This movie is much better than its reputation. There are many sequences where it feels like a classic European medieval/gothic horror tale. The sets are quite good, the mood is excellent, and some of the shots look painterly. The basic storytelling has flaws, but when it works, it can be quite compelling. The acting is mostly mediocre or bad, but there ARE genuinely good performances and casting choices here: Rutger Hauer as Van Helsing, Miriam Giovanelli as the vampire seductress Tanja, Marta Gastini as the innocent out of town girl, and most notably Thomas Kretschmann as Dracula. His performance alone is worth the price of admission. Indeed, if he had been in a better film, he would be remembered as one of the great Draculas in cinema history. And I think he deserves that epithet even as things stand.
The flaws of the movie are obvious: boring and predictable plot, bad CGI, character arcs that fail to go anywhere, some wooden acting, wasted talent... I lost count of the amount of times I was expecting more to be done with a particular plotline, only to be mercilessly whisked away to another poorly developed or quickly aborted scene. So, this is far from the quality of Argento's golden years. But damned if I still did not enjoy it! The moody set design, a few performances, fun and gory death scenes, and the classic fairy tale setting make this a potentially enjoyable movie for gothic horror fans. The 3D can enhance the mood, too, although it is not utilised as well as it could have been. But overall, the movie is just fine. I am ready to say that people who can look past the bad and the ugly can enjoy the parts that are beautiful, schlocky, moody, haunting, promising, compelling, surprising, and silly. No, they do not cohere well. But the pieces are there. It is a shame that it takes a patient puzzle expert to put the film's many undeveloped pieces together!
The flaws of the movie are obvious: boring and predictable plot, bad CGI, character arcs that fail to go anywhere, some wooden acting, wasted talent... I lost count of the amount of times I was expecting more to be done with a particular plotline, only to be mercilessly whisked away to another poorly developed or quickly aborted scene. So, this is far from the quality of Argento's golden years. But damned if I still did not enjoy it! The moody set design, a few performances, fun and gory death scenes, and the classic fairy tale setting make this a potentially enjoyable movie for gothic horror fans. The 3D can enhance the mood, too, although it is not utilised as well as it could have been. But overall, the movie is just fine. I am ready to say that people who can look past the bad and the ugly can enjoy the parts that are beautiful, schlocky, moody, haunting, promising, compelling, surprising, and silly. No, they do not cohere well. But the pieces are there. It is a shame that it takes a patient puzzle expert to put the film's many undeveloped pieces together!
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