bisprad Reviews

Break Ke Baad (2010)

Terrible second half

[8 February 2011]

Debutant director Danish Aslam serves us disappointing fare in Break Ke Baad this weekend - a crisp first half followed by a damp and soggy second half. The teekha first half has Deepika's sizzling act as Aaliya - bringing some life & vitality to her usually expressionless face. Imran plays the chocolate boy lover Abhay – a role he has done admirably in the past and is the likable meethi chutney. Together, against my expectation, they both produce a very likable dish and have a crackling on screen chemistry. However, that spark between them is completely doused by the insipid writing in the second half.

The opening credits are a montage of two six year olds falling in love as they grow up, with a shared passion of Hindi movies. The girl grows up to be the impetuous Aaliya who is full of life, but sometimes does not care about anyone but herself. Abhay is the ultra-sweet guy who tolerates all her tantrums and still adores her. Maybe because he realizes he needs her more than she does. However, when Aaliya decides to fly off to Australia to study, the relationship cant take the strain and the 'break' happens.

This is where the movie goes to dogs – as it starts focussing more on other characters and side-plots more than the lead pair. Sharmila Tagore as Aaliya's mother heads a useless track about the ills of the world of showbiz. She also seals my belief that yesteryear's charming heroines lose their expressive faces in the process of ageing (maybe to botox). And hence are better staying alive in old movie reruns rather than acting in newer movies. Jaya Bhaduri, Hema Malini and now Sharmila Tagore – their faces struggle to convey different emotions – and end up looking almost similar in all scenes.

The movie meanders along for quite a while before becoming a coming-of- age movie for both Aaliya and Abhay. And this is the movie's biggest failure – since the scriptwriter clearly doesn't have the maturity to handle this topic as much as he has a handle on romance. The climax is stupid even by the low standards of rom-coms – and which is where you write the movie off as a failure

PS - Something struck me a couple of days after I watched the movie – when you watch the movie, you can tell me if I was wrong or right. I thought Aaliya's character and idiosyncrasies were heavily based on Jab We Met's Geet . None of the Bhatinda Punjabi madness, but a calculated effort by the makers to use that quirkiness and happy-go-lucky nature. But then again, Geet was a million times better than Aaliya would ever be.

You can read more of my reviews at http://bombaycinephile.blogspot.com

Phas Gaye Re Obama (2010)

Funny gangster caper

[7/10 · 8 February 2011]

The setting is 2008, when the entire world is reeling under the financial tsunami of the Wall street collapse. And the tremors of those events are being felt as far as rural India, where a group of bumbling "khandaani" kidnappers are ruing the "recession" that has made their plight pitiful – victims are offering ridiculously low ransom payments, no one is paying protection money and things are so bad that they cant afford even outgoing calls on mobiles.

Amidst this gloominess, the semi-literate member of the group Anee announces the arrival of NRI Mr Shastri to their town and the kidnappers immediately see a pot of gold with him. Unfortunately for them, other "senior" kidnappers in the area are also seeing stacks of dollars in front of them. In the midst of all this, imagine if Mr NRI is himself bankrupt and is in India only to sell off his ancestral property.

Phas Gaye Re Obama's story flows well, and a few sequences are especially memorable. Especially the organised kidnapping business, with its bank-like ransom handling facilities and a "kidnapping receipt" - which is to be shown in case of any other kidnapping attempt and is valid for 12 months :) !! There is no sag anywhere in its runtime and the laughs are generated by its quirky characters and their rustic nature (it carries the tradition from the previous gangster capers Sankat City and 99 - both of which I adore).

The "khandaani" kidnapper, Bhaisaab, played by Sanjay Mishra, is a delight to watch. And giving him company is Oye Lucky Lucky Oye's Manu Rishi – the America-worshipping, small-towner Anee – who gets his dreamer yet gullible act pitch perfect. Rajat Kapoor plays the hassled NRI effortlessly – he seems made for these kind of roles only. Neha Dhupia was the only misfit – her character too unrealistic and her performance nothing to write home about. Amol Gupte carries from where he left off in Kaminey, a natural gang leader.

The movie holds your attention well for its entire runtime and the ending is not quite what you expected – so full marks to the director for that as well. There are no songs etc to distract. A solid effort by debutante director Subhash Kapoor, but left an aftertaste very similar to Sankat City etc. If it was not preceded by the above mentioned movies, I would have rated it a little higher. And others, who haven't watched those movies will definitely have a lot of fun watching Phas Gaye Re Obama

Khelein Hum Jee Jaan Sey (2010)

Terribly made historical

[3/10 · 8 February 2011]

For me, Kheley Hum Jee Jaan Se will probably be the last time I am going to invest time and money in a Ashutosh Gowariker movie. It marks a very sad decline for someone regarded as one of India's finest directors not too many years back. While length had always been his weakness, his story telling has now become a joke. What started off in the laborious Jodhaa Akbar has reached the nadir in this movie – the story and screenplay lack any drama, any sense of cinema or emotional highs and lows.

The story of the Chittagong uprising of 1930, a forgotten chapter of our freedom struggle – when revolutionaries under Surya Sen tried to make an example out of Chittagong. They decided to rid Chittagong of all Britishers by taking out five key targets in one audacious night – the telegraph office, the police lines armory, the railway tracks, the European Club and the British Army Cantonment. And if you watch the movie, you will realize how agonizingly close they came to rewriting history of British India.

And I do have to concede - even with his failings as a moviemaker, Ashutosh Gowarker has to be applauded for bringing this forgotten story to light. Because of it, I have a new sense of respect for all those who gave up so much for the fight to free this country. But ironically, I got it not from the movie but only from the end credits - where the photos of all the people who were involved in the Chittagong uprising makes the events of the movie spine-chillingly real. The biggest emotional surge for me came towards the end of the credits when I read the name of some Bengali gentleman who is still living in Bangladesh ! Alive, 80 years after the event !

Kheley Hum Jee Jaan Sey is in two distinct parts. The first part shows all the planning that went into the raids and how the group of rebels got together. The second half shows the actual raid and the aftermath of the raids as the British ruthlessly hunted down every one of the conspirators. The planners of the raid were Surya Sen and couple of his friends. Together they trained and inducted into his plans some 50 odd teenagers, mostly students, for the attack.

Did Surya Sen misuse his position as a teacher to whitewash impressionable minds into the rebellion? The movie doesn't even consider the question relevant – everything is clearly black and white and Masterda Surya Sen never did anything wrong.

In the first half, we are introduced to innumerable number of characters, without any depth or detail on any of them. Even Abhishek Bachhan as Surya Sen seems unreal. He is always straight-faced and speaks only in a measured tone. He has always the right things to say, his shirt is always crisp white and he composure remains unruffled in most situations. Though his actions seem to suggest there is a fire in his belly, one sees no other visible signs of it anywhere. Deepika, with her size-zero, looks completely out of place in the movie – and quite frankly I didn't think this movie needed a leading lady or any romantic angle.

The bad characterization is compounded by the absolute lack of any drama in the screenplay. I have seen documentaries with more emotional highs and lows than this movie. Emotional scenes are wretchedly handled, everything happens with an unreal sense of detachment – as if each actor was gnawing away with doubt about the lines he/she was spouting on the screen. Some actions of a lot of characters are completely unexplained – and things fall into place for the revolutionaries in remarkably convenient ways till the night of the actual assault.

Such a white-washed version of history is a little hard to digest for any intelligent audience – ironically the very same audience this movie is trying to entice. The characters fail to make any connection with the audience because they do not show much more depth than cardboard cutouts. The movie also drags on for the mandatory 3 hours of an Ashutosh Gowariker production. And frankly, the entire second half dedicated to the pursuit and capture of the revolutionaries was quite depressing – it could have been given much less screen time. All it did was to serve as a vehicle to showcase melodramatic deaths of some of the characters. Instead of focusing on their lives

Yeh Saali Zindagi (2011)

Sudhir Mishra is having fun

[8/10 · 7 February 2011]

When I watch gangster capers like Yeh Saali Zindagi, I am never quite sure how to go about reviewing the movie without giving away the essence of it. Because none of these movies have much of a story in the traditional sense. But they make up for the lack of a depth with their movie-making style – and packing the script with quirky characters Which Yeh Saali Zindagi has by bucketloads. Beginning with Irrfan Khan, a crooked account par excellence who helps arms dealers, politicians and other unsavoury characters stash away their moolah. He might be exceedingly clever in the ways of the world, but the wiles of women are completely beyond him, as he discovers, hanging from his 30th floor balcony in the opening scene of the movie. Holding the end of the rope is his boss, Saurabh Shukla – who doesn't think much of the womankind and their wily ways – and nor does he care about his promises to his employees.

The opening scene of the movie might be a bit of a shock to some – given the coarse and vulgar language in it. Sudhir Misra's writing and editing is crisp – so you have to follow the movie carefully to understand the twists and turns of the script. Those squeamish about vulgar Hindi words are better off not watching the movie – and those with weak Hindi should probably brush up their abuses. Because the dialogues in Yeh Saali Zindagi are really profane – and all the fun is lost if you don't understand the dirty jokes – of which there are plenty The humour is irreverent (and of course very rustic). Death and violence are casually treated, and the background narration by Irrfan adds dry deadpan humour to the proceedings. There are mandatory backstories for most characters – and jumps between them quite abrupt – hence requires full concentration.

Essentially there are two stories running in parallel in the movie – Irrfan & Chitrangada's love track and Arunoday & Aditi Rao's marriage track. Irrfan and Chitrangada need no introduction. Arunoday is ex-Cabinet minister Arjun Singh's grandson while Aditi Rao is the bua from Delhi 6. Both of them are quite the revelation – Arunoday showcasing his good physique and acting and Aditi Rao coming across as quite smouldering despite her cute Nauheed-Cyrusi-looks. In fact there is a constant sexual tension between her and Arunoday, resulting in about a dozen slaps and two dozen liplocks in the movie But Chitrangada Singh takes all the male attention as the sultry and smoking-hot singer Priti. She forms the linchpin of the movie – not very different from her debut movie Hazaaron Khwaishein Aisi – where two men are vying for her charms. The difference is that Yeh Saali Zindagi has a busload of other weirdos – gangster brothers Bade & Chhote, corrupt cop Satbeer and the motley group of henchmen.

This is not Sudhir Misra's most serious movie by a mile – but the director seems to be having fun here. There script is manic, punctuated by languid frames of Chitrangada - yet there is an air of nonchalance through out the movie which stands it in good stead over other movies of its genre. In comparison, Kaminey feels almost formulaic. And because of its exaggerated eccentricity, this movie will not appeal to everyone. But if you keep up with it, Yeh Saali Zindagi will reward you will a tumultuous thrilling ride packed with a lot of fun.

You can read more of my reviews at http://bombaycinephile.blogspot.com

Udaan (2010)

Lots of soul in the movie

[9/10 · 26 August 2010]

You might find the poster of the movie a bit misleading – because the poster and the trailer of the movie seem to suggest that it is college- teen story. And Udaan is anything but that. It is, however, a intensely heartfelt movie with a strong emotional connect – and with so much realism, that I cant shake the feeling it is, to a large extent, autobiographical. Even though it is populated with largely unknown faces, set in a bleak industrial city, yet this movie will linger in your minds for a long time after you exit the hall.

The plot of the movie is essentially a two liner. A 17 year old is kicked out of boarding school for playing truant and is forced back to an apathetic father – and to a 6 year old half brother he didn't know existed. Stuck in a small town with no friends, forced to study engineering and work in his father's iron and steel works, Udaan is a story of Rohan's struggle with his loneliness and desperation. It is not pure entertainment, but it has got a lot of soul

The overbearing character in the movie is Bhairav Singh, played by Ronit Roy. A despotic father (with some probable army background, though its never suggested) – who does not listen to any opinion that doesn't match his own and runs his life with army-like discipline. He even insists his sons call him Sir. He stands starkly in contrast with his younger brother, the affable Ram Kapoor. He is the only beacon of light in Rohan's new world.

And amongst them, sitting quietly in a corner is his younger brother Arjun – who doesn't speak much, yet wins your heart.

Everything from the background music to the photography is perfect for the movie – Amit Trivedi's music melodious yet not distracting from the movie and the bleak shots of Jamshedpur accentuating the void that Rohan feels around him.

Udaan is a coming-of-age movie that you will identify with because of its honesty and sincerity. Newcomer Rajat Barmecha delivers one of the most subtle, yet effective roles in sometime – putting up a stoic face against the circumstances, yet showing us the vulnerable teenager within. The movie takes a slow pace, which in my opinion is essential for the viewers to share Rohan's desperation – but some of my friends thought otherwise. That is probably the only slight flaw in this fabulous movie. Highly recommended

You can read more reviews at http://bombaycinephile.blogspot.com

Road to Sangam (2009)

Must watch

[9/10 · 4 February 2010]

A small low budget movie that almost no one has heard of – is one of the most nuanced, heart-warming tales I have seen. It is a story with loads of heart, which all of us need to see – if for nothing else, to remember who we are as a country. It is a commentary of our times, yet very gently, it questions our conscience about some of our society's beliefs. Story wise, it is like a children's parable, where everything ends well – the cynical among us might scoff at it. But Road to Sangam's achievement lies in its ability to make us look at each other, in a Gandhian way – something that we have long forgotten to do, despite Raj Kumar Hirani's best efforts.

In Allahabad, Hashmatullah is a sincere, god-fearing motor mechanic, well liked in the community - and is also the general secretary of his neighbourhood mosque committee. He is entrusted with repairs to an old Ford V8 engine, ignorant of its historical significance that it once carried the ashes of Mahatma Gandhi for immersion at the Sangam. He promises he would repair the engine and he would do it as soon as possible. But when some of his innocent neighbours are arrested by the police after some bomb blasts on suspicion of harbouring terrorists, the committee sends out a 'farman' to down shutters in the locality as a protest.

At this point, Hashmatullah comes to know the significance of the engine – and is stuck in a dilemma. One on hand, he wants to finish his work - but to open his shop, he would have to go against the mosque 'farman' and his 'quam'.

While on the face of it, it's a story of a common man stuck in a larger-than-life situation, Road to Sargam morphs into a story of how we need to find a common ground between our two communities – without stepping on each other toes. And the reason why Road to Sangam is such a fantastic movie is that it doesn't do or say anything explicitly – everything is gently suggested or implied. No flag waving jingoism, nor any flower-giving gandhigiri. Its so nuanced, it would take you a while before you figure out that it could even pass off as a patriotic movie! The star of the show is Paresh Rawal (who in the same week gave a langoor-looking performance in Rann). Its here that he shows us what wonderful performances he is capable of – because we are in a serious danger of forgetting it after his Priyadarshan movies. In Road to Sargam, he plays Hashmatullah with conviction – showing us the gradual move from doubt and confusion to resolve. Accompanying him in performance honours is Pawan Malhotra. Playing the jingoist maulvi, his high pitched nasal voice make him almost unrecognizable and very believable. Om Puri doesn't have much dialogues –and does competently.

It would give you an idea of how good or bad the movie is when you consider that Tushhar Gandhi (Mahatma's grandson) plays himself in the movie – for a considerable part (without dialogues though). Road to Sangam is a non-judgemental look into the collective paranoia of the Muslim society in India – and how sometimes it just requires a few voices of reason and some patience. The movie does have its fallacies – some of its scenes should have been written more tightly and the solution director Amit Rai provides is bordering on naïve. But these pitfalls do not distract from the appeal of the movie. Road to Sangam touches your heart with its sincerity and feeling. I repeat, it is something you shouldn't miss.

I write about movies regularly at http://bombaycinephile.blogspot.com

Dasvidaniya (2008)

Best movie of 2008

[10/10 · 6 December 2009]

Usually all of us make movie-watching decisions based on the reviews we read – IMDb, Rajeev Masand on CNN-IBN, Khalid Mohammed in Hindustan Times or Raja Sen on rediff. If you read at least a couple of these reviews, you usually get a very good idea of what a particular movie is like. I have another personal test – admittedly a sort of rough indicator. In case of mainstream Hindi movies, just look at the schedule of a multiplex when the movie is released. So if a movie has 6-7 shows a day, it's a decent movie – while movies with just 1-2 shows in the first week are just bad. In case of a 'multiplex movie' like Johhny Gaddaar, it's the second week schedule to watch out for.

However, sometimes these calculations go quite wrong. Dasvidaniya is one such movie. (In its second week, its running just 2 shows a day in all multiplexes – and all major reviews have given it two stars, blaming the slow narration and/or ridiculing the contents of the final list). And I thought it was one of the best movies of this year.

Just for those few of you who don't know what the movie is about, it's about a common man – Amar Kaul – who leads a very dull and inconsequential middle class life, with nothing to look forward to except for his obsession with 'to-do' lists. He makes them everyday, ticking off things that he accomplishes – till he gets to know that he is terminally ill and has just three months to live.

As he did during his lifetime, he decides to make a final list – 'Things to do (before I die)' and sets out to fulfill them.

But this movie is too much to be summarized by just this one line! Sure that's the essence, but the movie has to be watched to appreciate the wonderfully tender moments captured by the director. Vinay Pathak plays the man with just three months to live, who suddenly has to fulfill a lifetime of ambitions – wishes which had been buried under the daily grind of existence. And the beauty of the script is in the things he chooses to put on the list. Nothing exotic or deliberated. Just simple heartfelt desires that probably most of us have – buying his first car or going on his first 'foreign trip'. Seeing his first and only crush Neha one final time - or meeting his childhood best-friend Rajiv before he dies.

Some experiences are heartwarming, like his mom's reaction on seeing the new car - and some bittersweet, like finding out Neha is now married and a mother. There are many more touching moments - the final parting between Rajiv and Amar and making peace with Vivek – which linger on after the movie. Vinay Pathak gives a wonderful performance, first reflecting desperation, then a breakdown and finally a wistful acceptance of fate.

Kailash Kher has given his unique touch to the music – and while Alvida is the number which everyone is humming, the Maa song is very nicely picturized (without too much overt sentimentality) – and is catchy too.

Not all is perfect with the movie though – Amar's alter ego's appearance is a little jarring and he should have had less screen time. The Russian's popping-up act is also a little weird – but it also gives the movie its unique flavor. And if you think about it, how much money would an account manager's provident fund be left with, after a Rs. 9 lakh car and a round trip to the US ?? And wouldn't you want to leave it all to your mother instead?

But inspite of these loopholes, this movie is one of the most warm and thoughtful movies to come out of Bollywood in sometime. The director cheekily doffs his hat to mainstream movies Kal Ho Naa Ho and Munnabhai – and indulges in a bit of genuinely funny situational comedy, but you would remember the movie for touching your heart in its earnestness and simplicity.

Kurbaan (2009)

Not a must-watch, but decent otherwise

[7/10 · 19 November 2009]

One of the slickest looking movies to come out of Bollywood this year, Kurbaan is worth a watch just for its high quality visuals. Rensil D'Silva and his team will vow you by their sheer technical brilliance - I cant remember the last time frames of any movie looked so good. And designer Aki Narula's wardrobe and overall look for Kareena adds a lot to the beauty of the movie – deep kohl lined eyes and rich Indian clothes (without a single hot pants or low-cut tops).

Kareena gives one of her better performances as Avantika, even though she has very limited dialogues and screen time. Her eyes speak for her as she goes through emotions from amusement to happiness to despair and sorrow. She reminds us why she is one of the best actresses around today. And she completely outshines Saif in the second half, where he appears to be rolling through the scenes without much effort. However Saif is in his own territory in the first half, where he is the suave, confident dude who is trying to sweep Avantika off her feet. Their chemistry is sparkling and it is very difficult not to guess that they are a real life couple.

Kurbaan is a love story of Ehsaan (Saif) and Avantika (Kareena) set in background of Muslim terrorism. Avantika is a professor of psychology in NY university, but she is teaching in Delhi university for a semester because her dad is recovering from a stroke in Delhi. There she bumps into Ehsaan Khan, a new professor at the college and soon they fall in love. However, she gets an ultimatum to return to NY for the next semester and Ehsaan agrees to go with her to the US – after marriage. And so they land up in New York.

And all this happens in the first 15 min of the movie!

Throughout the first half of the movie, pace is quick – almost frenetic. You get the feeling you are watching a thriller rather than a love story. The background score of the movie enhances that edgy feeling. And most importantly, logic is not sacrificed as most of the characters in the movie are more realistic – and not caricaturish. What they say or do makes sense – like the FBI is not just composed of Muslim-hating officers.

Acting was a positive surprise – especially from Vivek Oberoi. He was much better than I remembered, and Kiron Kher does the Afghani accent exceedingly well. And a trivial issue, but when the police try to defuse a bomb, the wrong wire is cut and things go kaboom. Not like other movies where invariably, the correct wire is cut.

Post-intermission, the movie slows down quite a bit, but the biggest failure of the movie is its climax. The screenplay abandons all pretence of logic or reason and its all senti-drama. Kareena does very well in the acting department, but Saif just sleepwalks through the role here. Given that there was lot of expectations from his negative or 'grey' character', Saif fails to get you sympathize in Ehsaan.

Kurbaan is a more realistic movie that New York – but its not a Khuda Kay Liye either. What works for it is superb production values and the chemistry between its lead-actors – the spark between them is quite visible. But it is let down by the Bollywood philosophy of love above everything else. It would easily be qualify for 9 stars, were I to consider only the first half. However, it loses its way significantly in the second half and the stretched climax leaves a bad taste in your mouth.

I regularly write about movies at http://bisprad.blogspot.com

Quick Gun Murugun: Misadventures of an Indian Cowboy (2009)

Jokes Fantastico

[7/10 · 31 August 2009]

Quick Gun Murugun is a little more than what you expect – and yet falls short of your expectations. It is the wacky tale of a 'vegetarian-cowboy' who takes on Rice Plate Reddy and his gang of villains. It is also a spoof of too many things to count – South-Indian-movies, standard bollywood masala movies, cowboy movies and even McDonalds !! Filled with smart jokes – they will have you howling with laughter at the one liners. But believe it or not, the movie is somewhat of a drag ….

Telegu star Dr. Rajendra Prasad plays gunslinger Quick Gun Murugan with élan – bright orange pants and all. He is an avowed protector of cows and vegetarianism – and soon runs into Rice Plate Reddy, who is on a quest to convert every Udipi restaurant into non-veg. Reddy gets the better of him in the first encounter and our hero is thirsty for revenge.

This time, he gets a little help from Mango Dolly (Rambha) – Reddy's blonde moll – who falls for our Murugun's simple charms. On Rice Plate Reddy's side there is Dr Django and Rowdy MBA – who are implementing his plan of taking over the world with his dosas. And of course, there is our very own Lola Kutty with Murugun as well.

While hilarious, the story is actually very simple and sometimes it feels like the movie is too long for such a story. And the jokes are not spaced out enough to catch the slack in screenplay. But all the same, it is impossible to control the laughter that erupts when, for example, you see Murugan's love song picturisation. But be ready to be surprised with the violence as well – the violence is NOT picturised like a Tom and Jerry cartoon … All in all, a lot of very clever jokes interspersed with some not so interesting parts. Even though its overall rating is average, I would recommend a watch – because you are going to recall the jokes for days after the movie and chuckle thinking about it.

I write about movies regularly at http://bisprad.blogspot.com

Sankat City (2009)

Superb gangster caper

[9/10 · 27 August 2009]

Although you might not have heard about it at all, Sankat city is a delightful surprise. First time director Pankaj Advani delivers a very enjoyable two hours – on what must have been a very tight budget. The cost cutting is visible in the opening scenes, where the Chunkey Pandey scenes look quite … handycam-ish. But the distraction is not for long and you soon adjust to the cinematography. The opening credits of the movie themselves look very 70s-ish, a-la Johnny Gaddar.

In a movie such as this, its is best not to talk about the story-line. Lets talk about the nuts instead.

Faujdar bhai – Bhai-cum-money lender. Devoted follower of Swamiji. Uses a pair of dice to decide how many days to grant to a defaulting borrower and has a hit-man named Lovely.

Swamiji – Compulsive carnivore without too much spirituality and a liking of hot tub baths

Gogi – Film director who is ready to hang up his boots and open a film studio out of the city. And to make his last film a hit, he wants to kill off his flop hero on the movie sets itself.

Lingam – Gogi's assistant director. Devoted to his boss, but has only one wish – Aishwarya Rai must come for the studio opening, minus Abhishek

Paschisia – Builder. Owes Faujdar bhai 2 crores and is about to default. Loves popcorn and the ladies, but stomach is a problem

Guru – Small time car thief. Along with his senile chacha Ganpat, runs a well oiled carjacking business.

Mona – street-smart con artist who doesn't mind using her feminine charms to lure the likes of Paschisia. But cant stop spouting Bengali

Philip Phattu – Faujdar's driver and Mona's erstwhile partner-in-crime. Apropos to his name, doesn't have any cojones at all. Dreams of marrying a prostitute

Suleiman Supari – hit-man without any scruples, with a liking of shiny gold shirt buttons

If some of the characters appear familiar to you, it is because such madcap gangster movies have recently started appearing with regularity. The closest I can come to describing Sankat City is as a sort of mixture of 99 and Ek Chalis Ki Last Local. While the story appears madcap, the entire flow is very seamless and the situations are genuinely laugh out loud. And the entire madness resolves neatly at the end.

Performance is top notch all across – Chunkey Pandey is probably the only weak link, but he hardly has a role. Biggest surprise was Rimi Sen – her acting was much better than I remember. Kay Kay Menon plays a lighter role with aplomb and Lingam, Ganpat etc are a hoot.

Life Partner (2009)

Decent entertainer with Govinda

[7/10 · 24 August 2009]

Surprisingly, Life Partner is actually quite a fun movie, especially in the first half ! The dialogs of the movie were pleasantly witty and with absolutely no slapstick !! Govinda is back in his old touch and one thoroughly enjoys the first half. However Life Partner is not without its flaws as the second half gets a little more sentimental and comedy takes a backseat.

The movie is about two NRI couples in Cape Town - Karan-Sanjana (Fardeen-Genelia) and Bhavesh-Prachi (Tusshar-Prachi) and their lawyer friend Jeet (Govinda). Karan is the suave metro-sexual and his girlfriend is Sanjana, the spoilt-brat daughter of Anupam Kher. Bhavesh is the gawky Gujrati bought up with 'strict Indian values' – who is waiting to gift his virginity to his wife. Prachi is well ... just Prachi Desai – saccharine sweet smile and not much else.

The first half of the movie introduces us to Karan-Sanjana and Bhavesh and their families etc and of course, Jeet ! He is a divorce lawyer who is perennially looking for opportunities to break up marriages. And he himself has just once policy - No marriage !! Govinda is definitely the strongest point of the movie and his tete-a-tetes with Genelia are fun to watch. Though at his age, Govinda just cant carry off two firang babes on his arms (and though he looks really thin on the posters, those are just photoshop effects – he looks just as fat in the movie)

Trouble arrives in the form of marriage – Bhavesh goes all the way to Gujarat to find himself a wife and gets hitched to Prachi, a rich heiress. In a moment of marriage madness, Sanjana and Karan also tie the knot there. And when they come back, the decibels start increasing. Sanjana doesn't like the Karan who has become a little responsible and Prachi is at loggerheads with her ultra conservative Bapuji (father-in-law Darshan Jariwala). Genelia is especially screechy, though overall she plays the wife-from-hell part pretty well. And the song Koke Koke is so atrocious its not even funny !!

In the second half, we see very little of Govinda and probably a few more scenes with him could have made this movie a complete blast – like the "tum chup raho" scene. However director Rumi Jaffrey decides to give a gentle preaching on marriage. Consequently, things slow down and the Prachi Desai scenes sometimes resemble an Ekta Kapoor show. But there is one more gem in the movie – veteran comedian Jagdeep. His scene with Fardeen & Genelia will have you falling out of your seat laughing !!

The climax where all the issues are sorted out was a letdown and so was Amrita Rao in the movie. Songs are also a completely waste - though only Koke Koke is abominable, the rest are just boring. The visuals are pretty slick though – and that honeymoon suite balcony view is really fantabulous. Definitely wish to visit it someday. Overall, the movie is an entertaining watch, and an extra 0.5 for Jagdeep.

Kaminey (2009)

Almost there

[8/10 · 24 August 2009]

Vishal Bhardwaj's evocatively titled Kaminey is a gangster flick on the lines of Lock Stock and Two Smoking Barrels. Translation – it's a really good movie about a bunch of thugs and bandits all running after the same big prize – and each of them are nuttier than the other !! Unfortunately, revealing any more about the prize is or the characters would take away the fun of watching the movie itself. I will attempt to tell you about the movie without giving away much …

Central to the plot are two identical twins – Guddu and Charlie, both played by Shahid Kapoor in a career-defining performance. Now as Hindi movies teach us, the twins are as different as chalk and cheese – one is a small-time gangster with bookie dreams and the other does social work with an NGO. And of course, as we all know by now, one lisps and the other one stammers. They hate each other and haven't seen each other for 3 years. Yet in the course of the movie, both of them land up in trouble – and the wrong twin gets caught by the wrong people.

The 'wrong people' above are actually the lifeline of the movie – the three Bengali brothers, Bhope Bhau, Inspector Lobo (and his brother) and Tashi the Great. They make the movie quirky, fun and unpredictable – which gives this movie its flavour. Amol Gupte as Bhope Bhau is especially a revelation, given than he is the writer and co-director of Taare Zameen Par. The other revelation is Priyanka Chopra as Sweety – the Home Science topper. She plays a spunky Maharashtrian girl in love with Guddu and their scenes are rather refreshing

I don't think I need to highlight the soundtrack of this movie – Dhan Te Nan plays throughout the movie and sounds just fabulous. The other songs of the movie are pretty good as well

So a superb followup to the brilliant Omkara by Vishal Bhardwaj ? Well almost !

Whats missing in the movie is a "WOW" moment – a memorable sequence which either blows your mind or which you remember for a long time. Because such gangster capers have become common in the recent past – Ek Chalis Ki Last Local, 99 and Sankat City - and Kaminey will give you a déjà vu from some of these movies. Basically, I kept waiting to be surprised, and it never happened.

So if you haven't watched any of the above listed movies, then go right ahead and watch Kaminey – you will find it awesome. The others – go watch it anyway because its a movie worth watching and see if you agree with my rating ..

I regularly write about movies at http://bisprad.blogspot.com

Rang Birangi (1983)

Great 70s Humour

[8/10 · 25 May 2009]

As I was scrounging around for a book to read in the weekend, I found some DVDs stacked in one corner of the cabinet. I had bought these on a whim at Crossword or Landmark, attracted by the bargains on offer – and conveniently forgotten about them. But with nothing to do in the weekends (and the missus slaving away at the office), I decided to use my time productively ...

Rang Birangi was the first movie I watched this weekend. And I couldn't help but pen down my thoughts about the movie. I normally do not write about movies that aren't playing at a multiplex near you, but then this isn't a review strictly. There is no rating at the end of it and I honestly wouldn't know how to rate such a movie. Plus I do not think old work like this should be critiqued – it should just be appreciated

But enough about myself – more about the movie

Rang Birangi was released in 1983, and was probably the last of Hrishikesh Mukherjee's iconic movies. I knew he had done a great amount of work but I was flabbergasted when I went through his actual body of work. Sample this

Anari (1959) Satyakam (1969) Guddi (1971) Anand (1971) Bawarchi (1972) Abhimaan (1973) Namak Haram(1973) Mili (1975) Chupke Chupke (1975) Golmaal (1979) Khoobsurat(1980) Naram Garam (1981) Rang Birangi (1983)

And many more in between ...

(And I have to confess I am in love with his Chupke Chupke. I can watch that movie again and again and again – and still laugh heartily every time Dharmendra fools Om Prakash)

Rang Birangi, in a way, is 'inspired' from his previous works. While the movie itself references B.R. Chopra's Pati Patni Aur Woh in the dialogues, the movie reminds you of the chaotic plots of Golmaal, Chupke Chupke and Gulzar's Angoor. Maybe it is because of the common actors – Deven Varma, Amol Palekar, Om Prakash & Utpal Dutt. And Bindiya Goswami is also there in a special appearance.

It starts off with Ajay (Amol Palekar) and Nimma (Parveen Babi) leading a peaceful but somewhat boring married life – where Ajay spends too much time at his office immersed in work. His secretary is the attractive Anita (Deepti Naval in very modern dresses), but Ajay doesn't even notice her, being the perfect gentleman. And Anita's boyfriend is Jeet (Farooq Shaikh), who is a professor and always a little suspicious of her boss's intentions.

Enter Ajay's friend Ravi (Deven Verma) who tries to bring the spark back in Ajay and Nimma's life by encouraging him to flirt with his secretary. And what starts as a simple flirting, snowballs into a majorly chaotic affair as Ravi keeps changing the script as events happen (like Dharmendra does in Chupke Chupke). Mention must be made of Utpal Dutt who makes his entry quite late into the movie. Though he doesn't have a very big role – but I had to mention him because of his character's name ! Say it aloud – "Dhurandar Bhatawadekar" !!! Rang Birangi works because of the wonderful acting by all the protagonists. Amol Palekar is especially comic in the role of poor guy caught up in events out of his control. And the script works because at any time, none of the characters (including Ravi) knows what exactly is happening – everyone knows only the partial truth.

For Rs. 45 (that's the price T-Series is selling the DVD for) it is an unbeatable bargain. Its lesser than the cost of one popcorn (if you watch movies in Mumbai multiplexes). So pick one up when you next goto a Crossword or MusicWorld - or rent it out from your nearby DVD wala if you already have a subscription. And enjoy some clean 70s humour.

I regularly write about movies at http://bisprad.blogspot.com

99 (I) (2009)

Little Gem of a Movie

[9/10 · 16 May 2009]

Right from the word go, 99 seems to be a bit 'different' !! Even the normally humdrum disclaimers that you see in the beginning of a movie ("Any resemblance to real people or events is a coincidence .. blah blah") sings a different tune for this movie – you will understand when you see it. And on hindsight, it was a fair warning.

Coz nothing else about the movie – the unknown director pair of Krishna D.K. and Raj Nidimoru, the boring lead pair of Kunal Khemu (who ?) and Cryus Broacha, the cute but hardly a top-slot-actress Soha Ali Khan – nothing prepares you for the absolute blast this movie is !! Simply put – it ROCKED !

(BTW, doesn't Nidimoru sound a little Japanese ?)

The movie starts in 1999, with two small-time crooks Sachin (Kunal Khemu) and Zaramud (Cyrus Broacha), on the run from the police. They hotwire a car and try to escape, only to lose control of the vehicle and smash it into a truck, then a lamppost and all sorts of other things – completely wrecking it. And to their luck, the car belongs to local bhai AGM (Sanjay Manjrekar) – to pay off for the car, they start working for him. AGM is bigtime into satta and has many outstanding debts to him. He dispatches our lead duo to Delhi to extort money from a non-paying gambling junkie Rahul (Boman Irani).

All this is only the first 10 minutes of the movie.

The movie is named so because it signifies just one short of a century – and all the characters in our keep missing their mark in life, just by a little bit. 99 is full of comic twists and turns – AND cricket jokes !! You could probably classify this as a comic heist/gangster story I suppose, but it wouldn't be doing this movie complete justice. The closest to this movie is probably last year's Abhay-Deol-starrer Oye Lucky Lucky Oye. Intelligent humour and lot of fun being poked at the city of Delhi itself – there are lot of similarities in the two movies. But story lines are very different.

Performance was standout across the board – Kunal Khemu, Boman Irani, Cyrus Broacha, Mahesh Manjrekar, Amit Mistry (Kuber), Vinod Khanna – and everybody else. Soha Ali Khan & Simone Singh didn't have much to do, but Soha looked rather cute – and both do their parts very satisfactorily. Mahesh Manjrekar continues to shine in comic roles – though I think his character would have better been named ATM instead of AGM. Boman was good as usual and Amit Mistry as Kuber was a hoot, to say nothing of Dimpy !! But the star was Kunal Khemu – the guy CAN act !! Not that I am complaining about this movie, but he should be getting better roles ! And Cyrus Broacha was a surprise too – he wasn't as over the top as I imagined he would be.

Being released in the middle of the multiplex-producers dispute will probably help this movie, as compared to being released in a normal schedule, competing with 5 other movies in a week. So yes, definitely go for 99 - it's a little gem of movie that you shouldn't miss.

I regularly write about movies at http://bombaycinephile.blogspot.com

Straight (II) (2009)

A very average romantic comedy

[5/10 · 27 March 2009]

Parvati Balgopal's Straight tries to break the romantic comedy in Hindi cinema mould by bringing in a gay angle - but it doesn't succeed in making much of an impact on the viewer - at least it didn't work for me. Wifey thinks it wasn't a bad timepass but I think the flaws overpower the good parts. The movie opens with a very innovative aeroplane graphic to show the generations of the Patel family who emigrated to all corners of the world. Pinu Patel's parents landed up in London and he becomes a restaurateur (I kind of got a Cheeni Kum deja vu sometimes - but of course, no comparison between Mr Bachhan and Vinay Pathak). Sticking to his simplistic image, Vinay Pathak plays Pinu Patel, simple and honest, who still shies away from girls and doesn't have much social life.

Till two people walk into his life - stand-up-comedian-cum-cook Kamlesh (played by ) and cartoonist-cum-accountant Renu (Gul Panag). Pinu is happy to have two good friends - and his restaurant also starts booming - till an accidental kiss happens. And as trailers have already revealed, Pinu Patel is horrified to realize he just might be gay. But he just doesn't want to even consider the fact that he might not be straight and so begins com the misadventures as he desperately tries to lose his virginity.

The movie does generate laughs at some points - mostly of the sexual kind - and seemed to really entertain a group of guys sitting in front of me. Maybe thats the way to see this movie to make the most of it ... But for me, the laughs were few and far between - rest of the movie was a slow drag mainly because of the way Pinu Patel's character is written. I really hope Vinay Pathak stops accepting there loser kind of roles - because stretched beyond a point, they lose the audiences' sympathy/interest. I am not saying that all movies about gay issues should be a Dostana, but does the gay guy have to be really sad loser in life ? Why cant a dashing handsome dude also be gay - at least a normal guy ??

The other thing that really irritates in the movie are the songs - I think there were 5 of them in the movie and not one of them hummable. Yet, the director insisted on picturizing all the songs in full ! It was probably more of a torture than the loser act of Pinu Patel. The good parts of the movie are the laughs - mostly by Vinay Pathak himself. The man can definitely act - like Dasvidaniya showed. The other cool part was Pinu's cousin Rajat - who is a pub singer - and mostly, he had a ubercool way of saying 'Pinu Baiiyya'. Ketki Dave refrains from going Ara-ra-ra-ra and acts well, especially in the climax. Gul Panag doesn't make any impression.

I don't think its especially worth your money at the theatres. Watch it when it comes on TV a few months later.

I regularly write about movies at http://bisprad.blogspot.com

Firaaq (2008)

Exemplary human story - not to be missed

[9/10 · 27 March 2009]

I admit that I was quite interested about Firaaq, mainly because of the international felicitation that it has received. Yet I was a little hesitant in going for the movie – especially after a long week at work - I didn't want to watch a heavy movie about the Gujarat riots! I instead chose what I thought would be a light movie – Straight (and regretted it). But I couldn't be more wrong about Firaaq ...

Yes its set amidst the Gujarat riots – a month after it, to be precise. But it doesn't have any of the violence or bloodshed of the riots. It instead follows a set of people who are struggling to come to terms with life in the aftermath of the riots. Nandita Das has taken some ordinary people and showed us how they react when faced with something extraordinary – it brings out the worst in some like Paresh Rawal while some like Sanjay Suri look to escape.

It is a rare movie that can stir up a whirlpool of emotions inside the viewer – feelings as diverse as loathing, despair, hope and happiness and everything that is in between – all in a runtime of just 100 minutes. Nandita Das exceeds expectations in her directorial debut in Firaaq, taking on the Gujarat riots issue with a wonderful sensitivity. Sure, she has the advantage of having a stalwarts like Naseeruddin Shah & Paresh Rawal in Firaaq - but the finesse with which the screenplay seamlessly weaves all the story together is completely to her credit

From a slightly disturbing opening scene, we are introduced to the different characters and their dilemmas - the Hindu-Muslim urban couple who are leaving town, a Muslim couple who come back to their home to find it burnt down, the gujarati housewife struggling to come to terms with her guilt, a orphaned child looking for his family and an ageing singer oblivious to reality … Each of the actors' performance has been stellar – you cannot help but loath Paresh Rawal and equally you share Deepti Naval's agony and her wish for atonement. Naseeruddin Shah is in a league of his own, playing a musician from a forgotten generation who is disconnected from today's world.

As if the multitude of stories were not enough, each of the stories tug at your heart in different directions. From the despair at finding her entire household in ashes to the suspecting her best friend, from the fear of the police to the anger at the bride's silly remarks about the riots, Muneera (Shahana Goswami) bares her thoughts to us. The sharing of the bindi between friends and the intermixing of the names Mohan and Mohsin – the movie is replete with such subtle subtexts.

With its limited runtime, Firaaq doesn't conform to the traditional norms of giving a background to each story or taking each of them to a logical conclusion. So maybe it might feel a little abrupt at the start to some. But such trifling irritants are completely forgotten by the time you finish watching Firaaq as you would find yourself overwhelmed with conflicting emotions.

I regularly review movies at http://bisprad.blogspot.com

Dil Kabaddi (2008)

A very average comedy

[7/10 · 27 March 2009]

Imagine Irfan Khan wearing a g-string and a sports bra !!

Grossed out :D ? Don't worry, they don't show him in it :) Just an indicator of the level of openness we have come to accept in Hindi movies. Even 5 years ago, talk like this would have gotten movie posters burnt etc. But now its quite cool to talk about spicing up your sex life with such ideas. Of course the g-string idea itself is quite stupid :)

Dil Kabaddi is a take on modern-day urban relationships - with Rahul Bose & Konkona Sensharma and Irfan Khan & Soha Ali Khan playing couples – who are outwardly happily married, but troubled inside. The movie claims to be a fun take on marital (and extramarital) affairs – and especially the trailers of the movie promise a lot of debauchery and goofing around.

So does Dil Kabaddi deliver ?

Yes – but not quite.

The story begins with Samit (Irfan Khan) and Mita (Soha Ali Khan) fighting on their way to meeting Rishi (Rahul Bose) and Simi (Konkona Sensharma). We come to know of Samit's … err … overenthusiasm for all matters sexual and Soha Ali Khan's preference for romance and 'huggy-huggy' at night – among other things. And they proceed to calmly inform Rishi and Simi that they are separating and Samit is moving out of the house.

And so begins the fun for Samit as he moves in with his 'aerobics instructor' Kaya (Payal Rohtagi) the very next day. Mita takes things hard at first but then Simi introduces her to Veer (Rahul Khanna), and they hit it off as well.

These events have their effect on Rishi and Simi who question their own status quo and start considering other people surreptitiously. Of course, what happens next is for you to watch and find out. All the four major characters are deeply flawed – Rishi a little less than the others – but flawed nevertheless. However, because of Samit's over-the-top actions, his and Mita's story doesn't seem quite realistic while Rishi & Simi's story seems more plausible. Among the other characters, special mention has to be made of Payal Rohtagi. She is depicted as a caricature, but even then she is so loud and screechy, it becomes a pain to watch her in the latter half in the movie. Her only highlight in the movie is her scene with Rahul Khanna. The other cool character not mentioned so far is Simi's ex-boyfriend (cant remember his name). Bucking the trend of showing exes as losers (like in Jab We Met), this guy is shown as quite cool and forms a very important link in the narrative.

The chemistry between both the couples is very good and I personally found Soha Ali Khan quite attractive for the first time (and kinda hot, though there is no skin show). And though Irfan Khan gets a lot of wacky humour scenes, I found the scenes between Rahul Bose and Konkona more enjoyable – and Rahul Bose is right in his element.

The movie ends with a unexpected twist and is liberally strewn with gags and sexual jokes. Yet somewhere along, the director loses the balance between realistic and ridiculous fun - and somewhat disconnects with the audience. Like Pyaar Ke Side Effects, you will enjoy this movie just a little bit more if you are married or have had a significant other for sometime. Overall Dil Kabaddi is a lot of fun, but just not quite satisfying.

I regularly review movies at http://bisprad.blogspot.com

Barah Aana (2009)

Not a comedy

[6/10 · 27 March 2009]

This movie could easily call itself the Indian Slumdog Millionaire – not only does it have Indian artistes, the makers are also Indian :) !! Having certain similarities with both Arvind Adiga's White Tiger and the runaway Danny Boyle success, Barah Aana is a story of three have-nots who are fed up of their wretched existence and decide to take matters into their own hands.

Shukla (Naseeruddin Shah), Yadav (Vijay Raaz) and Aman (Arjun Mathur) share a room in one of Mumbai slums. They are simple, honest people struggling to eke out an existence in the city – Shukla is a driver for a businessman but he has a painful past, Yadav is a watchman in a building and Aman is a waiter in a Barista. But life isn't so forgiving - Shukla is constantly ridiculed and abused by his mistress, Yadav is being made to do double shifts and treated more like a peon, running errands all day and Aman harbours romantic dreams in his heart about the friendly Italian woman at his café.

Things reach a critical point when Yadav's son at his village falls ill and he desperately needs money for the treatment – but his pleas fall on deaf ears. Desperation leads to an accidental crime and with it comes a realization that now they have a way to fight back the system for the dignity that they have been denied so far …

The story has very interesting possibilities, and the acting is certainly top notch. Naseeruddin Shah has only 3 lines of dialogue in the entire movie, that too in the climax – he communicates only with his facial expressions and shrugs in the rest of the movie – and that itself is a study in acting !! Vijay Raaz is the most vocal among the three and he is good as usual. Amrit Mathur (the guy was Farhan's friend in Luck By Chance) does the aspiring young man role very well too. But I thought Tannishtha Chatterjee made the major impact in the small role of the phone-booth owner in the slum.

However, the director fails in one very important aspect - to innovate in the movie. The script is completely linear and the pace doesn't vary at all. Sometime in the second half, I even started looking at my watch – even though the movie is just 100 min long ! The first 30 min is spent establishing the difficult lives of the three lead actors and the story then moves steadily towards the 'accident' – the plot is very guessable and the director doesn't do anything to dispel the disinterest once you realize you got the plot. The humour scenes are very few – and some more funny scenes might have improved the pacing of the story.

The director, however has one big last laugh in the end – but that is not enough to redeem the movie. The plot was interesting, the acting flawless but Barah Aana is let down by a slightly unimaginative screenplay. Its not a bad movie, but just nothing special ..

I regularly review movies at http://bisprad.blogspot.com

The Stoneman Murders (2009)

Engrossing little thriller

[7/10 · 27 March 2009]

For a long time I thought The Stoneman Murders was a investigative documentary of some sort by NDTV – because I always saw the ads only on the news channels. And the ads only showed some guy shrouded in a blanket, about to smash someone with a big stone. It was only later that I saw Kay Kay Menon and Arbaaz Khan in the promos and realized it was a proper movie.

But the big question about each movie - is it a proper/watchable movie ? Answer - Hell yeah !! It might be small budget and without any catchy item songs (there is one mandatory dance-bar song, but its eminently forgettable) – but it's a very involving and riveting thriller. Of course, it manages to trip itself up when it uncovers the mystery man – it's a time honored Hindi movie tradition (Raaz etc) after all !! But since it's the last 10 minutes of the movie, you can easily skip that part in your mind and remember its engrossing moments.

As the movie title and the trailers announce – its about the gruesome Stoneman (or 'Pattharmaar') serial killings in Bombay in 1983 – whose identity remains a mystery till date. According to google, this is the only serial-killer case in India that was never solved – not even a definitive arrest !! Director Manish Gupta claims that there was no way a crime like this was unsolved – there must have been a massive cover-up afterwards. Now I am not in a position to verify if this is just a publicity gimmick or he actually believes that – but it definitely adds to the enjoyment of the movie.

The Stoneman Murders has Kay Kay Menon playing inspector Sanjay - his now-regular characterization of a man with an inflated self-belief, aggression and a liking for violence (Sarkar, Mumbai Meri Jaan, Life in a Metro, Via Darjeeling and many more). I guess it goes without saying that he does that role pretty well. The movie begins with inspector Sanjay getting suspended from the police force for a accidental custodial death, right when the Stoneman kills his first victim. As the bodies pile up, he gets permission from a sympathetic senior Satam (Vikram Gokhale) to pursue a secret parallel investigation on his own. Sanjay latches on to the thin hope that cracking the case before the police department does, might be his only chance of getting back into the force ... and mobilizes his underground network of informers for clues. But the killer doesn't give himself up easily and that is what the story is all about.

With a perfect accompanying background score that heightens the terse moments and shot mostly at nighttime Mumbai streets, The Stoneman Murders is a very intelligent cat-and-mouse game between the renegade cop and the mystery killer. The director/script-writer have come up with a very realistic & engrossing story – and I cant tell you more about the narrative without giving away some of the mystery. There are scary moments throughout the movie, and there were times I forgot to chew the popcorn in my mouth as I cringed inwardly about the gory death awaiting the pavement-dweller.

However, the director cant match this suspense buildup with the final expose of the Stoneman – and the identity of the killer is rather underwhelming. That spoils what is otherwise a perfect suspense movie. But even with the stinky ending, The Stoneman Murders is entertaining as hell, especially at just 1 hour 40 min runtime and hence deserves a watch

I regularly review movies at http://bombaycinephile.blogspot.com

Little Zizou (2008)

Fun movie

[8/10 · 18 March 2009]

I have a peeve with the makers of Little Zizou - why are the trailers so bad ?? For such a wonderful movie couldn't they made the trailers a little more interesting? Even I could have made them better trailers than the ones airing now ...

Little Zizou is a movie about the parsis, made by the parsis. Most of the cast - with the exception of Imaad Shah - are parsis. So is the director Sooni Taraporewala. But the appeal of the movie is universal - mainly because it says what it has to say so humorously.

The movie is about Cyrus II Khodaiji - a self proclaimed religious scholar and healer who fancies himself as the next messiah. As is the rule of the world, crazies like him attract more media attention and soon his 'Back to purity' BTP campaign has a large fan following. It is also about Boman Presswala (played by Boman Irani), editor of the Parsi newspaper Rustam-e-Sohrab. He is the sane voice of the community and just doesn't miss an opportunity to ridicule Khodaiji in his paper.

Caught in between this are Khodaiji's two sons - Xerxes and Artaxerxes (Imaad Shah - Naseeruddin Shah's son). Having lost his mother at childbirth, 11 year old Xerxes is an unloved kid as his father is busy playing messiah. The only thing that he really loves is football - more specifically Zinedane Zidane (or Zizou). And more than home he prefers spending time at Boman Presswala's home - where Roxy aunty (Boman's wife) mothers the poor motherless boy. And this irritates Boman's younger daughter Liana no end - she thinks her mother likes little Zizou more.

His elder brother Artxerxes - or Art - is a soft-spoken young man with a very artistic hand - and no love lost for his father. He is a graphic artist who keeps sketching interesting scenes he encounters everyday in his artbook. And these drawings are interspersed liberally in the movie. He also prefers Boman's home more - because of Boman's other daughter Xenobia.

But this equilibrium is shattered when Khodaiji becomes obsessed with preventing foreigners - Russians, Brazilians etc - from adopting the Zoroaster faith. He even forms an army called Parsi Liberation Organization to defend the Parsi faith and from here things go downhill in the lives of everyone around him.

Sooni Taraporevala has crafted a simple yet entertaining world - all from the eyes of Little Zizou. Both the kids - Zizou and Liana - perform superbly, especially Zizou. He is endearing and evokes sympathy, without seemingly making an effort. And Liana is your irritating younger sister, who will spill all your secrets. But the star of the show is undoubtedly Boman Irani. He is so full of life its a joy watching him - especially during the 'Italiano Mamu' song !

There are a lot of other characters in bit roles throughout the movie - including Cyrus Broacha, John Abraham and Shiamak Davar - its more like all the parsis you ever saw in any form of media. But they all gel together amazingly well - mainly because somehow, the director seems to have convinced these people that there isn't a camera on them. All the lead actors perform so naturally as if they were actually leading their normal lives in some Parsi colony !

Little Zizou is a must watch because of the wonderful humour and the subtle message cloaked effectively in all that fun - about the conflict between the liberals and the religious zealots. Watch it to remind yourself just why Boman Irani is so fabulous - and for a little more insight into the world of parsis.

I regularly write about movies at http://bisprad.blogspot.com