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4/10
Didn't really work for me
22 January 2018
I was looking forward to this movie, having already seen both Anthropoid and (a long time ago) Operation Daybreak and with the knowledge that a contemporary of mine from my old university college had co-written the script. However, this movie didn't really know what it wanted to be: a study of the motivations that made Reinhard Heydrich the monster he was?; an account of the plotting and execution of his assassination?; or his role in masterminding the Final Solution?

It's a shame because the latter two things have already been well covered in movies and TV plays. Operation Daybreak and Anthropoid are essentially the same movie, although Anthropoid's casting of Cillian Murphy was a mistake because he is so distractingly good looking (I'd shag him and I'm not even gay!) that you are sitting there thinking "This really hot guy is supposed to be on an undercover mission? Maybe in a Bond movie!" So we already know enough about the daring mission and the reprisals. And then there was a very good account of the process of the Wannsee Conference that was done for the telly (with Kenneth Branagh playing Heydrich this time); this show prompted me to visit Haus am Wannsee on my last visit to Berlin, which was a very moving experience for me.

But the real opportunity here was to really get under Heydrich's skin and find out what made him tick. Some of what made him tick was alluded to in the first part of the movie but because of the restrictions of the two-hour length and the decision to, effectively, make this two movies in one we don't really get many answers. OK, we kind of get his wife sort of got him involved in the Nazi thing, but how did he get to be so powerful? I'm not buying that it was just because he could see how to run a chicken farm better than Himmler. More important, how did he become so brutal and unfeeling? These questions aren't really answered.

So, it's a missed opportunity because it tries to cover too much in too little time. Maybe the director and writers ought to have taken a look at the TV miniseries about Albert Speer from the early 1980s that starred Rutger Hauer. There was another opportunist (although, rather strangely, one whom history seems to have been kinder to even though he was responsible for working people to death in munitions factories) and you get some idea why he became so attracted to Hitler, how he was able to turn a blind eye given his ambition and how he was clever enough to avoid getting the hanging after the war he so obviously deserved.

For me, the most interesting thing about the Nazi era isn't the crazy mofos like Hitler, Himmler and the rest, but the enablers: the opportunists who are more concerned with personal ambition and who see their chances and take them, even if it means a lot of suffering for others. I find them interesting because there are more of these types around than perhaps we'd like to admit! And my view is that Heydrich was really one of these: in it for himself rather than some grand purpose!
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Hell or High Water (II) (2016)
9/10
A Modern Western That Makes You Think
17 August 2017
As a Brit who's spent quite a bit of time in Texas over the past few years, I enjoyed this modern take on the Western. The oil price downturn has been devastating for many people who live in Texas, especially in the aftermath of the Financial Crisis and the subprime shenanigans in the US housing sector. So, this film has something to say about that, which I could relate to.

There was a road trip aspect to the movie, which I also liked. This reminded me of my own journeys along the Texan highways, and although I've never been west of Austin in a car, I really appreciated some of the scenery shown here.

The characters are all strong. Many people here mention the great jobs done by Ben Foster, Chris Pine and, of course, the always-watchable Jeff Bridges. However, fair credit must also be given to Gil Birmingham, who played Bridges' put-upon partner.

I had downloaded this movie on Amazon Prime as something to watch on the train but I wished I'd seen it first in the cinema. The Western does seem to be making a comeback and if they can't be laugh-a-minute (e.g. The Hateful Eight) then they need to be intelligent and observant, like this one! I think it has something to say about the consequences of violence as well, although the writers are smart enough to leave things hanging so that you have to draw your own conclusions about the rights and wrongs of what the characters did.

But very nice effort!
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