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7/10
Missing key elements
28 January 2018
Warning: Spoilers
Call Me By Your Name was a beautiful, well-acted and well-directed film. However it is a tad overrated for the following reasons:

1. WHERE IS THE CONFLICT????? The two main characters (I think they might both be bisexual), discover throughout the course of the movie that they have a romantic connection. Then one of them leaves. Then the other cries about it. Then his dad says he knew about their relationship and is ok with it. There was no conflict, save the girlfriend breaking up with Elio because he didn't see her for three days. Why is that a reason for breaking up, and why is that the most conflict the movie has? Although, I will say that Elio is very scared to come on to Oliver, and that's part of his character arc. But that's not enough to warrant my interest in the story.

2. A couple of shots that were too disgusting. Why were they there? That was silly.

3. Nothing much happens in the movie. Many scenes have no effect on the plot.

Sadly, I will probably never watch this film again. That this got a Best Picture Nomination over I, Tonya and Blade Runner 2049 is beyond me. Mostly completely BORING Oscar Bait. However, the cinematography and acting is superb. 7/10.
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10/10
A perfectly told story, and an amazing achievement in Character and Emotion.
27 October 2017
Warning: Spoilers
I didn't know that there was such a thing as a Hotshot before I watched this film. Taking a look at the premise of Only the Brave, I unfortunately knew how it was going to end. However, that did not hinder the quality of the film. I was blown away by Only the Brave, because it took a little known tragic event and made it one of the best character-driven and emotional films ever.

The characters in this film are nothing short of perfect, and the casting was spot-on. Josh Brolin gave the best performance I've ever seen from him. Miles Teller, Taylor Kitsch, James Badge Dale and Jeff Bridges were also flawless, and completely dissolved in their characters. And Jennifer Connelly is back!

Anyway, Back to the characters. All of them have qualities the audience can relate to. Any clichéd dialogue or events that occur are pure human moments, and don't feel out of place or too predictable. Brolin and Teller's characters have true arcs, and are fleshed out extremely well. My point is, you CARE about these characters and sitting in the theater, you feel like you are with them doing this incredibly dangerous yet heroic job that adds a whole other level to this story about them.

As the film progresses, we start to see that Teller has his own subplot trying to connect with his new family. At first I was skeptical about this and wondered why this character was getting way more screen time than the other members of the crew, and why he had his own backstory. This works for the film all because of the resolution. I will explain this later.

The visual storytelling in this movie was phenomenal, because we see how mighty and powerful these forest fires are, and truly realize how brave these men are, getting so close to the fire. Even though we do not individually know all 20 members of the crew, because that would obviously take too long to go into full detail on, we still connect with all members of the Granite Mountain Hotshots watching them work, interact, and celebrate. Two thirds into the movie, we are aware that they are all heroes, and therefore people we care about. The film realized this concept excellently, and added so much to the emotional side of the story. And oh boy, did I feel some emotions towards the end of this film.

Watching the incredible visual effects, and listening to dialogue throughout the movie, I knew something bad was bound to happen. The Yarnell Hill Fire happened. 19 of 20 Granite Mountain Hotshots died. Deadliest wildfire since 1991. One single lightning strike caused all this havoc. It's cruel. Here's what this film presented:

It's the night before the fire. Brolin is angry at Teller for wanting to leave the crew so he can feel safer and be closer to his family. Brolin goes home with his wife, they connect, and he realizes what a dick he was to Teller. Now we're in the Yarnell Hill Fire, and right before Brolin assigns Teller to lookout, he redeems their relationship and says he will support Teller's family in any way and respect whatever decision he makes. Thus, Brolin's arc is complete. Then over the next 15 minutes, some unfortunate events lead to a windy storm coming in, Teller barely being rescued, and the fire overruns and kills the other 19 members of the crew. Once Teller realizes this, he drops the phone, and you can feel the pain his character is experiencing at this moment. Fast forward to the scene of all the families of the Hotshots, knowing that only one of those families is going to be relieved when Teller walks through the door. At this point, I'm tearing up. After Teller reveals that he is alive, and he looks around the room, and he storms out, and Jennifer Connelly confronts him, I start tearing up again. We all deal with unjustified guilt in our lives, but I've never seen a scene in a film that dealt with that theme so brilliantly.

I felt so emotional at that moment because I spent an entire film watching real people develop into uncompromising heroes. The sudden death of these men led to not only Teller's character feeling guilty, but us audience members as well. And in realizing that our guilt is completely unjustified, we feel an emotional connection with everyone still in the picture. We learn that only the bravest men can be Hotshots, and they are not afraid of any tragedies that may occur. And in this moment, we know that these men should deserve our fullest amount of respect, for they have saved countless lives and are the actual heroes we all dream of becoming.

What made this heartbreaking ending scene work was that we were given an entire subplot devoted to Miles Teller's character. Since he is the only one of the crew who survived the event, this section of the film pays off. Based on his arc throughout the film, we know he will feel the guiltiest because his life leading up to this was probably very different than the other crew members. And having seen his journey unfold, we know he will feel the most guilt about the tragedy. Because of this, we can see all the families in one place and still feel the same emotions as if every Hotshot member's family life was fleshed out with their own subplot. We still connect with these other families we know nothing about. This is very hard to do, but the filmmakers knew exactly how to pull it off, and I must give it my highest praise for that.

This film connected with me on a deeply emotional level, and I hope it does for many others as well. Everybody should see this film, it is one of the best of the year.

10/10!
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10/10
Is Denis Villeneuve a Replicant?
5 October 2017
What I have just seen in my nearby theater was what I think is one of the greatest films of all time. Denis Villeneuve and his crew have created a film so artistically and visually beautiful that there's no way this movie was made by humans.

Roger Deakins has not won an Oscar. Think about that. One of the most renowned cinematographers of all time? Screw him. Well, not anymore. He WILL win an Academy Award for this cinematography. There is no denying that.

Villeneuve has made some of the best films of this decade, and this is just another one. Prisoners, Enemy, Sicario, and Arrival? He is one of the best directors working today. This film is the best he's ever done. This movie is a true masterpiece of cinema.

Everything that was cool about Blade Runner was made even better in this Big-Budge sequel. There are many surprises waiting, and trust me, you will be surprised. The visual effects in this film are comparably revolutionary to Terminator 2's.They are spectacular and realistic. The crew held true and payed plenty of homage to the original 1982 classic. But this film is better in every way.

Not many people can make a FILM this amazing today. I might see this in theaters 12 more times. IT IS THAT GOOD! I've been waiting for this sequel ever since it was announced, and after the initial press reviews, I was expecting something stunning, but what I experienced was a movie that was so spellbinding and perfect that I cannot help but say that Blade Runner 2049 is one of the best films ever made.
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Mother! (2017)
9/10
A great metaphorical story and psychological thriller. Darren Aronofsky delivers a disturbing yet brilliant film.
18 September 2017
Warning: Spoilers
This movie will have people talking about it for years. This is one of those films that most who don't know much about it will be very confused watching it for the first time. I can assure you that if you don't leave before the movie ends, you will be thinking about it for hours. While the metaphor this film's story is portraying is hinted at throughout, it's only at the end where you get the meaning of this disturbing screenplay. And it blew me away.

Because of what the film's trailer is implying (that it's your typical horror film), a lot of this movie's audience will be polarized by the plot and conclusion. But it is more so a psychological thriller than anything else. The movie is very well acted, brilliantly shot, and excellently directed. One critic said that it was the most ambitious film to ever come out of as major studio, which is something that few directors could be trusted with. Aronofsky was the perfect choice, I will be looking forward to his future films. mother! deserves a 9/10, because it is a movie that intelligent film-lovers will analyze and talk about for years.
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Antarctica (1983)
8/10
A great retelling of an actual event, and one of the best soundtracks ever
18 September 2017
This completely unknown movie, at least to non-Japanese audiences, is an absolute spectacle. And who do we have to thank for that? The cinematographers, editor and director. The events that occur in this film look so realistic, I could barely watch. It actually looks like the whole movie was shot in Antarctica. The performances by the dogs were excellent. But the thing that makes this film great is the one and only VANGELIS!!!!!

The most underrated film composer of all time made this score in the middle of his prime. Two years after his Academy-Award-Winning score for Chariots Of Fire (1981) and a year after his prophetic and futuristic soundtrack for Blade Runner (1982), he chose to compose the music for this 1983 Japanese classic. I first heard the main theme for this film as some background music in Sea World San Antonio. I thought it was so beautiful, I didn't leave until I knew exactly what the song was. As for the rest of the score, it fit the tone of this film perfectly. In my opinion, it is one of the 10 best soundtracks of all time. The only real reason anyone would have seen this film today, like I did, would be because they are fans of Vangelis.

As for the rest of the movie, I thought it did a wonderful job setting up the emotional bond between the dogs and the scientists in the first act. However, the second act constantly switched between the dogs trying to survive and the scientists back home, which felt annoying. I understood why the subplot in Japan was necessary, but it didn't need to be edited quite like that. As for the ending, it was perfect.

8/10, that 40 million dollar budget was worth it. and thank you Vangelis. One of the best foreign films of all time.
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10/10
Beautiful. Best musical film ever.
25 March 2017
Not many films can achieve the flat out beauty that you see in The Sound of Music. The mesmerizing European landscapes and Julie Andrews' voice, not to mention the cute performances by the children, especially in their goodbye song, make this film not only the best musical of all time, but one of the best films of all time.

Yes, I did say best musical. Singin in the rain is sewer water compared to this. Not that Singin is a bad musical, but not as good. The Wizard of Oz is learning how to make fire, The Sound of music is inventing the Flying car.

This film is timeless, beautiful, inspiring, and uplifting, but I would advise that anyone who watches this would be mature enough, for anyone under the age of 15 will brush this movie aside, saying it is lame so as to maintain their level of coolness. I saw this happen when I asked my little sisters to watch it with me. They rolled their eyes and said the movie was terrible and boring. If only they understood. You have to have an open mind, and forget everything every little kid has said negative about this film. I never wanted to watch this, but some fellow high school seniors RECOMMENDED it to me. Obviously they had open minds, and they didn't care if they looked cool or not. Please watch this movie. It will make you happy, and it is so beautiful, you will almost cry. I had never really liked musicals, and perhaps I still do not overly enjoy them, but this film in all its beauty cut right through that barrier and took me with it to heaven, which is where it should belong, not on this horrible place where people condemn a musical film for being almost three hours.

To simply conclude, you will never see a more heart-stopping beautiful movie in your life.
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3/10
Not Funny.
4 April 2016
Warning: Spoilers
I love Stanley Kubrick. He is, in my opinion, one of the best directors of all time. I'll admit that the riding-the-bomb scene at the end was classic and iconic. But I did not find this movie funny. before i watched it, i was thinking: "okay, it's a black comedy movie about nuclear war in the 60s. dark humor, but will be funny, based on all th people saying it's the best comedy ever." I'm watching it, and just thinking: "this is a serious war drama. This is not funny. " George C. Scott was probably supposed to be funny, but I thought he was just mean. Peter Sellers did some great acting, but not comedic acting. There were definitely some really good moments, but most of the film was trash. It was NOT FUNNY!!! What I'm saying is, it is a terrible comedy, and an average movie. Kubrick's other films were masterpieces, but this was below the bar. Monty Python is funny. Mel Brooks movies are funny. Airplane! is funny. Now THAT'S a real disaster comedy! Overall, this film is mediocre at best, and i think it has not aged well. This may have been edgy and even funny in the 60's, but I think everyone giving this a super positive review is just jumping on the critic bandwagon that apparently thinks this movie is a classic comedy. IT IS NOT A COMEDY!!!!!
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10/10
This movie got me interested in movies.
24 March 2016
Warning: Spoilers
This movie is amazing. Never was a batman fan, until I watched this movie. I didn't even know who Christopher Nolan was, until I watched this movie. This film is the one that got me interested in movies. I LOVE movies now.

I was on a vacation with my dad. We were having a great time. We were sitting in the hotel room, and I was flipping through the channels. I was 15. We watched the end of some other movie, on TNT. I can't remember what it was. After it was over, the bank robbery scene starts. I'm thinking, "Oh, it's a batman movie, dad!" He says, "it's getting late, son. We're going to do something tomorrow morning." He seemed okay with me watching it with him though. So we watched the movie, and I was in awe. I adored every minute of it. I didn't understand some of the plot at the time, but I loved it. We were talking about what we would have done on the ferry, about minor themes, and other stuff. Then it ended, "A Dark Knight!" And I clapped. I had never been so moved by a movie ever. Afterward, I researched the movie, Christopher Nolan, other movies, and now I love watching movies!

Anyway, about the film, it is so dark and awesome. Heath Ledger was so good, it gave me goosebumps. The story is emotional, scary, heroic, and action-packed all in one. The visuals are good, at least better than most. One of the things I really like about this movie is its departure from comic-book Batman. What I mean is, Nolan's noir-style tones and visuals are so real, it could almost be a true story. There are also very relevant themes and emotional overtones. The Hans Zimmer and James Newton Howard soundtrack is epic. Everything works so well together that the end result is one of the finest movies ever made. In a list of best movies ever, I would put this at #8. It is so good, it keeps getting better every time I watch it. This will always be an all-time modern classic, and Christopher Nolan will soon be the director every young filmmaker will be taking notes on.

Overall, this is truly one of the best films ever made.
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