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Pixels (2015)
7/10
Fun, if hollow, entry to the summer line-up
23 July 2015
I've learned to take in movies in context. It has made my movie-going experience more enjoyable and has made me a more appealing companion with whom to watch movies. Likewise, I adjust my rating scale based on a number of factors including genre, intended audience and self awareness.

Pixels is a thoroughly enjoyable movie if you take it for what it is: a light-hearted sci- fi comedy that aims to please without being too self-conscious. At times funny, at times sweet, and always entertaining, Pixels manages to take viewers through a nostalgic ride that is well-paced and doesn't suffer from the seemingly never-ending (and often less funny) third act that is characteristic of this kind of movie.

Most of the laughs come from Josh Gad and Peter Dinklage, who look very comfortable in their portrayals as quirky conspiracy theorist Ludlow and former video game master Eddie, respectively. Adam Sandler's character seems all too familiar considering the actor's recent string of movies so I won't expand on that, and Kevin James plays Cooper as you'd come to expect from Kevin James. Rounding out our cast of heroes is Michelle Monaghan as Lt. Col. Violet Van Patten, a great addition who may feel out of place in a scene or two, like when her very believable concern for the situation at hand stands in stark contrast with the farcical dialogue.

The special effects in Pixels are top-notch, creating a world where you can't help but suspend your disbelief and become engrossed in the action. The references to popular arcade video games are sure to remind audience members who grew up playing them of a simpler time.

In all honesty, I didn't expect much coming into this movie, so suffice it to say that I was pleasantly surprised. I wouldn't pay to see it twice, but I'd be sure to tune in if I ever come across it on Netflix or TV; heck I will probably spare the $2.00 at Red Box when it's released on BlueRay.
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8/10
Some things don't have to be so tidy.
25 January 2013
Warning: Spoilers
You know the filmmakers (and cast) did an amazing job when, at the end of "The Kids are Alright" it doesn't feel like you've been watching "a movie." In fact, it feels more like you've been peering into your next door neighbors' intimate moments. There's no real "resolution" because, at the end of the day, it's just that: the end of the day. Some people are still hurt, some are still healing, and some you just don't know about. Because in life, who knows what tomorrow brings? Some open endings leave you wanting much more. Somehow, this one feels unusually satisfying.

The performances by Bening, Moore, and Ruffalo are sincere and heartfelt. Even if you can't personally relate to any of the characters, you can easily empathize with each of them. The strong matriarch who feels like the only one carrying the weight. The seemingly unappreciated spouse who may channel her frustration by unlikely means the moment she gets some due attention. The carefree soul who makes his own recipe for success. Interestingly, I was less moved by the kids' struggles; I was more interested in what was happening with the adults. Maybe that's part of the message that 'the kids are alright'. On a side note, It may be the 21st century where this type of family is not uncommon, but in my opinion this family would have felt like a family regardless of the time period.

All in all, "The Kids are Alright" is a moving film, with a strong script and solid performances.
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