willis's Panavision photography conveys threat in even the most everyday of locations (his rendering of modern architecture is especially strong in suggesting a faceless, omnipotent threat), while the editing rhythms and sound design contribute a great deal in throwing the audience off-balance.
Pakula has been involved in more widely-known projects such as All The President's Men and Presumed Innocent, but The Parallax View is definitely one of his best and most powerful films.
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