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rokoskalog
Reviews
A través de tu mirada (2024)
Cinematic nonsense
ZERO CHARACTER DEVELOPMENT. The first movie was good but 2 and 3 are very nonsensical. The characters are doing stuff out of logic continiously. The characters seem to forget a lot of things about how their life changed because of some people. "Through My Window 3" disappoints on every level. The plot is as thin as tissue paper, with characters as lifeless as cardboard cutouts. The dialogue feels forced and unnatural, leaving audiences cringing at every line. Even the cinematography fails to salvage this mess, with uninspired shots that do nothing to enhance the viewing experience. Save your time and money, and steer clear of this cinematic disaster.
Infinity Pool (2023)
"Infinity Pool: A Cinematic Catastrophe"
I recently had the misfortune of subjecting myself to the cinematic disaster known as "Infinity Pool," and let me tell you, it was an experience I wouldn't wish upon my worst enemy. This film manages to embody everything that can go wrong in the world of filmmaking, from a convoluted plot to abysmal acting and downright nauseating visuals.
Let's start with the plot-or what I could decipher of it amidst the jumbled mess of scenes that seemed to be randomly strung together. It's as if the writers threw every cliché and trope into a blender, hit the puree button, and then served up the resulting concoction as a narrative. I still can't figure out if the director was aiming for avant-garde brilliance or if they just got lost in their own pretentiousness.
The characters, if you can even call them that, are cardboard cutouts with the emotional depth of a puddle. The lead actor, whose expression ranged from mild confusion to profound indifference, delivered a performance so wooden that I felt sorry for the props that had to share the screen with him. The supporting cast was equally forgettable, each one contributing to the film's overall lack of chemistry and coherence.
Visually, "Infinity Pool" is a migraine-inducing assault on the senses. The overuse of neon lighting, bizarre camera angles, and gratuitous slow-motion shots left me questioning whether the director had any concept of subtlety or taste. It's like they stumbled upon a "How to Ruin Cinematography" manual and decided to follow it religiously.
The soundtrack, if you can call it that, is a cacophony of discordant noise that seemed to be chosen solely to irritate the audience. I can't recall a single moment when the music added anything positive to the viewing experience-unless you count the relief I felt when the end credits finally rolled.
If "Infinity Pool" was meant to be a thought-provoking commentary on the human condition or a groundbreaking piece of art, it missed the mark by lightyears. Instead, it stands as a testament to everything that can go awry in filmmaking. Save yourself the agony and avoid this cinematic abomination at all costs.
A Dark Song (2016)
A Relentless Descent into Cinematic Abyss
Prepare yourself for an agonizing journey into the heart of cinematic incompetence with "A Dark Song," a film that manages to be impressively awful in every conceivable way. From its mind-numbingly tedious pacing to its laughable attempts at profundity, this movie stands as a monument to the utter lack of talent and vision of its creators.
Let's start with the plot, if one could call it that. "A Dark Song" centers on a grieving mother who enlists the help of an occultist to perform a series of rituals in order to communicate with her dead child. If this premise sounds familiar, it's because it has been beaten to death by countless other films, each one offering more depth and creativity than this cinematic disaster. The story not only lacks originality but also fails to engage the audience on any meaningful level. Instead, it subjects viewers to a never-ending cycle of monotony, where each ritualistic act is more excruciatingly dull than the last.
The performances in "A Dark Song" are as captivating as watching paint dry on a wall. Catherine Walker's portrayal of the grieving mother is so devoid of emotion that it's a wonder if she even read the script before showing up on set. Her attempts at conveying grief and desperation come across as nothing more than half-hearted attempts at acting, leaving audiences completely detached from the character's plight. Equally pitiable is Steve Oram's performance as the occultist, Joseph. Oram's lackluster portrayal of a supposed expert in dark magic is laughable at best, as he stumbles through his lines with all the finesse of a high school drama student in their first play.
If you're expecting the pacing of "A Dark Song" to offer any relief from its abysmal performances, think again. The film's pace is so glacial that even a snail would get impatient. Endless minutes are squandered on mind-numbingly slow rituals, with the camera lingering on each mundane gesture as if it were somehow profound. What the filmmakers clearly mistake for suspenseful buildup is nothing more than an exercise in testing the audience's patience to the breaking point.
And let's not forget the film's feeble attempts at philosophical depth. "A Dark Song" tries to pass off pretentious conversations between the characters as profound insights into the human condition. However, these exchanges come off as nothing more than nonsensical ramblings that only serve to highlight the film's utter lack of substance. It's as if the writers consulted a thesaurus to sprinkle big words into the dialogue, hoping to distract from the fact that there's nothing of value being said.
The climax of "A Dark Song" is the final blow in this relentless assault on the senses. After subjecting viewers to an eternity of tedium, the film delivers a resolution that is so unsatisfying and vague that it borders on insulting. Any lingering hope for redemption or a glimmer of intelligence is swiftly dashed as the credits mercifully roll, putting an end to the cinematic torture that was "A Dark Song."
In conclusion, "A Dark Song" is a prime example of how not to make a film. Its lack of originality, abysmal performances, mind-numbing pacing, and failed attempts at profundity create an experience that is as painful as it is forgettable. It's a testament to the fact that even in an industry that produces its fair share of duds, there are films that manage to stand out for their sheer ineptitude. Save yourself the agony and avoid "A Dark Song" at all costs - you'll thank yourself for preserving your sanity.