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Reviews
The Curse (2023)
Just brilliant and rewards on rewatches!
"The Curse" emerges as a groundbreaking series in the landscape of contemporary television, ingeniously blending the comedic surrealism of "I Think You Should Leave with Tim Robinson" with the depth and narrative complexity of an hour-long drama. Starring Emma Stone, Nathan Fielder, and Benny Safdie, the show masterfully tackles themes like white saviorism and gentrification, doing so through the unusual yet brilliant lens of a home improvement reality show. This unique format allows for a rich exploration of societal issues, maintaining a delicate balance between humor and introspection.
The series' strength lies in its ability to weave its satirical edge into a more prolonged narrative form, something that sketch shows like "I Think You Should Leave with Tim Robinson" often touch upon but don't fully explore due to their shorter format. "The Curse" takes this concept to a new level, offering viewers an extended, in-depth look at the absurdities and complexities of these themes.
In a way, "The Curse" can be seen as an evolution of the sketch comedy genre, taking the raw, unfiltered humor and unexpectedness characteristic of "I Think You Should Leave" and expanding it into a format that allows for more character development and narrative depth. The result is a show that is not only hilariously incisive but also a thought-provoking critique of modern society, making it a standout addition to the world of comedic drama.
Invasion: Going Home (2021)
Invasion Season 1 Episode 5 Review: A Slow Burn That Raises the Stakes
Invasion Season 1 Episode 5, titled "Going Home," takes an intriguing turn as it delivers a slow burn narrative that deepens the tension and raises the stakes in the face of the ongoing extraterrestrial invasion. This episode expertly balances character development with escalating suspense, keeping viewers on the edge of their seats throughout. Let's delve into the details of this captivating installment and explore how the deliberate pacing enhances the overall viewing experience.
A Desolate Base:
"Going Home" opens with Trev's return to his base, only to discover it completely deserted. The eerie atmosphere and abandoned surroundings effectively convey the gravity of the situation. The slow, deliberate camera movements and the absence of any human presence create a sense of isolation and impending danger, leaving viewers with a lingering feeling of unease.
Hope Amidst Chaos:
Meanwhile, Casper and his friends stumble upon an abandoned food truck, offering a glimmer of hope amidst the chaos. The slow build-up of their discovery heightens the anticipation, showcasing the importance of finding sustenance and shelter in a world turned upside down. The careful attention to detail and the characters' reactions further amplify the emotional impact of this revelation.
Heartbreaking Setback:
However, just as hope begins to take hold, Monty, one of the survivors, inadvertently destroys their means of communication. This setback is a masterstroke in storytelling, demonstrating how even the smallest actions can have dire consequences. The slow burn nature of this scene intensifies the frustration and disappointment felt by the characters and viewers alike, leaving us hungry for resolution.
Confronting the Director:
In a parallel storyline, Mitsuki takes matters into her own hands and confronts the director at the command center. This confrontation, characterized by simmering tension and restrained emotions, showcases the power dynamics at play and the characters' conflicting motivations. The slow build-up of Mitsuki's determination and the director's evasiveness adds layers to their relationship, setting the stage for potential revelations and future conflicts.
Conclusion:
"Going Home" is a commendable example of a slow burn episode that expertly heightens the suspense and deepens the emotional stakes. The deliberate pacing allows for nuanced character development while maintaining a constant undercurrent of tension. The desolate base, the glimmer of hope, the heartbreaking setback, and the confrontational encounter all contribute to the captivating narrative, leaving viewers eagerly anticipating the next episode. Invasion Season 1 Episode 5 successfully showcases the power of a slow burn approach in building anticipation and enriching the overall storytelling experience.
The Other Two (2019)
An Authentic Portrayal of Life and Fame: HBO's "The Other Twop
If you've been scrolling through HBO's seemingly infinite selection in search of something fresh, funny, and heartwarming, then look no further than "The Other Two." Originally hailing from Comedy Central, this brilliant comedy has found its new home on HBO and is truly a gem among modern television comedies.
The brainchild of former "Saturday Night Live" head writers Chris Kelly and Sarah Schneider, "The Other Two" tells the tale of siblings Cary (Drew Tarver) and Brooke (Heléne Yorke) whose lives get upended when their younger brother, Chase Dreams (Case Walker), unexpectedly becomes an internet sensation.
The portrayal of Cary, a striving actor and writer who is also gay, is particularly noteworthy. Instead of resorting to stereotypes or making his sexuality the entire focus of his character, the show presents Cary's identity as just one aspect of his multifaceted life. The nuanced exploration of his ambitions, his relationships, and his self-discovery is done with humor, grace, and an authenticity that's genuinely refreshing.
Brooke, brought to life by Heléne Yorke, is a former professional dancer, grappling with life's ups and downs. Yorke nails the role with a combination of blunt honesty and resilience that makes her character both entertaining and relatable.
Case Walker's portrayal of Chase Dreams, the naive yet endearing internet star, is a delightful contrast to his older siblings' cynicism. Throw in the fantastic Molly Shannon as their somewhat aloof mother, and Ken Marino as Chase's blissfully unaware manager, and you've got a comedy series that's brimming with talent and wit.
What truly sets "The Other Two" apart, in my opinion, is its genuine depiction of life's complexities, whether it be the pursuit of a career in the entertainment industry, navigating relationships, or coming to terms with personal identity. It does all this while still being uproariously funny. The humor is sharp and often unexpected, consistently delivering those laugh-out-loud moments we all crave from a good comedy.
"The Other Two" also shines in its exploration of fame and its effects on family dynamics. This is where its thematic link with another brilliant HBO show, "The Idol," becomes apparent. However, the two shows couldn't be more different in their approach. Where "The Idol" takes a dramatic and intense look at the creation of a pop star, "The Other Two" opts for a comedic, light-hearted lens, making it a strangely wonderful companion piece.
So, if you're in the mood for a comedy that provides laughs, authenticity, and a fresh take on the nuances of modern life and the often absurd world of fame, "The Other Two" should be next on your watch list. It's a show that will make you laugh, make you think, and leave you eagerly awaiting the next episode. Trust me, you won't be disappointed.
Slow Horses (2022)
A.slow-fast and delighftul take on the spy drama
Title: "Slow Horses" on Apple TV+: A Refreshing Take on Espionage Drama
Apple TV+'s "Slow Horses" is a distinctive entry into the espionage genre, carving its niche by focusing on the untold stories of those often overlooked in the realm of spy dramas. The series delves into the day-to-day reality of MI5's sidelined agents, offering a refreshing perspective in an often predictable genre.
The concept of the series stands as its biggest strength. The idea of exploring the world of 'failed' spies is innovative and uncharted, bringing a sense of realism to a genre typically dominated by slick operations and high-speed chases. "Slow Horses" draws viewers into a world where glamour gives way to reality and heroes are replaced by humans, each with their flaws and failures.
The series boasts a phenomenal cast with actors of the highest calibre. Gary Oldman, known for his chameleonic acting skills, does a commendable job in the lead role of Jackson Lamb. His gruff exterior hides a complex character, skilfully presented by Oldman's nuanced performance. The supporting actors too, imbue their roles with relatability and depth, showcasing their talent with authenticity.
Visually, "Slow Horses" doesn't disappoint. It offers an unvarnished depiction of London, far removed from the polished aesthetics of typical spy thrillers. The dreary yet authentic visuals reflect the lives of the show's characters, enhancing the series' grounding in reality.
The series also takes a bold approach in its pacing, slowing down the narrative to focus more on character development than on high-octane action. This slower pace sets "Slow Horses" apart, allowing the show to breathe and unfold naturally.
Balancing dark humor with dramatic moments, the series showcases the diversity of its narrative. It's this playfulness coupled with moments of intensity that adds another layer to the storytelling, ensuring the show remains engaging.
In conclusion, "Slow Horses" is a commendable addition to Apple TV+'s roster. Its unique approach to the espionage genre, a stellar ensemble cast, and a compelling narrative offer viewers a refreshing and engaging watch. Through its dedication to showcasing the underdogs of the espionage world, "Slow Horses" breathes new life into the spy thriller genre.
The Idol (2023)
This show demands a rewatch with a nuanced eye. The finale was phenomenal
Wow - what a finale!
There were clues dropped from the very first episode. The scene from Basic Instinct playing when Jocelyn says she likes the rapey vibe. To every smirk Jocelyn had in every episode. It's clear SHE released the c%% shot now in the first episode.
This is an industry that f$cks people and she turned around and f$cked the industry that used her.
This WAS about her empowerment and reclaiming her power. Which doesn't make her a hero. She prioritized success over human beings and she learned it the industry she's in.
Rewatching it knowing what we know now makes for a deeper understanding of the power dynamics that were truly there all the time.
If there is a season 2 it will be about the industry attempting to grasp that power back and I think that will make for an incredibly compelling season 2.
Many hated the show and I respect that but I'm still in shock that such a scathing critique of Hollywood was produced by HBO.
I think this is what has gotten the media establishment so upset.
Bravo to Tesfaye, Rose-Depp, Levinson and HBO for doing a show in such a way that no other American show has done in my opinion.
There was an almost French or European approach here that I've never seen in an American production.
This show provoked such a conversation that I can't help think it will spark many other directors and creators of television to re-imagine how far they can go in telling a story on American cable/streaming TV.
Bring on Season 2!
From: All Good Things... (2022)
Finally
Well it appears the show's creator's purposely took it's time getting to the episode that pretty much changes everything. I don't think this episode would have been as strong as it is if the level of dread and violence had been constant from the beginning. This was by far the best in terms of pace, tone, etc. And the monsters are some of the scariest I've seen beacuse they're motivations seem to be much more than just kill, kill, kill. There is a mystery to their origins and their nature that has not been revealed yet.
Really strong episode.
From (2022)
Love the show but I think it's based on a book that has not been acknowledged
This show is amazing from top to bottom. The only thing bugging me is that it is VERY VERY similar to a recent Australian horror book called "Soon" by Lois Murphy.
I haven't seen the entire series so I could be very wrong and the one of the key twists is definitely not in the book. But there's a lot of similarities and they are so unique that it's hard for it to be a mistake.
Anyway - LOOVE the show.