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Battle Hell (1957)
7/10
Solid war film with good cast
8 May 2024
The Yangtse Incident (Battle Hell is the American title) is a British film based on the true story of HMS Amethyst, a British ship that was fired on and severely damaged by communist forces in China during the civil war there in 1949. HMS Amethyst was taking supplies to Nan King for the British residents there when it was attacked by gun emplacements on the banks of the river Yangtse. They were trapped and had to negotiate with the Chinese communists while running out of supplies. The filthy Commies wanted them to admit they had fired first, which wasn't true, and our honest British officers were not going to lie just to save their own skins.

It was interesting to see the technology of warfare back then, heavily dependent on oil with Morse code for communication and horns to shout through for transmitting commands. The officers and crew were the usual types you see in war films, cheerful working-class seamen and stiff upper-lipped gentlemen in braid, all good people. Among the former were several British actors of note, including Ian Bannen and Bernard Cribbins. William Hartnell, with short hair, had a starring role as Leading Seaman Leslie Frank. This was long before he became the first Doctor Who but he still looked quite old. I saw in the cast list but didn't spot in the film Kenneth Cope who played Hopkirk (deceased) in another famous TV drama. Barry Foster played Petty Officer McCarthy here and Van der Valk later. It seems if you stick around long enough you will eventually get to star in something. I didn't recognise many of the star actors who played officers, but that's probably because they were stars and didn't bother with television.

Since the real-life incident took place in 1949, I assume that many, if not most, of the officers and crew of HMS Amethyst would have already been through World War II and were hardened to battle. They probably thought they had done enough. Anyway, it was an enjoyable film for someone of my generation, with a solid true story and the fun of spotting actors from long ago. I recorded it on Film 4, where it will roll around again, no doubt, but it probably plays on Talking Pictures and other retro channels, too. Worth a watch.
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7/10
Scary in places
20 August 2022
I can't remember the original story so I don't know how faithful this is to Lovecraft - not much, I suspect - but as a horror film in its own right, it's pretty good. A beautiful blonde imperilled by a sinister bloke from a hated local family with a bad legend in their past. Perfect. It's a bit slow at times and the Old Ones seem more like traditional demons than cosmic beings but that's what Hollywood does. Ed Begley was great as the decent old man. Pleasant Friday night fare.
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6/10
Menacing Ed McNamara
20 August 2022
Warning: Spoilers
Jeff Goldblum - looking very young - gets off the train after an argument with another passenger about what life is like in these little towns in the middle of nowhere. His idealistic vision is soon punctured as the locals are less than friendly, and one follows him. I thought the ending was a little unconvincing but not impossible. No fantasy element here, just straight psycho drama.
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The Ray Bradbury Theater: The Crowd (1985)
Season 1, Episode 3
7/10
Roads are not safe in Bradbury land
20 August 2022
Despite living in LA nearly all his life, Bradbury is not a fan of the car. I'm not sure he ever learned to drive. Here a man survives an accident but notes the faces of the crowd that gathers and becomes convinced they were evil. Not long after he witnesses another accident and the same people arrive. Who are they? How do they know when an accident will happen? He investigates with his friend (who has the irritating American habit of constantly chewing gum). Decent fantasy idea with a good, scary ending.
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The Ray Bradbury Theater: The Playground (1985)
Season 1, Episode 2
5/10
Let down by the ending
20 August 2022
William Shatner acts well as the dad who doesn't want his son to go to the local playground because of his own childhood trauma. Another universal theme? I remember one time my brothers and I were scared out of the local playground when some big kids came in and started pushing everyone around. The spooky close ups of frightening children make it frightening but the end was confusing. A short story needs a good conclusion.
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The Ray Bradbury Theater: Marionettes, Inc. (1985)
Season 1, Episode 1
7/10
Spooky Nielsen
20 August 2022
I didn't know the story. At first I thought it was a Robert Bloch story about Marionettes and the title reminded me of Quitters Inc by Stephen King.

The theme of escaping your dull life is perhaps universal and it was fun seeing Nielsen in a horror role. I didn't guess the ending. Very well done episode.
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5/10
Enjoyable Hokum
1 May 2022
Young Tom Selleck buys a painting of three witches being burnt at the stake because one of them looks like his wife. She is disturbed by the painting. Then a fierce dog disappears from the picture and reappears in real life. Then one of the witches vanishes and a lady looking like her applies for the job of housemaid. The early mystery is done well and the tension and sense of looming evil builds nicely. Some nudity to draw in young punters in those pre-internet days but more scary than gory. Not bad.
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Total Recall (I) (2012)
6/10
Lots of shooting and dangling
2 October 2021
This is an action movie with a small nod to the issue of identity and memory. Are we made by our memories. Could we be someone different if they were changed? Who cares? Lots of chases and fast car action (flying cars!), explosions and crashes keep you engaged. The concept of the Fall, a tunnel connecting Britain to Australia (the colony) was interesting, though probably impossible in real life. The original film had Mars. The two lovely female leads looked quite similar which was a bit confusing. Apart from that there was lots of shooting. The hero Quaid has only a T-shirt for protection but luckily the enemy synthetics couldn't hit the side of a barn door. Aptly, they look similar to stormtroopers in Star Wars who also missed every time. It was a bit of fun, though and I don't regret seeing it.
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Enemy Mine (1985)
7/10
Solid story if a bit corny
30 September 2021
Enemy Mine has a human warrior and an alien trapped together on a hostile planet plagued with meteor showers and having to survive. They need each other even though their races have been fighting for a while. I took a while to warm to Dennis Quaid's hero but that was probably planned. Louis Gossett jr was great as the alien Drac. It turned out a lot better than I expected from the first twenty minutes and there were some good twists to the plot. Special effects were pretty good for the time. Bright, colourful, fun science fiction with a bit of a message but not preachy.
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Blake's 7: Star One (1979)
Season 2, Episode 13
8/10
Very good episode - real SF
10 November 2020
Warning: Spoilers
Blake's 7 get to Star One intending to disable it and then find it controls a vital minefield repelling a possible invasion from the Andromeda Galaxy - and it's been infiltrated by aliens! Plenty of drama and a great ending. Avon is terrific.
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Blake's 7: The Keeper (1979)
Season 2, Episode 12
4/10
Shouty bearded men
10 November 2020
Frankly, I found all the shouting and bad acting so awful I skipped to the end.
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Doctor Who: The Survivors (1963)
Season 1, Episode 6
8/10
Daleks!
10 November 2020
Some character development with our four heroes, somewhat negatively in the case of the Doctor who is sly and manipulative. He got better. The Daleks are nicely ruthless but their voices are not quite as squawky as they later became. On the other hand, they do have proper conversations and aren't just shouting slogans about extermination and being supreme. Some later Daleks were downright moronic.
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Doctor Who: The Dead Planet (1963)
Season 1, Episode 5
7/10
The Daleks are coming ...but not yet
10 November 2020
The opening episode has the Doctor and companions wandering around in a petrified forest. Ian often takes the lead in these early episodes. Good opener to get the viewer interested.
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Doctor Who: The Firemaker (1963)
Season 1, Episode 4
6/10
Goodbye cavemen, hurray!
8 November 2020
Some good fight scenes and the Tardis crew finally get away from the cavemen and go on to more interesting adventures, one hopes. The opening adventure was watchable but nothing great.
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Doctor Who: The Forest of Fear (1963)
Season 1, Episode 3
6/10
Some drama and good directing
8 November 2020
The Doctor and crew escape into The Forest of Fear and encounter a fierce beast. Close ups of them running through the forest in darkness were effective. Ian is surprisingly good at adventure for a school teacher and often takes the lead. The cavemen are moronic but maybe they were!
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Doctor Who: The Cave of Skulls (1963)
Season 1, Episode 2
5/10
Boring cavemen
8 November 2020
Cavemen trying to make fire and competing over who should be leader are not very interesting. The whole thing of getting captured and escaping became rather a tiresome feature of Who over the years. The problem for dramatists was to separate them from the Tardis and put them in danger. Similar to Star Trek writers problem which was to make transportation impossible, otherwise Kirk could just beam out of trouble.
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Doctor Who: An Unearthly Child (1963)
Season 1, Episode 1
8/10
Able introduction to the set up
8 November 2020
The concept behind Doctor Who is what has made it a success over the decades. The first episode had a lot to do and doesn't rush it. When Ian and Barbara follow Susan back home and find a phone box that's bigger on the inside and is really a ship, they don't believe it. I liked the grumpy, impatient Doctor too. He's far to nice and cuddly nowadays.
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3/10
Challenge yourself to watch all of it
26 October 2020
'The Killings at Outpost Zeta' has corny dialogue spoken by bad actors in scenery from low budget British TV SF and is made worse by an intrusive and terrible electronic music score. The plot is essentially that of 'Alien' and they use 'Starfleet' as the authority behind the mission. I guess Star Trek has no copyright on the name 'Starfleet'. Really, it's no worse than many a 1950s B Movie and it passes the time. One for fans of corny, bad science fiction and sort of loveable on that level. I saw it on Talking Pictures which is a great source for old movies both good and bad.
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6/10
Scary until the monster shows up
19 October 2020
Warning: Spoilers
I caught this on Talking Pictures which is great for showing old British films. Pretty standard horror/sci-fi about aliens landing in a remote location and picking off the locals one by one. I thought it was most scary when the headless corpses were a mystery and when the aliens were controlling dead people, re-animating them to kill the telepathic girl played by lovely Janet Munro. When the one-eyed monsters showed up it became routine. But a pretty good watch, all in all. Like Charlton Heston later, Forrest Tucker did SF B-movies just to keep working.
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Blake's 7: Gambit (1979)
Season 2, Episode 11
5/10
Camp
23 September 2020
This is a rather daft episode because it's so camp and also the double crossing gets very complicated. Everyone hams it up. Fun in a way but not really my cup of tea.
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7/10
Enjoyable romp
26 August 2020
The Huntsman: Winters War doesn't work well as a prequel to 'Snow White and the Huntsman' due to a number of anomalies pointed out by others, mainly relating to the lack of Ravenna's brother Finn in her past and the presence of a new sister. However, treat it as a separate film and it's pretty good. Chris Hemsworth plays his part well and Charlize Theron is the fairest of them all, if not the nicest. The special effects are well wrought and the adventure keeps you watching. As in the previous film, the dwarfs provide light entertainment. Enjoyable hokum and great escapism. I enjoyed it.
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8/10
A Must Have for any 2000AD fan
15 August 2020
Britain was troubled in the late seventies. The unions were on strike and dead bodies were piling up in the streets; or was it garbage? There were power cuts when the coal miners stopped work and industry became even less industrious than usual as the lights went out. In desperation the public voted Margaret Thatcher into power, a polarising figure who led us into an age of riots and street protests. Brixton burned. Saint Paul's in Bristol burned a bit too and I lived quite near. Punk rock arrived and rebellion was in the air.

Rebellion owns 2000AD now, of course, but in the beginning - February 1977 - it was put out by staid Scottish publisher I.P.C. Magazines. The management were pipe smoking ex-cavalrymen in tweeds. Pat Mills, one of the founders, says that British comics were dire at the time, especially the boys stuff. Mills says the girls comics were more intelligent and had some emotional depth. He quite enjoyed writing them. However, a boy grew up reading funnies like the Beano and the Dandy but after that had nowhere to go. Well, he did, actually. He could go read the American comics like I did and like most of the creators of 2000AD did.

So Mills founded Action a realistic, violent comic which fell afoul of the censors. He was trying to give kids the feel of those movies they weren't allowed to see, like Death Wish. Then someone told someone at the publishers that a film called Star Wars was going to be huge and SF was the new trend. Keen to cash in they agreed to let Mills start a new SF comic called 2000AD. It was still in the British anthology format but slightly different in that each strip had five or six pages per episode rather than two. This gave the artists and writers more leeway. Older comics tended to have about nine small panels to the page. With more room the artists could do bigger, splashier layouts in the style of those American comics many of them loved.

Not that 2000AD was an American clone. No, sir. I think the Comics Code Authority would have jumped on it like a ton of bricks. 2000AD was largely built up by the creators interviewed here: Pat Mills, John Wagner, Grant Morrison, Neal Gaiman, Dave Gibbons and of course many others. Pat Mills, as his interviews show, is a feisty, rebellious fellow of Irish descent with a sincere grudge against the middle class, the Catholic Church and the English establishment. The others were young free spirits with anarchic tendencies but I get the impression he was the driving force. They all loved comics as a medium but wanted to do something different, and did. 2000AD was full of violence, gore, shocks etc. but also had a sense of humour, generally black. In 1978 I was at that age where you feel silly reading comics and want to pursue girls and drink (Neil Gaiman confesses to the same thing here) so I didn't read it at the time but I have read a lot of the collected reprints and I think the dark wit was best thing about it. Pat Mills was a fan of the English satirical magazine Private-Eye and that had some influence.

There are loads of interesting facts here. Judge Dredd started out slow but became more popular as time went on. The favourite strip at first was some violent fellow called M.A.C.H. 1. The film gives background information on such famous strips as Strontium Dog, Slaine, Rogue Trooper, ABC Warriors, Halo Jones, D.R. and Quinch and the joyous little Future Shocks, short stories where new writers cut their teeth. All the writers say that the discipline of doing Future Shocks, having to tell a proper, structured story in such a tiny space, forced them to do better and was a great training exercise. Future Shocks were the foot in the door, not just one but ten or twenty sometimes before you'd get more work. Alan Moore did about forty before he managed to land a whole strip for himself. The rest is history.

Big Al is missing here. I guess he didn't want to take part. Everyone else says nice things about his work, unsurprisingly, and Neil Gaiman deeply laments the fact that The Ballad of Halo Jones was left unfinished. He said Moore took two hours one day to tell him the rest of the story and he ended up in tears. Moore has gone on to other things now so we're unlikely ever to see it, alas.

Karen Berger features a lot, too. Who she? Karen is the young lady from DC Comics who came over here with Dick Giordano, poached all the 2000AD talent and took it off to America to do other things, mainly with the Vertigo imprint. Alan Moore and Brian Bolland were the first to go. For a while 2000AD became a shop window for American companies, something that Pat Mills deeply resented. Happily, some of them remember their roots and still do work for it now and then, just for fun.

Disc one is the main story of 2000AD and it's terrific. Plenty of splashy graphics on show as you might expect. It's mainly told through interviews. Disc two features the extras which are extended interviews with the same people. Pat Mills' was about an hour! In some ways Disc 2 was even more interesting that Disc 1.

Together they make a fine, engrossing package. I was glued to the screen. This is a must have for any fan of 2000AD and any comics historian.
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9/10
Damn near perfect
15 August 2020
Like 'Enter the Dragon' and 'Warriors' and 'Batman: Dark Knight' this is a near perfect example of a certain type of film - the violent action thriller. It does exactly what you want. The villain Jigsaw is way over the top and his crazy brother Loony-Bin James is even worse. The Punisher looks just like the Punisher in the comics and behaves like him as well. The wife and little girl in trouble add a bit of emotional content. All the action scenes are great and it builds to a terrific last great all out battle against impossible odds. I really enjoyed it, not because I'm a moron who only likes action but because it does what it says on the tin.
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6/10
Best seen big screen but okay
15 August 2020
Watched this on telly last night and it didn't have the same impact. The story is okay, a bit too all-American hero rightly stuffed to take seriously but okay. Jeff Goldblum's dad was meant to be lovable but I found him annoying. I liked Will Smith's girlfriend; a lot. The special effects were good. You just know all the dogs and children are going to survive but who would want them dead? I liked the President being kept in the dark about Area 51 and the flying combat scenes were well done. Genuine popcorn fun for all the family and not a bad way to spend a few hours.
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7/10
Enjoyable romp but who's the fairest of them all?
15 August 2020
I liked this more than I expected to and my girlfriend really enjoyed it. Many exciting moments and some fine fights. Chris Hemsworth was good as the hero and Charlize Theron was both villainous and lovely as the Queen. The title character was nicely played but they should have picked an actress who could pass for 'the fairest of them all'. Oh well. The dwarfs were good fun and the Queen's evil brother was delightfully dastardly. All CGI of course but it looked good.
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