Being a child of the 1970's, I was naturally thrilled to learn that THE ELECTRIC COMPANY was making the rounds to the TV-on-DVD market. Having already purchased it, I can only hope they plan on releasing more volumes in the upcoming months. The show bridges many gaps between the generations and its greatness lies, not only in it being educational, but vastly entertaining as well. It even threw in some subtle "adult" humor as well. I'm glad the Shout Factory has compiled this "best of" retrospective, but I do hope there's more on the way. The box set only scratches the surface. Besides, it would also be nice to know what the rest of the cast has been up to, not just Rita Moreno, Morgan Freeman and a few members of the "Short Circus". Still, I'm glad it's finally out there and I hope there's more to come.
Reviews
41 Reviews
King Kong
(2005)
In all kindness.....GET A LIFE!!!!!!!!!!!!!!!!!!!
3 January 2006
I'd like to get this off my chest...
King Kong is the most overblown, over-rated, over-hyped movie of 2005! I find it pathetic, hilarious and sad that audiences and critics are fawning heavily over this waste of celluloid. Peter Jackson is nothing more than a bad Spielberg clone who couldn't direct traffic! To all the critics and audiences praising this tripe...A LONG AND HEARTY LAUGH TO YOU. Hollywood deserves its lackluster reputation and hope to see it trip over itself again in 2006! Thank you 'KONG' for proving there's no more originality in Hollywood!
I rest my case.
King Kong is the most overblown, over-rated, over-hyped movie of 2005! I find it pathetic, hilarious and sad that audiences and critics are fawning heavily over this waste of celluloid. Peter Jackson is nothing more than a bad Spielberg clone who couldn't direct traffic! To all the critics and audiences praising this tripe...A LONG AND HEARTY LAUGH TO YOU. Hollywood deserves its lackluster reputation and hope to see it trip over itself again in 2006! Thank you 'KONG' for proving there's no more originality in Hollywood!
I rest my case.
Barriers
(1998)
An earnest film with some weaknesses.
14 April 2005
"Barriers" is at times, an effective little tale with a lot of ambition and a lot of heart, but which seems curiously muted and sometimes misses the impact it so desperately needs. The material should make a harsher statement about the struggles of race, class and gang violence, but seems oddly toned down as if to keep it "safe" for its targeted youth audience. Considering the profanity used for realism, why didn't director Alan Baxter and writer Charles Ricciardi go for broke in achieving more realism and stronger depth?
Another problem is the lead performance by young Jamaul Roots should have been a little more convincing. Roots plays "Tori", the overprotected, shy protagonist who is consistently bullied by the local thugs until one of them, a kid named "Snake", (well-played by Geoff Garcy) defends him. Roots plays him just a little too annoyed and not really sympathetic. Yes, we see that this kid doesn't make a lot of friends and seems too angry at his parents' smothering, but a hobby would've really improved his plight (and one not involving arcade games) or better yet, maybe a trip to the counselor's office or a really angry confrontation with his parents.
Garcy adds a considerable amount of complexity as "Snake", the gang youth who may not be the punk that everyone else assumes he is. His act of "theft" is clearly motivated by need instead of amorality, and it's actually the need for acceptance from his volatile brother (Derrick Roberts) a gang member who sees him as weak and soft. Roberts is indeed the strongest element of the film and gives the film its shot of hardcore adrenaline.
Golden plays Phil, the middle-aged college student who is hired by Tori's parents to care for him and credit goes to her for being a strong presence. She's tough, yet vulnerable and doesn't come off as a victim or put-upon. But the scene where she tells off her cheating boyfriend fails to impress, due to the scant dialog and the overall staginess of the acting. In fact, a fight in a schoolyard almost comes across as comical, particularly when a young girl has her hands covering her eyes and mouth(!). There are a few scenes that do resonate with truth and force; one being when Phil confronts Tori's father about the missing credit card numbers and a scene where Tori seeks comfort from Phil even after the consequences of honesty have forced her out of a job. The film's humor and even heart comes from a cameo by the late gay writer Quentin Crisp as an elderly store clerk who contemplates his mortality.
Overall, "Barriers" has its strengths, and it is refreshing that a character-driven story was being told, but a low-budget, character-driven story should never play by the rules.
**1/2
Another problem is the lead performance by young Jamaul Roots should have been a little more convincing. Roots plays "Tori", the overprotected, shy protagonist who is consistently bullied by the local thugs until one of them, a kid named "Snake", (well-played by Geoff Garcy) defends him. Roots plays him just a little too annoyed and not really sympathetic. Yes, we see that this kid doesn't make a lot of friends and seems too angry at his parents' smothering, but a hobby would've really improved his plight (and one not involving arcade games) or better yet, maybe a trip to the counselor's office or a really angry confrontation with his parents.
Garcy adds a considerable amount of complexity as "Snake", the gang youth who may not be the punk that everyone else assumes he is. His act of "theft" is clearly motivated by need instead of amorality, and it's actually the need for acceptance from his volatile brother (Derrick Roberts) a gang member who sees him as weak and soft. Roberts is indeed the strongest element of the film and gives the film its shot of hardcore adrenaline.
Golden plays Phil, the middle-aged college student who is hired by Tori's parents to care for him and credit goes to her for being a strong presence. She's tough, yet vulnerable and doesn't come off as a victim or put-upon. But the scene where she tells off her cheating boyfriend fails to impress, due to the scant dialog and the overall staginess of the acting. In fact, a fight in a schoolyard almost comes across as comical, particularly when a young girl has her hands covering her eyes and mouth(!). There are a few scenes that do resonate with truth and force; one being when Phil confronts Tori's father about the missing credit card numbers and a scene where Tori seeks comfort from Phil even after the consequences of honesty have forced her out of a job. The film's humor and even heart comes from a cameo by the late gay writer Quentin Crisp as an elderly store clerk who contemplates his mortality.
Overall, "Barriers" has its strengths, and it is refreshing that a character-driven story was being told, but a low-budget, character-driven story should never play by the rules.
**1/2
The Bonfire of the Vanities
(1990)
Decent, but not wholly effective.
15 February 2005
I couldn't get past the Tom Wolfe novel; but it can be said that the movie does it justice. Wolfe's writing is as sanctimonious as the movie it is based upon. If the critics and book fans hate it, it's because it's the adaptation that was intended!
I am a die hard DePalma fan and I must say that the film makes it's points (however broad they may appear). There is hidden and overt racism in politics, there are corrupt people in politics and the clergy and yes, even poor people act worse than rich people. But honestly, Wolfe's book was not the --bleeping-- Bible and should not be as revered as it was. Adaptation from book to film always has a life of its own and everyone who sees and makes films should take this into account.
Proof of this is the clever prologue and epilogue where they even lampoon the bull (ish) praise this book received! Honestly though, if the film was made today, I think it should be directed by Spike Jonze and written by Charlie Kaufman (the folks behind 2002's "ADAPTATION".)
C+
I am a die hard DePalma fan and I must say that the film makes it's points (however broad they may appear). There is hidden and overt racism in politics, there are corrupt people in politics and the clergy and yes, even poor people act worse than rich people. But honestly, Wolfe's book was not the --bleeping-- Bible and should not be as revered as it was. Adaptation from book to film always has a life of its own and everyone who sees and makes films should take this into account.
Proof of this is the clever prologue and epilogue where they even lampoon the bull (ish) praise this book received! Honestly though, if the film was made today, I think it should be directed by Spike Jonze and written by Charlie Kaufman (the folks behind 2002's "ADAPTATION".)
C+
Living Out Loud
(1998)
An unsung masterpiece from the dreary 1990's
11 February 2005
Warning: Spoilers
I saw this film back in 1998 when it was released, and I must say that to this day, it remains the most resonant, most joyous and most uplifting film I've ever seen. The fact that the vastly thick movie-going public didn't embrace this film is just a mere testament to how great it was. (I guess they all loved "Armaggedon"!)
The complaint about a weak storyline is completely unfounded. Who hasn't had obstacles to overcome in life and love and yes, divorce is a huge obstacle! Writer/director Richard LaGravenese understood this and actually fashioned his film out of real life, not fabrication. His character Judith (Holly Hunter) is a real flesh-and-blood woman going through the painful trial of divorce from an insensitive, callous jerk and struggles with loneliness and sorrow. She is also a woman of wants and desires and a certain unfortunate taste in bad men and also prone to fantasy. Who doesn't know anyone like that?
Enter Pat (superbly played by Danny DeVito), an elevator man in an upscale building who is largely ignored and mistreated by the snobs in that building, until Judith (who also lives there) takes the time to get to know him. He has marital problems and gambling problems. Who doesn't?
Then there's Liz, (the sultry Queen Latifah) the nightclub jazz singer who puts up a front on stage and off, until she learns to be a little more human to her fan base. Talented people are often misunderstood or lopped in with the nasty snobs. Who hasn't had a similar negative encounter with a person you admire?
****SPOILER ALERT**** One of the biggest and trickiest risks that LaGravenese took was not to make Hunter and DeVito's characters obvious targets for romance and that they didn't fall in love with each other. I'm actually glad that he took a strong realistic approach to the material as opposed to the glossed-over Hollywood treatment. These were real people in real situations, not cardboard cutouts in search of a plot.
All in all, LaGravenese (who's work such as "THE FISHER KING", "THE REF" and "A LITTLE PRINCESS" I've admired) tells his story with plenty of humor, sadness, wit, anger, sass, and plenty of music. Latifah's powerful voice was a sign of things to come for this talented artist. Though she didn't receive a nomination for this film, it's clear she was noticed. In fact, all involved moved on to bigger and better things since, so no sense crying about it.
I like the fact that it's in my DVD collection to enjoy over and over again. Hopefully you will too.
The complaint about a weak storyline is completely unfounded. Who hasn't had obstacles to overcome in life and love and yes, divorce is a huge obstacle! Writer/director Richard LaGravenese understood this and actually fashioned his film out of real life, not fabrication. His character Judith (Holly Hunter) is a real flesh-and-blood woman going through the painful trial of divorce from an insensitive, callous jerk and struggles with loneliness and sorrow. She is also a woman of wants and desires and a certain unfortunate taste in bad men and also prone to fantasy. Who doesn't know anyone like that?
Enter Pat (superbly played by Danny DeVito), an elevator man in an upscale building who is largely ignored and mistreated by the snobs in that building, until Judith (who also lives there) takes the time to get to know him. He has marital problems and gambling problems. Who doesn't?
Then there's Liz, (the sultry Queen Latifah) the nightclub jazz singer who puts up a front on stage and off, until she learns to be a little more human to her fan base. Talented people are often misunderstood or lopped in with the nasty snobs. Who hasn't had a similar negative encounter with a person you admire?
****SPOILER ALERT**** One of the biggest and trickiest risks that LaGravenese took was not to make Hunter and DeVito's characters obvious targets for romance and that they didn't fall in love with each other. I'm actually glad that he took a strong realistic approach to the material as opposed to the glossed-over Hollywood treatment. These were real people in real situations, not cardboard cutouts in search of a plot.
All in all, LaGravenese (who's work such as "THE FISHER KING", "THE REF" and "A LITTLE PRINCESS" I've admired) tells his story with plenty of humor, sadness, wit, anger, sass, and plenty of music. Latifah's powerful voice was a sign of things to come for this talented artist. Though she didn't receive a nomination for this film, it's clear she was noticed. In fact, all involved moved on to bigger and better things since, so no sense crying about it.
I like the fact that it's in my DVD collection to enjoy over and over again. Hopefully you will too.
The Stepford Wives
(2004)
Amusing....but still a "step" down.
12 June 2004
Having been a fan of the original Bryan Forbes 1975 version, I went to see Frank Oz/Paul Rudnick's comical reinterpretation of Ira Levin's satirical horror story with a wee hint of curiosity. The end result was a mildly amusing rehash, but nothing to brag about. The fact is, since this is being billed as a satire, it doesn't work. The satire was already built in, so what was there the need to improve upon?
The book, published in 1972 (the year of "I am woman, hear me roar".)was already a meditation on the paranoia of the women's liberation movement. Paul Rudnick's (In & Out, Jeffrey) script essentially camps it up and tries to bring a 21st Century twist to the material - with very spotty results.
Nicole Kidman plays a wealthy, powerful TV executive whose reality TV show concept backfires and is almost shot to death. Her husband (Matthew Broderick, a long way from "Ferris Bueller") has the answer to all their prayers. Move to an idyllic Connecticut hamlet where the women are robotic subservients to their successful husbands.
One entertaining aspect is the male "wife" of one the citizens, played well by Roger Bart who spouts his zingy lines like arsenic darts. Better Midler scores a few laughs as an author of a derogatory memoir about her mother ("Mom I Love You, But Please Die") and Glenn Close has a lot of fun with her Martha Stewart-from-hell role.
But Christopher Walken is completely wasted as the town's main creep as is for that matter, so is Kidman, and the movie never quite settles on the right tone. At least the 1975 version got under your skin, while this one only emanates the occasional chuckle.
**1/2
The book, published in 1972 (the year of "I am woman, hear me roar".)was already a meditation on the paranoia of the women's liberation movement. Paul Rudnick's (In & Out, Jeffrey) script essentially camps it up and tries to bring a 21st Century twist to the material - with very spotty results.
Nicole Kidman plays a wealthy, powerful TV executive whose reality TV show concept backfires and is almost shot to death. Her husband (Matthew Broderick, a long way from "Ferris Bueller") has the answer to all their prayers. Move to an idyllic Connecticut hamlet where the women are robotic subservients to their successful husbands.
One entertaining aspect is the male "wife" of one the citizens, played well by Roger Bart who spouts his zingy lines like arsenic darts. Better Midler scores a few laughs as an author of a derogatory memoir about her mother ("Mom I Love You, But Please Die") and Glenn Close has a lot of fun with her Martha Stewart-from-hell role.
But Christopher Walken is completely wasted as the town's main creep as is for that matter, so is Kidman, and the movie never quite settles on the right tone. At least the 1975 version got under your skin, while this one only emanates the occasional chuckle.
**1/2
Scream
(1996)
A classic spoof (and scary too!!)
15 January 2003
I grew up on all the '80's gross-out splatter flicks of yore, and the real pleasure of "Scream" is that both Wes Craven and writer, Kevin Williamson paid homage to all of my favorites....particularly one.
Despite the fact that Drew Barrymore's death scene was a riff on "Psycho", or that nearly very character was a Quentin Tarantino, rules-of-the-horror-genre encyclopedia, did anyone notice that this plot is a direct copy of J. Lee Thompson's HAPPY BIRTHDAY TO ME?
Any thoughts?
Grade: B
Despite the fact that Drew Barrymore's death scene was a riff on "Psycho", or that nearly very character was a Quentin Tarantino, rules-of-the-horror-genre encyclopedia, did anyone notice that this plot is a direct copy of J. Lee Thompson's HAPPY BIRTHDAY TO ME?
Any thoughts?
Grade: B
She's Having a Baby
(1988)
An absolute gem of a film.
30 July 2002
I would go on record to say that John Hughes' "She's Having A Baby" is by far the best film he's ever done -- and this from the man responsible for those giddy teen comedies from the '80's (i.e. BREAKFAST CLUB, SIXTEEN CANDLES, FERRIS BUELLER'S DAY OFF).
It's ironic that his best work would be about grownups, or in this case, growing up. Jake and Kristi (played superbly by Kevin Bacon and Elizabeth McGovern), are indeed, your average married couple going through the same problems most married people do, and most kids their age would be sidestepping. But Hughes adds more dimension and more insight, and in spite of the laughs (which there are, by the way) and even some silly sequences,he still wrings out an air of truth.
Sadly, this film flopped at the B.O. in it's initial release back in 1988, but then why carp about performance. "SHAB" is a quiet gem of a film to be appreciated by the few that appreciate good filmmaking.
Grade: A-
It's ironic that his best work would be about grownups, or in this case, growing up. Jake and Kristi (played superbly by Kevin Bacon and Elizabeth McGovern), are indeed, your average married couple going through the same problems most married people do, and most kids their age would be sidestepping. But Hughes adds more dimension and more insight, and in spite of the laughs (which there are, by the way) and even some silly sequences,he still wrings out an air of truth.
Sadly, this film flopped at the B.O. in it's initial release back in 1988, but then why carp about performance. "SHAB" is a quiet gem of a film to be appreciated by the few that appreciate good filmmaking.
Grade: A-
Fatal Attraction
(1987)
Worth every penny.
27 July 2002
I just recently revisited Adrian Lyne's "Fatal Attraction" on it's recently released DVD, and to this day, the film still generates the same chills and power that it did back in 1987.
The story of one man's nightmare after he has a fateful fling with a psychotic editor (played wonderfully by Glenn Close) is still a testament to the power of filmmaking. Lyne's film is taut, suspenseful and doesn't browbeat it's moral message (unlike his 2002 film "Unfaithful"). Michael Douglas, Glenn Close and Anne Archer are all very effective in their Oscar nominated performances, and James Dearden's screenplay (from his own short film "Diversion") still packs quite a wallop.
I also got to see the controversial "original" ending for the first time, and found as effective as the jarring climactic showdown that made the final cut. It's a keeper. Rent or buy this one and judge for yourself which ending is more palpable
Grade: A-
The story of one man's nightmare after he has a fateful fling with a psychotic editor (played wonderfully by Glenn Close) is still a testament to the power of filmmaking. Lyne's film is taut, suspenseful and doesn't browbeat it's moral message (unlike his 2002 film "Unfaithful"). Michael Douglas, Glenn Close and Anne Archer are all very effective in their Oscar nominated performances, and James Dearden's screenplay (from his own short film "Diversion") still packs quite a wallop.
I also got to see the controversial "original" ending for the first time, and found as effective as the jarring climactic showdown that made the final cut. It's a keeper. Rent or buy this one and judge for yourself which ending is more palpable
Grade: A-
Tigerland
(2000)
Needs to be seen
26 June 2002
Part of the reason I go to the movies, is to see which movies, generally ignored by the public, will catch my attention. Joel Schumacher's "Tigerland" is indeed such a film.
With a bravura debut by Irish actor Colin Farrell, Farrell plays Pvt. Bozz, a troublemaking soldier who has a method to his madness. Set in 1971, during the outset of the Vietnam war, he proposes by example to lead men to think for themselves, rather than obey a system that slaughters them.
Vastly ignored, "Tigerland", is a solid drama, packed with power and raw emotion. Proof that the ignored, are usually the best
Grade: B+
With a bravura debut by Irish actor Colin Farrell, Farrell plays Pvt. Bozz, a troublemaking soldier who has a method to his madness. Set in 1971, during the outset of the Vietnam war, he proposes by example to lead men to think for themselves, rather than obey a system that slaughters them.
Vastly ignored, "Tigerland", is a solid drama, packed with power and raw emotion. Proof that the ignored, are usually the best
Grade: B+
Galaxy Quest
(1999)
Genial "Star Trek" spoof.
25 June 2002
"Galaxy Quest" is the kind of movie that "Star Trek" aficionados can enjoy. Thankfully, it's also for non-Trekkies alike.
The film has great fun, poking and ribbing at the "Star Trek" mystique. Not to mention its legions of fans who swarm to these conventions like a moth to a flame. Even poking fun at some of the "fans" and the eternal devotion they wallow in.
Every cast member was perfectly succinct to it's character. Tim Allen played the William Shatner-type actor, who cares more about his personal trainer appointments than his own cast members. Sigourney Weaver played the token slut character to a tee. Sam Rockwell earns points as a no-name actor. So did Tony Shaloub as the quiet one. But the real scene-stealer was Alan Rickman as the temperamental "thespian", who hated the very line that made him famous.
"Galaxy Quest" is no classic, but it's still a real treat.
Grade: B
The film has great fun, poking and ribbing at the "Star Trek" mystique. Not to mention its legions of fans who swarm to these conventions like a moth to a flame. Even poking fun at some of the "fans" and the eternal devotion they wallow in.
Every cast member was perfectly succinct to it's character. Tim Allen played the William Shatner-type actor, who cares more about his personal trainer appointments than his own cast members. Sigourney Weaver played the token slut character to a tee. Sam Rockwell earns points as a no-name actor. So did Tony Shaloub as the quiet one. But the real scene-stealer was Alan Rickman as the temperamental "thespian", who hated the very line that made him famous.
"Galaxy Quest" is no classic, but it's still a real treat.
Grade: B
After Hours
(I) (1985)
A surrealistic, urban nightmare comedy
24 June 2002
Martin Scorsese's "After Hours" offers nearly two hours of torture; but thankfully, of the good kind. Anyone can really sympathize with having an excruciatingly bad day (or night), but Paul Hackett's (Griffin Dunne) descent into SoHo hell, is by far the funniest ever put on celluloid.
Dunne plays Hackett as an innocent everyman, who innocently flirts with Marcy (Rosanna Arquette), and is invited to her SoHo loft in New York City. But as soon as he hops a cab - that's when it all turns to s***! His only means for the night, flies out the window, and what ensues is an urban version of Dante's Inferno; although which circle, I am not sure of.
It must be true what they say about full moons; because I have most definitely had my share of crazies in the night! But again, how many can say that they've had gay people, bar owners, S&M artists and ice cream truck drivers after them in the space of one night?
Sadly, this film went nearly unnoticed in it's initial release, although I'm sure Mr. Scorsese is not complaining. He has had an illustrious career with MEAN STREETS, TAXI DRIVER, RAGING BULL, & GOODFELLAS, to show for it. In my book, this one is an unheralded classic. Anyone reading this should hunt this one out.
Grade: A+
Dunne plays Hackett as an innocent everyman, who innocently flirts with Marcy (Rosanna Arquette), and is invited to her SoHo loft in New York City. But as soon as he hops a cab - that's when it all turns to s***! His only means for the night, flies out the window, and what ensues is an urban version of Dante's Inferno; although which circle, I am not sure of.
It must be true what they say about full moons; because I have most definitely had my share of crazies in the night! But again, how many can say that they've had gay people, bar owners, S&M artists and ice cream truck drivers after them in the space of one night?
Sadly, this film went nearly unnoticed in it's initial release, although I'm sure Mr. Scorsese is not complaining. He has had an illustrious career with MEAN STREETS, TAXI DRIVER, RAGING BULL, & GOODFELLAS, to show for it. In my book, this one is an unheralded classic. Anyone reading this should hunt this one out.
Grade: A+
Deadly Friend
(1986)
A clever, if dated take on Frankenstein
21 June 2002
"Deadly Friend" is one of those horror films that came and went without a trace; but for a die hard horror fanatic like myself, it certainly had it's share of scares, humor, and yes, a surprising human touch.
Matthew Laborteaux (a "Little House on the Prairie" alum) plays Paul; an egghead teen with a robot pal named BB. In the course of the plot, he meets Samantha or "Sam" (Kristy Swanson), an abused, lonely girl who catches the eye of young Paul. Needlessly killed, by her drunk father, Paul vows to make wrongs right, by implanting BB's superchip into Sam's brain....and that my friends, is where the fun (or nightmares) begin.
Sam is confused about her new identity, and is naturally seen as a freak. She proceeds to take it out on the locals (including Anne Ramsey, of "Goonies" fame, with above all things; a basketball!!), who want this abomination to cease from existing. Wes Craven didn't quite score with this outing, even after the phenomenal success of "A Nightmare on Elm Street", but even a flop has it's own merits. Find this little gem, and be sure the lights aren't off!!
Grade: C+
Matthew Laborteaux (a "Little House on the Prairie" alum) plays Paul; an egghead teen with a robot pal named BB. In the course of the plot, he meets Samantha or "Sam" (Kristy Swanson), an abused, lonely girl who catches the eye of young Paul. Needlessly killed, by her drunk father, Paul vows to make wrongs right, by implanting BB's superchip into Sam's brain....and that my friends, is where the fun (or nightmares) begin.
Sam is confused about her new identity, and is naturally seen as a freak. She proceeds to take it out on the locals (including Anne Ramsey, of "Goonies" fame, with above all things; a basketball!!), who want this abomination to cease from existing. Wes Craven didn't quite score with this outing, even after the phenomenal success of "A Nightmare on Elm Street", but even a flop has it's own merits. Find this little gem, and be sure the lights aren't off!!
Grade: C+
The Mothman Prophecies
(2002)
An underrated, thought-provoking thriller
20 June 2002
Many didn't see "The Mothman Prophecies" in it's initial theatrical run this year, and that's a shame. They missed out on a real arm-grabber of a thriller.
Critics weren't kind either, but any thinking person will appreciate this frightening tale, based loosely on real-life events. Richard Gere is effective as a D.C. news columnist who's life unravels when his wife (Debra Messing of "Will & Grace" fame) dies; but not before having a "close, yet fatal encounter" with the monster of the title. His journey leads him to Pt. Pleasant, Virginia where everyone seems to suffer from the heebee-jeebees. Is there a mothlike entity in Pt. Pleasant, and is it an angel of mercy, or an evil demon?
The film doesn't divulge, and neither will I. But I like it when a film can allow me as a viewer to decide that for myself. Gere is solid and so is Laura Linney (as the sheriff) who cares deeply for Gere. Incidentally, it's nice to see them paired up again since "Primal Fear". I highly recommend this creeper; especially for those who enjoyed "Jacob's Ladder" or "The Sixth Sense". The climax alone, will shock you!
Grade: B
Critics weren't kind either, but any thinking person will appreciate this frightening tale, based loosely on real-life events. Richard Gere is effective as a D.C. news columnist who's life unravels when his wife (Debra Messing of "Will & Grace" fame) dies; but not before having a "close, yet fatal encounter" with the monster of the title. His journey leads him to Pt. Pleasant, Virginia where everyone seems to suffer from the heebee-jeebees. Is there a mothlike entity in Pt. Pleasant, and is it an angel of mercy, or an evil demon?
The film doesn't divulge, and neither will I. But I like it when a film can allow me as a viewer to decide that for myself. Gere is solid and so is Laura Linney (as the sheriff) who cares deeply for Gere. Incidentally, it's nice to see them paired up again since "Primal Fear". I highly recommend this creeper; especially for those who enjoyed "Jacob's Ladder" or "The Sixth Sense". The climax alone, will shock you!
Grade: B
Hannibal
(2001)
Anyone for a good sequel....?
20 June 2002
I'll admit it. I thoroughly enjoyed "Hannibal"! In the grand tradition of Grand Guignole; it rates as a polished, well-crafted splatter movie.
Those expecting it to live up to Jonathan Demme's Oscar winning "The Silence of the Lambs", are in for a rude awakening. Do not approach this film as if it's a great successor to that film. It isn't, and rightfully so. But director Ridley Scott shows poise and poetry in his continuing saga of Dr. Hannibal Lecter (once again, played with relish by Sir. Anthony Hopkins), a man we clearly get to understand this time around.
Strangely enough, I didn't miss Jodie Foster (even though she was superb in her Oscar winning turn as Clarice Starling), but Julianne Moore did ample good work filling her shoes. They [Hopkins & Moore] generate an oddball chemistry that I found alluring, as well as slightly erotic.
Yes, the film goes overboard in its depiction of violence and gore. Those with weak constitutions should steer clear. I don't raise it to the same plateau as it's 1991 predecessor, but on it's own modest terms, it does quite well. Bon appetite!
Grade: B
Those expecting it to live up to Jonathan Demme's Oscar winning "The Silence of the Lambs", are in for a rude awakening. Do not approach this film as if it's a great successor to that film. It isn't, and rightfully so. But director Ridley Scott shows poise and poetry in his continuing saga of Dr. Hannibal Lecter (once again, played with relish by Sir. Anthony Hopkins), a man we clearly get to understand this time around.
Strangely enough, I didn't miss Jodie Foster (even though she was superb in her Oscar winning turn as Clarice Starling), but Julianne Moore did ample good work filling her shoes. They [Hopkins & Moore] generate an oddball chemistry that I found alluring, as well as slightly erotic.
Yes, the film goes overboard in its depiction of violence and gore. Those with weak constitutions should steer clear. I don't raise it to the same plateau as it's 1991 predecessor, but on it's own modest terms, it does quite well. Bon appetite!
Grade: B
Bring It On
(2000)
An enjoyable piece of fluff.
20 June 2002
"Bring it On" is a likeable (if at times hokey) teen comedy, about a San Diego cheerleading squad who's captain's (played effectively by Dunst) professionalism is called into question when she learns their routines have been lifted from an inner city Los Angeles school. Charming, light, with a nice mature theme about responsibility. Although this film is PG-13, it's main flaw is the mishandling of it's more "mature" themes; particularly sexual orientation.
Grade: B-
Grade: B-
The Fury
(1978)
A vastly underrated chiller
20 June 2002
Brian De Palma's "The Fury" obviously drew parallels to his 1976 classic "Carrie", which may explain it's failure at the box-office. But despite it's similar narrative, same actress, similar ultraviolent ending, if anyone examines this film closely, they will find some deeper issues being dealt with (much like "Carrie").
Can the U.S. government take an innocent (even if he doesn't have the psychokinetic talents that Andrew Stevens or Amy Irving possess) and turn them into a killing machine? Oh yes. Can an amoral code come between a father's love for his son? Yes. And can children (not necessarily possessing supernatural abilities) be scrutinized for being different? A resounding yes.
All that aside, De Palma still delivers the goods; combing equal helpings of drama, action, humor and yes, sheer horror. And it ends with a bang! Rent this one...and enjoy!
Grade: B+
Can the U.S. government take an innocent (even if he doesn't have the psychokinetic talents that Andrew Stevens or Amy Irving possess) and turn them into a killing machine? Oh yes. Can an amoral code come between a father's love for his son? Yes. And can children (not necessarily possessing supernatural abilities) be scrutinized for being different? A resounding yes.
All that aside, De Palma still delivers the goods; combing equal helpings of drama, action, humor and yes, sheer horror. And it ends with a bang! Rent this one...and enjoy!
Grade: B+
Joy Ride
(2001)
"Scream" on the road.
19 June 2002
I'll be the first to admit that John Dahl's "Joy Ride" is expertly-crafted with a few gripping horror sequences; but let's be real! Unless this particular psychopath has God-like qualities, it couldn't possibly pull off it's elaborate (and ridiculously phony) revenge plot.
The film starts out plausibly, with Paul Walker and Steve Zahn, both very good in the set up, but by the time they drag poor Leeleeh Sobieski into the mess, it has worn out it's welcome. The plot is all too reminiscent of Wes Craven's "Scream" with a few plot howlers that would make "Happy Birthday to Me" seem like a classic by comparison.
For an even better example of the "road rage" horror flick; check out either Steven Spielberg's 1971 "Duel" or Jonathan Mostow's 1997 "Breakdown". Both films are suspenseful and scary, without sacrificing credibility.
I will admit that the use of Ted Levine's (better known to horror fans as "Buffalo Bill" in "Silence of the Lambs") voice was a stroke of genius!
Grade: C
The film starts out plausibly, with Paul Walker and Steve Zahn, both very good in the set up, but by the time they drag poor Leeleeh Sobieski into the mess, it has worn out it's welcome. The plot is all too reminiscent of Wes Craven's "Scream" with a few plot howlers that would make "Happy Birthday to Me" seem like a classic by comparison.
For an even better example of the "road rage" horror flick; check out either Steven Spielberg's 1971 "Duel" or Jonathan Mostow's 1997 "Breakdown". Both films are suspenseful and scary, without sacrificing credibility.
I will admit that the use of Ted Levine's (better known to horror fans as "Buffalo Bill" in "Silence of the Lambs") voice was a stroke of genius!
Grade: C
Bring It On
(2000)
an enjoyable piece of fluff.
19 June 2002
At the time of its release, I thumbed my nose at "Bring It On", thinking it was just another lame-brained, teen sex comedy. Boy, was I wrong! Considering the garbage the year 2000 yielded; this was a light (perhaps a bit too light) breath of fresh air.
"Bring It On" is a very likeable (and even at times, hokey) teen romp about the high-stakes, backstabbing, catfighting world of cheerleading competitions. Okay, I embellished that last part; but the film succeeds on it's own modest terms. Think "Clueless", with a moral at the end.
I enjoyed Dunst's performance as Torrence (by the way, IS that a real girl's name?), the head captain of the Toros cheerleading squad, who's professionalism is called into question, when she learns they've been lifting routines from an inner city school at East Compton. I like the fact that mature themes (like theft and responsibility) were explored. Nice when a teen comedy can go the distance that way.
My one complaint is the "mature" elements of the story. The film tends to skirt many issues; most notably sexual orientation. For starters, they never establish Eliza Dushku's quasi-lesbian character from being anywhere resembling real. And that choreographer!!! Did they call a gay porn/male stripper ad for that moron?!
"Bring It On" is a very likeable (and even at times, hokey) teen romp about the high-stakes, backstabbing, catfighting world of cheerleading competitions. Okay, I embellished that last part; but the film succeeds on it's own modest terms. Think "Clueless", with a moral at the end.
I enjoyed Dunst's performance as Torrence (by the way, IS that a real girl's name?), the head captain of the Toros cheerleading squad, who's professionalism is called into question, when she learns they've been lifting routines from an inner city school at East Compton. I like the fact that mature themes (like theft and responsibility) were explored. Nice when a teen comedy can go the distance that way.
My one complaint is the "mature" elements of the story. The film tends to skirt many issues; most notably sexual orientation. For starters, they never establish Eliza Dushku's quasi-lesbian character from being anywhere resembling real. And that choreographer!!! Did they call a gay porn/male stripper ad for that moron?!
The Exorcist
(1973)
All-time scariest horror film.
10 June 2002
Can a film be construed as "the scariest film of all time"? It can if it's William Friedkin's adaptation of William Peter Blatty's phenom novel "The Exorcist".
It's hard to believe that a novel published back in 1971, could hold people in the grip of true fear and panic. Then, to have it filmed and released In Christmas of 1973, and cause an all out hysteria (paramedics, priests, nutsos on stand by), obviously says a lot. it surprises me to this day that Mr. Friedkin doesn't view his masterpiece as an actual horror film.
I believe part of this film's (and the novel's) success is that it deals with all of our own primal fears. Fear of the unknown, and the fear of actual evil, or evil incarnate existing. The handling of young Linda Blair as Regan; the girl possessed by the devil, is surprisingly handled, since she herself didn't think the film she was making would create such an impact. Aaah, to be young and innocent.
It also deals with the concepts and issues of faith. Believers and non-believers can certainly debate the existence of good and evil (or God and the Devil), and if point in fact, out of evil can come good?
As for my own experience, "The Exorcist" forced me to keep my bedroom lights on for three months.
It's hard to believe that a novel published back in 1971, could hold people in the grip of true fear and panic. Then, to have it filmed and released In Christmas of 1973, and cause an all out hysteria (paramedics, priests, nutsos on stand by), obviously says a lot. it surprises me to this day that Mr. Friedkin doesn't view his masterpiece as an actual horror film.
I believe part of this film's (and the novel's) success is that it deals with all of our own primal fears. Fear of the unknown, and the fear of actual evil, or evil incarnate existing. The handling of young Linda Blair as Regan; the girl possessed by the devil, is surprisingly handled, since she herself didn't think the film she was making would create such an impact. Aaah, to be young and innocent.
It also deals with the concepts and issues of faith. Believers and non-believers can certainly debate the existence of good and evil (or God and the Devil), and if point in fact, out of evil can come good?
As for my own experience, "The Exorcist" forced me to keep my bedroom lights on for three months.
Limbo
(I) (1999)
A haunting, elegiac thriller.
9 June 2002
Having finally caught us with John Sayles' "Limbo", it must be said that the king of the indie scene can still surpass any genre.
Casting his friend (and movie veteran) David Strathairn as an Alaskan fisherman with an emotional crisis is one of the film's many pluses. Strathairn brings an everyman quality to every role he's in. The film is also not unlike Strathairn's own "The River Wild". At least, without the contrivances. Mary Elizabeth Mastrantonio is also good as a bar singer (she sings pretty well too) hauling her teenage daughter (Vanessa Martinez, very good in her debut) through gig after gig. The film also has some thriller elements; but, this of course, is Sayles, who wisely pushes for character development and dialogue ladened with truth.
As he proved with EIGHT MEN OUT, MATEWAN, CITY OF HOPE, and PASSION FISH, Sayles is a truly gifted writer/director. Keep it coming.
Casting his friend (and movie veteran) David Strathairn as an Alaskan fisherman with an emotional crisis is one of the film's many pluses. Strathairn brings an everyman quality to every role he's in. The film is also not unlike Strathairn's own "The River Wild". At least, without the contrivances. Mary Elizabeth Mastrantonio is also good as a bar singer (she sings pretty well too) hauling her teenage daughter (Vanessa Martinez, very good in her debut) through gig after gig. The film also has some thriller elements; but, this of course, is Sayles, who wisely pushes for character development and dialogue ladened with truth.
As he proved with EIGHT MEN OUT, MATEWAN, CITY OF HOPE, and PASSION FISH, Sayles is a truly gifted writer/director. Keep it coming.
A breathtaking Bollywood musical.
8 June 2002
You could say "Lagaan" is India's answer to "Moulin Rouge", but obviously, Mr. Baz Luhrmann has drawn inspiration from these films than the other way around.
The story of a Hindu's (Aamir Khan, who also produced) village's fight to keep from paying the British government any taxes (lagaan) for three years if they win a cricket match, (similar to Peter Cattaneo's "The Full Monty") is heartwarming, as it is topical. The gorgeous Indian landscape is put to wonderful use; as is the scintillating song-and-dance numbers. It's also aided by some robust humor and a steamy triangular romance.
Even at 3 and a 1/2 hours, this film has sustained my interest. It also raised my interest in the "Bollywood" genre, and I hope it does with you too.
The story of a Hindu's (Aamir Khan, who also produced) village's fight to keep from paying the British government any taxes (lagaan) for three years if they win a cricket match, (similar to Peter Cattaneo's "The Full Monty") is heartwarming, as it is topical. The gorgeous Indian landscape is put to wonderful use; as is the scintillating song-and-dance numbers. It's also aided by some robust humor and a steamy triangular romance.
Even at 3 and a 1/2 hours, this film has sustained my interest. It also raised my interest in the "Bollywood" genre, and I hope it does with you too.
Not Another Teen Movie
(2001)
Not a half bad spoof
4 June 2002
Having grown up on those '80's teen films myself, it was actually a pleasure to sit through "Not Another Teen Movie" - that is with one major difference. The rather unnecessarily extended poop joke.
Other than that, I enjoyed watching films like SIXTEEN CANDLES, THE BREAKFAST CLUB, CRUEL INTENTIONS, THE KARATE KID, VARSITY BLUES and a host of others from the John Hughes catalog skewered. Clever use of his name for the high school as well as a nod to GREASE.
My rating would've been a lot higher if that excrement joke hadn't been milked to death, but no matter. I got my rental's worth
Grade: C+
Other than that, I enjoyed watching films like SIXTEEN CANDLES, THE BREAKFAST CLUB, CRUEL INTENTIONS, THE KARATE KID, VARSITY BLUES and a host of others from the John Hughes catalog skewered. Clever use of his name for the high school as well as a nod to GREASE.
My rating would've been a lot higher if that excrement joke hadn't been milked to death, but no matter. I got my rental's worth
Grade: C+
Ocean's Eleven
(2001)
The best remake of a Rat Pack film
4 June 2002
2001's "Ocean's Eleven" is by far the best remake of any film; most notably one that starred the Rat Pack (Frank Sinatra, Sammy Davis, Jr., Dean Martin...). Steven Soderbergh (who obviously understood the remake guidelines) wisely took a breezy cool 1960 piece of piffle and made it even better. How? Simple. He upped the charm factor.
In this case, the charm came from George Clooney (in the Sinatra role). Clooney plays ex-con Daniel Ocean with the right blend of subtle sweetness and diabolical snakiness. His warped plan to rob three Las Vegas casinos in the dead of night couldn't have worked if at least he and his ten cohorts couldn't convince us (the audience) that they could do it. I mean, let's face it. The only way that heist could've gone down is if it was funded by a big shot Hollywood producer.
The film also ups the sexual tension by bringing in wild card Julia Roberts as Tess; his ex-wife and now seeing Ocean's nemesis Terry Benedict (the always welcome Andy Garcia). The original film was by no means a classic (and neither is this one), but Soderbergh, Clooney, Pitt, Roberts, Garcia, Damon and company sell us pretty well on this one.
Grade: A-
In this case, the charm came from George Clooney (in the Sinatra role). Clooney plays ex-con Daniel Ocean with the right blend of subtle sweetness and diabolical snakiness. His warped plan to rob three Las Vegas casinos in the dead of night couldn't have worked if at least he and his ten cohorts couldn't convince us (the audience) that they could do it. I mean, let's face it. The only way that heist could've gone down is if it was funded by a big shot Hollywood producer.
The film also ups the sexual tension by bringing in wild card Julia Roberts as Tess; his ex-wife and now seeing Ocean's nemesis Terry Benedict (the always welcome Andy Garcia). The original film was by no means a classic (and neither is this one), but Soderbergh, Clooney, Pitt, Roberts, Garcia, Damon and company sell us pretty well on this one.
Grade: A-
Mommie Dearest
(1981)
A classic....waste of time.
30 May 2002
It took me twenty years, but I finally saw "Mommie Dearest", and I must say, I waited twenty years too soon.
I realize that it has become somewhat of a cult classic, but why???!! Do people actually find humor in the psychological (and physical)torment of an adopted child in the hands of an unstable, publicity-hungry, egomaniacal Hollywood actress who cared more about what was in her child's closet than her own child? ["No more wire hangers...ever!!!!]
I'll admit to finding some entertainment value in the painfully melodramatic acting; and yes, Ms. Dunaway was a perfect clone for Ms. Crawford. But the film made me cringe, and in the end it made me sad. Both mother and daughter never got what they really wanted.
Grade: F
I realize that it has become somewhat of a cult classic, but why???!! Do people actually find humor in the psychological (and physical)torment of an adopted child in the hands of an unstable, publicity-hungry, egomaniacal Hollywood actress who cared more about what was in her child's closet than her own child? ["No more wire hangers...ever!!!!]
I'll admit to finding some entertainment value in the painfully melodramatic acting; and yes, Ms. Dunaway was a perfect clone for Ms. Crawford. But the film made me cringe, and in the end it made me sad. Both mother and daughter never got what they really wanted.
Grade: F
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