The aesthetic of Asteroid City - as is to be expected from Anderson - is magnificent. The use of juxtaposition to keep the viewer alert, the stylised stage-like design, the subtle humour interwoven visually, in unexpected action, and dialogue are all halmarks of the greatness of Anderson.
However, as other reviewers have mentioned, unlike Budapest, or most notably Darjeeling Limited - whose characters were engaging and beautiful - Wes has sacrificed style over content here. There are a small but notable number of exceptions - a scene with Father and Son, and the scene with Schwartzman and Robbie for example that cut through. However overall I wasn't as connected with the characters as his other films.
It's an all star cast mind you - you keep going Wow! And Wow! And it certainly can be described as an epic ensemble, but that's perhaps where it might have sacrificed the depth for the wow factor.
Still loved it and enjoyed it - if you live Wes' style you will too - but not his best.
However, as other reviewers have mentioned, unlike Budapest, or most notably Darjeeling Limited - whose characters were engaging and beautiful - Wes has sacrificed style over content here. There are a small but notable number of exceptions - a scene with Father and Son, and the scene with Schwartzman and Robbie for example that cut through. However overall I wasn't as connected with the characters as his other films.
It's an all star cast mind you - you keep going Wow! And Wow! And it certainly can be described as an epic ensemble, but that's perhaps where it might have sacrificed the depth for the wow factor.
Still loved it and enjoyed it - if you live Wes' style you will too - but not his best.
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