...and I must admit that on the first viewing, I didn't get it myself.
I'm one of those relative rarities: a straight male that normally enjoys Merchant-Ivory productions. However, I disliked this movie on first viewing (several years ago). In retrospect, I can see that I was not reacting to the movie, but my intense dislike for Anthony Hopkins' character.
I watched it again the other night and was absolutely blown away by it. What a film! Emma Thompson won Best Actress for her performance, and she did her usual terrific job, but frankly I was more impressed by the performance of Helena Bonham Carter. The style of the film is magnificent.
This is a story (like most of E. M. Forster's) about the injustices of class distinctions. However, with a subtlety that I missed on my first viewing, this film is also about karma (what goes around - comes around) and a story of social progress. This film is set in a time when society is coming out of the Victorian age and into the Edwardian. You see contrasts of the past thinking with the progressive thinking all through the movie. A visual metaphor is repeated over and over: the turning of cranks, whether it be on a new-fangled morse code machine, a vintage car, or the wheels of a mighty locomotive. I believe that this represents both karma and progress, forces which Forster sees as unstoppable as the laws of nature.
This is an incredible story, and an incredible piece of film-making.
I'm one of those relative rarities: a straight male that normally enjoys Merchant-Ivory productions. However, I disliked this movie on first viewing (several years ago). In retrospect, I can see that I was not reacting to the movie, but my intense dislike for Anthony Hopkins' character.
I watched it again the other night and was absolutely blown away by it. What a film! Emma Thompson won Best Actress for her performance, and she did her usual terrific job, but frankly I was more impressed by the performance of Helena Bonham Carter. The style of the film is magnificent.
This is a story (like most of E. M. Forster's) about the injustices of class distinctions. However, with a subtlety that I missed on my first viewing, this film is also about karma (what goes around - comes around) and a story of social progress. This film is set in a time when society is coming out of the Victorian age and into the Edwardian. You see contrasts of the past thinking with the progressive thinking all through the movie. A visual metaphor is repeated over and over: the turning of cranks, whether it be on a new-fangled morse code machine, a vintage car, or the wheels of a mighty locomotive. I believe that this represents both karma and progress, forces which Forster sees as unstoppable as the laws of nature.
This is an incredible story, and an incredible piece of film-making.
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