It's a Civil War drama set in the Shenandoah Valley of Virginia in 1864. It follows a wealthy libertarian widower, Charlie Anderson (James Stewart), who has six sons (Glenn Corbett, Patrick Wayne, Charles Robinson, James, McMullan, Henry Anderson, and Philip Alford), one daughter (Rosemary Forsyth), and one daughter-in-law (Katharine Ross) living under his roof. Charlie is cantankerous, doesn't support owning slaves, and refuses to have anything to do with the Civil War unless it comes onto his farm. His wife, Martha, died 16 years earlier, giving birth to Boy (Philip Alford), making Boy a special favorite. We also meet a young Confederate officer (Doug McClure) who seeks to marry his daughter.
The movie follows events as the Civil War finally impinges on his quiet family life, with some deadly consequences. By the end of "Shenandoah," Charlie learns some of the consequences of his stiff-necked behavior.
"Shenandoah" is a mediocre Western that seems to copy the style of the "Bonanza" TV series. Charlie is the patriarchal head of a family whose children call him "Sir," but there are enough hijinks along the way to display Charlie's mellow side, e.g., a fight with authorities seeking to seize horses that sees the Boy constantly knocked into a water trough.
Charlie Anderson is the only character with any personality; the sons are all ciphers. The two women are meek and submissive. The plot wanders on with no real message except that war seems to decrease family sizes despite anything you might do to protect yourself from it. Some reviewers call "Shenandoah" an anti-war movie, but I think it's just a mediocre knock-off of "Bonanza."
The movie follows events as the Civil War finally impinges on his quiet family life, with some deadly consequences. By the end of "Shenandoah," Charlie learns some of the consequences of his stiff-necked behavior.
"Shenandoah" is a mediocre Western that seems to copy the style of the "Bonanza" TV series. Charlie is the patriarchal head of a family whose children call him "Sir," but there are enough hijinks along the way to display Charlie's mellow side, e.g., a fight with authorities seeking to seize horses that sees the Boy constantly knocked into a water trough.
Charlie Anderson is the only character with any personality; the sons are all ciphers. The two women are meek and submissive. The plot wanders on with no real message except that war seems to decrease family sizes despite anything you might do to protect yourself from it. Some reviewers call "Shenandoah" an anti-war movie, but I think it's just a mediocre knock-off of "Bonanza."
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