After the high profile, but at the time commercial unsuccessful Bladerunner, Ridley Scott's meteoric rise into Hollywood juddered to a halt. Nevertheless Scott decided to head in a different direction with this small scale, archetypal and relationship oriented drama about how a committed but inexperienced working-class detective (Tom Berenger), under pressure to protect a charming and beautiful New York socialite (Mimi Rogers) as part of witness protection team plays out in circumstances of growing pressure and danger.
Berenger's character is working in shifts with two much more experienced detectives (well played in smaller parts by Tony DiBenedetto and James E Moriarty) and watching him develop a repressed human affection for Mimi Rogers character, who plays her character as vulnerable but also charming and assertive is involving and enjoyable. One event then tips this friendship over into a full blown affair, and the rest of the film deals head on with the consequences of this decision in the context of Venza's growing determination and finally desperation not to be identified as the murderer. Alongside this is how the relationship between Berenger's character and his family, well played by the relatively new to Hollywood Lorraine Bracco as his wife and child actor turned businessman Harley Cross as his son changes as the affair becomes public. This change is well realised, though the film's ending does feel a little too convenient, even if it is emotionally satisfying. However the progression of the story works well as Mimi Rogers portrayal of her character means the viewer ends up being sympathetic to the tragic circumstances unfolding of two individuals caring for the welfare of each other being placed in an ever more intense situation.
While hardly a success at the box office, (around $10 million in US takings against at $10-$15 million budget) as a film is was Scott's most human and relationship driven film at this point in his career. He coaxed solid performances from the cast, and despite a focus on characters he still produced a visually impressive film, making New York look fabulous. Technical credits are solid all round with a particular nod to Steven Poster's excellent photography.
Overall a fascinating and involving film.
Berenger's character is working in shifts with two much more experienced detectives (well played in smaller parts by Tony DiBenedetto and James E Moriarty) and watching him develop a repressed human affection for Mimi Rogers character, who plays her character as vulnerable but also charming and assertive is involving and enjoyable. One event then tips this friendship over into a full blown affair, and the rest of the film deals head on with the consequences of this decision in the context of Venza's growing determination and finally desperation not to be identified as the murderer. Alongside this is how the relationship between Berenger's character and his family, well played by the relatively new to Hollywood Lorraine Bracco as his wife and child actor turned businessman Harley Cross as his son changes as the affair becomes public. This change is well realised, though the film's ending does feel a little too convenient, even if it is emotionally satisfying. However the progression of the story works well as Mimi Rogers portrayal of her character means the viewer ends up being sympathetic to the tragic circumstances unfolding of two individuals caring for the welfare of each other being placed in an ever more intense situation.
While hardly a success at the box office, (around $10 million in US takings against at $10-$15 million budget) as a film is was Scott's most human and relationship driven film at this point in his career. He coaxed solid performances from the cast, and despite a focus on characters he still produced a visually impressive film, making New York look fabulous. Technical credits are solid all round with a particular nod to Steven Poster's excellent photography.
Overall a fascinating and involving film.
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