The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof and Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking...
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof and Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking...
- 5/16/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get your picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get your picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/15/2024
- by Wilson Chapman
- Indiewire
Léa Seydoux with her The Second Act co-star Raphaël Quenard Photo: Richard Mowe Léa Seydoux, the star of The Second Act, Quentin Dupieux’s Cannes Film Festival opening film, considers herself fortunate at the start of her career not to have been subjected to the kind of inappropriate behaviour suffered by some of her contemporaries.
At a media gathering after last night’s world premiere in the 77th edition of the festival the one-time James Bond girl confessed: “I’ve been a very fortunate person as an actress. From the beginning I worked with people who respected me - more or less. It’s difficult to compare, however, as some women were really victims and went through a very serious experience.”
Having emerged relatively unscathed she sensed that her stature and standing had protected her. “When you’re a young actress, you are vulnerable,” she said.
Director Quentin Dupieux treats...
At a media gathering after last night’s world premiere in the 77th edition of the festival the one-time James Bond girl confessed: “I’ve been a very fortunate person as an actress. From the beginning I worked with people who respected me - more or less. It’s difficult to compare, however, as some women were really victims and went through a very serious experience.”
Having emerged relatively unscathed she sensed that her stature and standing had protected her. “When you’re a young actress, you are vulnerable,” she said.
Director Quentin Dupieux treats...
- 5/15/2024
- by Richard Mowe
- eyeforfilm.co.uk
by Cláudio Alves
Léa Seydoux and Vincent Lindon in The Second Act.
Another year, another edition of the Cannes at Home miniseries, specially made to combat cinephile Fomo for those of us not at the French Riviera. For the next week or so, let's explore the filmographies of directors in competition. However, since the festival opened with the latest Quentin Dupieux project, it seems fitting to start our at-home festival by considering the auteur's career and the oddball creations that have made him something of a king of weirdness within contemporary French cinema. Not that such status comes with guaranteed acclaim. The opposite is true, with Dupieux's cinema caught in perpetual polemic, each work more divisive than what came before.
Such is the case with The Second Act, where the director proposes a comedy on the absurdities of making an AI-based film. Not even Léa Seydoux, Louis Garrel, Vincent Lindon,...
Léa Seydoux and Vincent Lindon in The Second Act.
Another year, another edition of the Cannes at Home miniseries, specially made to combat cinephile Fomo for those of us not at the French Riviera. For the next week or so, let's explore the filmographies of directors in competition. However, since the festival opened with the latest Quentin Dupieux project, it seems fitting to start our at-home festival by considering the auteur's career and the oddball creations that have made him something of a king of weirdness within contemporary French cinema. Not that such status comes with guaranteed acclaim. The opposite is true, with Dupieux's cinema caught in perpetual polemic, each work more divisive than what came before.
Such is the case with The Second Act, where the director proposes a comedy on the absurdities of making an AI-based film. Not even Léa Seydoux, Louis Garrel, Vincent Lindon,...
- 5/15/2024
- by Cláudio Alves
- FilmExperience
Cannes regular Léa Seydoux joined playful press conference for fest opener The Second Act, where talk occasionally turned serious as the actress was peppered with several questions from the international press about her thoughts on the #MeToo era.
“I have been a very fortunate person as an actress. At the beginning of my career, I worked with people who respected me, more or less,” said Seydoux. “Some women were really victims. But in my case, I can’t compare with someone women who really went through and experienced very serious things.”
#MeToo is a contentious issue in France, where the perception is the entertainment industry has been slow to evolve. Seydoux has previously spoken about challenging conditions on Blue is the Warmest Color, her 2013 Palme d’Or winner that landed her international fame, and featured a 7-minute lesbian sex scene that took 10 days to shoot, while the film involved upwards...
“I have been a very fortunate person as an actress. At the beginning of my career, I worked with people who respected me, more or less,” said Seydoux. “Some women were really victims. But in my case, I can’t compare with someone women who really went through and experienced very serious things.”
#MeToo is a contentious issue in France, where the perception is the entertainment industry has been slow to evolve. Seydoux has previously spoken about challenging conditions on Blue is the Warmest Color, her 2013 Palme d’Or winner that landed her international fame, and featured a 7-minute lesbian sex scene that took 10 days to shoot, while the film involved upwards...
- 5/15/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
In Quentin Dupieux’s new satirical comedy The Second Act, which kicked off the Cannes Film Festival on Tuesday night, the pic takes poke at myriad culture wars, including France’s latest #MeToo movement. Asked front and center about her take on the latest wave, the pic’s star Léa Seydoux said “It’s a wonderful thing that women are speaking out. It’s about high time they did.”
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
- 5/15/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Léa Seydoux addressed France’s growing #MeToo movement at the Cannes Film Festival press conference for Quentin Dupieux’s comedy “The Second Act,” which opened the fest on Tuesday night.
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
- 5/15/2024
- by Ellise Shafer and Elsa Keslassy
- Variety Film + TV
Quentin Dupieux returns with The Second Act, a playfully dour satire on the film industry that sees the French absurdist delve further into the apocalyptic mood and gallows humor of his recent Yannick. The Cannes opener stars some of the biggest names in the French film world as heightened versions of themselves: actors working on a film within the film (and perhaps a film within that), a conceit that allows them to break the fourth wall, basically winking at the audience conspiratorially while taking passing shots at themselves and some of the hands that feed them. It’s all in good fun, of course. It’s also quite inside baseball––not that that mattered at the premiere, though you do have to wonder how it might resonate going forward.
Selected to raise the curtain on the world’s most prestigious film festival, The Second Act rolled moments after the opening ceremony closed,...
Selected to raise the curtain on the world’s most prestigious film festival, The Second Act rolled moments after the opening ceremony closed,...
- 5/15/2024
- by Rory O'Connor
- The Film Stage
It could have been hopelessly self-indulgent but Quentin Dupieux’s anarchic and quirky sense of humour finds full flavour in this amusing “appetiser” which still leaves you hankering after a full meal.
Better that than overstaying its welcome as his cast play around with the foibles and artifice of their craft as they are gathered together to make a romantic comedy.
The collective view is that they are making a pretty dire production and to liven things up they keep interrupting the shoot to voice their own grievances against each other, the script and the unseen director who keeps shouting, “Cut!”
Most of the film unfurls in a roadside pub called The Second Act, presided over by the lumbering barkeeper (played by Manuel Guillot).
Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest...
Better that than overstaying its welcome as his cast play around with the foibles and artifice of their craft as they are gathered together to make a romantic comedy.
The collective view is that they are making a pretty dire production and to liven things up they keep interrupting the shoot to voice their own grievances against each other, the script and the unseen director who keeps shouting, “Cut!”
Most of the film unfurls in a roadside pub called The Second Act, presided over by the lumbering barkeeper (played by Manuel Guillot).
Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest...
- 5/14/2024
- by Richard Mowe
- eyeforfilm.co.uk
The stormy clouds outside the Palais might have dampened some spirits as the credits rolled on the opening night film of the 77th Cannes Film Festival. Or maybe it was the movie itself.
“The Second Act,” Quentin Dupieux’s talky French comedy about the making of the first movie directed by AI, mustered a lukewarm 3.5-minute standing ovation on Tuesday night in Cannes.
Dupieux attedned the premiere along with his French cast of Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard. The four actors all politely stood as a camera quickly passed by through the tepid applause.
In the meta film, these French stars play actors making a romantic comedy they know is pointless, as it’s the first movie written and directed by AI. In the opening scenes, we learn that Florence (Seydoux) wants to take things to the next level with David (Garrel), but he is no...
“The Second Act,” Quentin Dupieux’s talky French comedy about the making of the first movie directed by AI, mustered a lukewarm 3.5-minute standing ovation on Tuesday night in Cannes.
Dupieux attedned the premiere along with his French cast of Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard. The four actors all politely stood as a camera quickly passed by through the tepid applause.
In the meta film, these French stars play actors making a romantic comedy they know is pointless, as it’s the first movie written and directed by AI. In the opening scenes, we learn that Florence (Seydoux) wants to take things to the next level with David (Garrel), but he is no...
- 5/14/2024
- by Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.
There are plenty of laugh lines,...
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.
There are plenty of laugh lines,...
- 5/14/2024
- by Peter Bradshaw
- The Guardian - Film News
Something has subtly shifted in Quentin Dupieux’s perspective, leaving the one-man-band of French cinema a rather different auteur than the anti-comedy punk that nearly stumbled onto the festival stage so many years ago. Chalk it up to maturity or to an impressive professional rise — reaching new highs this year with the opening slot at the Cannes Film Festival — but the director’s tone has softened and his targets have shifted, even as his working methods (and working ethic) remain set-in-stone.
Like a distant Gallic cousin to Wes Anderson and Hong Sang-soo (now there are two names you rarely see together), Dupieux has connected a distinctive voice into a well-honed system built for productivity, allowing him to write-direct-shoot-edit-and-score a new film every year. And sometimes, he finds time for two.
Within the past twelve months, he’s brought films “Yannick” and “Daaaaaalí!” to Locarno and Venice, and now steps into...
Like a distant Gallic cousin to Wes Anderson and Hong Sang-soo (now there are two names you rarely see together), Dupieux has connected a distinctive voice into a well-honed system built for productivity, allowing him to write-direct-shoot-edit-and-score a new film every year. And sometimes, he finds time for two.
Within the past twelve months, he’s brought films “Yannick” and “Daaaaaalí!” to Locarno and Venice, and now steps into...
- 5/14/2024
- by Ben Croll
- Indiewire
The 77th edition of the Cannes Film Festival is officially underway in the South of France as A-listers, auteurs and America’s most revered actress, Meryl Streep, converged at the Palais’ Grand Theatre Lumiere on Tuesday for a typically glamorous opening ceremony.
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
- 5/14/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Et voilà, The Second Act, a bubbly apéritif to open this year’s Cannes Film Festival, and the latest bit of mischief from Quentin Dupieux, the Loki of the French cinematic universe. Dupieux turns out a film roughly once a year, featuring protagonists ranging from a rogue rubber tire cruising the highway for victims to a giant fly captured by a couple of petty crooks who try to turn it into a sideshow attraction. Each wacky new romp brings new fans into the tent and, on the evidence of his recent cast lists, entices more big-name actors to run away and join his circus.
So roll up here to see Bond girl Léa Seydoux, the baggy-eyed veteran Vincent Lindon and the usually smoldering Louis Garrel along with a troupe of faces familiar to Dupieux’s audience. The three of them play actors shooting what appears to be an especially banal rom-com.
So roll up here to see Bond girl Léa Seydoux, the baggy-eyed veteran Vincent Lindon and the usually smoldering Louis Garrel along with a troupe of faces familiar to Dupieux’s audience. The three of them play actors shooting what appears to be an especially banal rom-com.
- 5/14/2024
- by Stephanie Bunbury
- Deadline Film + TV
In France, the concept of irony is referred to as “deuxième degré” (second degree), where the “premier degré” is the literal or surface meaning, which can be twisted as audiences read an entirely different, often contrary meaning into the material. But the game doesn’t necessarily stop there. There is also “troisième degré,” “quatrième degré” and so on, as deep as you want to go.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
- 5/14/2024
- by Peter Debruge
- Variety Film + TV
The 2024 Cannes Film Festival competition jury, led by president Greta Gerwig, met the international press Tuesday — and it didn’t take long before the assembled stars were urged to address the various fraught political issues swirling around this year’s edition of the world’s most glamorous film fest.
On the eve of the 77th festival, Cannes artistic director Thierry Frémaux had set the tone by attempting to distance the event from hot-button topics, saying at his own press conference on Monday, “We are trying to have a festival without these polemics. In Cannes, the politics should be on the screen.”
The French festival head, who has served in his role since 2001, noted how coverage of Cannes has changed over his tenure, as the international media’s interest has shifted from the films on exhibition to an expectation that the festival be responsive to surrounding social issues. That was certainly the case Tuesday,...
On the eve of the 77th festival, Cannes artistic director Thierry Frémaux had set the tone by attempting to distance the event from hot-button topics, saying at his own press conference on Monday, “We are trying to have a festival without these polemics. In Cannes, the politics should be on the screen.”
The French festival head, who has served in his role since 2001, noted how coverage of Cannes has changed over his tenure, as the international media’s interest has shifted from the films on exhibition to an expectation that the festival be responsive to surrounding social issues. That was certainly the case Tuesday,...
- 5/14/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Arthouse streamer Mubi has snatched up Andrea Arnold’s Bird for the U.K. and Ireland ahead of the film’s world premiere in competition in Cannes.
Barry Keoghan, Franz Rogowski, Nykiya Adams, and Jason Buda co-star in the new drama from the American Honey and Red Road director. The film follows a 12-year-old who lives with her brother and single dad in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere.
Bird was produced by Tessa Ross, Juliette Howell and Lee Groombridge for House Productions (The Iron Claw, The Wonder).
Cornerstone is handling international sales for Bird and is co-repping U.S. rights with CAA Media Finance.
Recent Mubi releases include Sofia Coppola’s Priscilla, Wim Wender’s Perfect Days, Molly Manning Walker’s How to Have Sex, and Aki Kaurismäki’s Fallen Leaves, all festival hits. The streamer’s upcoming slate includes Levan Akin’s Crossing,...
Barry Keoghan, Franz Rogowski, Nykiya Adams, and Jason Buda co-star in the new drama from the American Honey and Red Road director. The film follows a 12-year-old who lives with her brother and single dad in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere.
Bird was produced by Tessa Ross, Juliette Howell and Lee Groombridge for House Productions (The Iron Claw, The Wonder).
Cornerstone is handling international sales for Bird and is co-repping U.S. rights with CAA Media Finance.
Recent Mubi releases include Sofia Coppola’s Priscilla, Wim Wender’s Perfect Days, Molly Manning Walker’s How to Have Sex, and Aki Kaurismäki’s Fallen Leaves, all festival hits. The streamer’s upcoming slate includes Levan Akin’s Crossing,...
- 5/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Olympic flame is coming to the Cannes Film Festival red carpet.
The 77th edition of the Festival de Cannes will serve as a preview for the Paris 2024 Olympic Games with the premiere screening of Mickaël Gamrasni’s documentary “Olympiques! La France des Jeux” on May 21.
Paris 2024, in agreement with the Mairie de Cannes, is offering the flame to the film festival as a preview before it’s officially welcomed by the city of Cannes on June 18 along the Olympic Torch Relay, which began in Marseille on May 8. Sports personalities and athletes will be the guests of honor at the special screening: Tony Estanguet (pictured above), Marie-José Pérec, Thierry Rey, Iliana Rupert, Marie Patouillet, Nélia Barbosa, Alexis Hanquiquant, Christine Caron and Brahim Asloum will flank Paralympic champion Arnaud Assoumani, who will carry the Olympic flame onto the red carpet.
“What a joy it is to welcome such a host of Olympic stars,...
The 77th edition of the Festival de Cannes will serve as a preview for the Paris 2024 Olympic Games with the premiere screening of Mickaël Gamrasni’s documentary “Olympiques! La France des Jeux” on May 21.
Paris 2024, in agreement with the Mairie de Cannes, is offering the flame to the film festival as a preview before it’s officially welcomed by the city of Cannes on June 18 along the Olympic Torch Relay, which began in Marseille on May 8. Sports personalities and athletes will be the guests of honor at the special screening: Tony Estanguet (pictured above), Marie-José Pérec, Thierry Rey, Iliana Rupert, Marie Patouillet, Nélia Barbosa, Alexis Hanquiquant, Christine Caron and Brahim Asloum will flank Paralympic champion Arnaud Assoumani, who will carry the Olympic flame onto the red carpet.
“What a joy it is to welcome such a host of Olympic stars,...
- 5/13/2024
- by Angelique Jackson
- Variety Film + TV
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
Julie Manoukian’s The Green Gang, about a band of modern-day Robin Hoods with a feminist streak who rob polluters and misogynists, has been acquired by Tfi-owned Newen Connect which is launching sales at Cannes.
Emilie Caen, Vincent Elbaz and Stephane Debacs star in the film now shooting in France, produced byYves Marmion at Les Films du 24.
Newen is also entering the ring with Varante Soudian’s Lucky Punch, about a small-time boxer who lands a lucky knock-out blow and goes on to risk everything to enter a major championship. It is produced by Alef Two with Les Enfants Terribles,...
Emilie Caen, Vincent Elbaz and Stephane Debacs star in the film now shooting in France, produced byYves Marmion at Les Films du 24.
Newen is also entering the ring with Varante Soudian’s Lucky Punch, about a small-time boxer who lands a lucky knock-out blow and goes on to risk everything to enter a major championship. It is produced by Alef Two with Les Enfants Terribles,...
- 5/10/2024
- ScreenDaily
Music Box Films has acquired U.S. distribution rights to “Daaaaaalí!,” the latest film by Quentin Dupieux whose upcoming movie “The Second Act” will world premiere on opening night at this year’s Cannes Film Festival.
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
Meryl Streep is set to receive the highest honor at the Cannes 2024 ceremony.
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
- 5/2/2024
- by Samantha Bergeson
- Indiewire
Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned.
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
"Total nonsense, don't listen to what they're saying." Unifrance has revealed the first look teaser trailer for the new film from Quentin Dupieux titled The Second Act, which will be the Opening Night premiere at the 2024 Cannes Film Festival this month. The fest kicks off May 14th – and this will be screening on that same day and opening in French theaters, too. Dupieux has been cranking out films non-stop, with Smoking Causes Coughing, Yannick, and Daaaaaali! just in the last few years. This next one stars Léa Seydoux as Florence, Louis Garrel as David, Vincent Lindon as Guillaume, and Raphaël Quenard as Willy, plus Manuel Guillot as Stephane and Françoise Gazio as Rose. Here is the setup: Florence (Seydoux) wants to introduce David (Garrel), the man she's madly in love with, to her father, Guillaume (Lindon). But David isn't attracted to Florence and wants to throw her into the arms...
- 5/1/2024
- by Alex Billington
- firstshowing.net
Cannes begins, against all reason, two weeks from today, and with it comes the trailer for this year’s opening-night selection. (Arriving in French theaters the same day is no doubt further incentive to get the marketing machine rolling.) Quentin Dupieux’s Le Deuxième Acte (The Second Act) stars Léa Seydoux, Vincent Lindon, Louis Garrel, Manuel Guillot, and the director’s mainstay Raphaël Quenard, and at a slim 76 minutes suggest one of the breezier starts the festival’s had in some time.
Although the official synopsis is rather straightforward––”Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere”––this preview hints at the rather meta approach Seydoux revealed in an interview:...
Although the official synopsis is rather straightforward––”Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere”––this preview hints at the rather meta approach Seydoux revealed in an interview:...
- 4/30/2024
- by Nick Newman
- The Film Stage
The Cannes Film Festival has picked its full jury.
Oscar-nominated The Killers of the Flower Moon lead Lily Gladstone, French stars Eva Green and Omar Sy, and Italian actor Pierfrancesco Favino are among the A-listers who will join Barbie director Greta Gerwig, this year’s jury president for the 77th Cannes Film Festival, in selecting the winners, including the best film Palme d’Or, from the 2024 competition lineup.
A trio of international Oscar-nominated directors: Lebanese filmmaker Nadine Labaki (Capernaum), Spain’s Juan Antonio Bayona (Society of the Snow) and Japanese director Hirokazu Kore-eda (Shoplifters), as well as Turkish screenwriter and photographer Ebru Ceylan, co-writer of 2014 Palme d’Or winner Winter Sleep (with director husband Nuri Bilge Ceylan), complete the five-woman, four-man jury.
Among the films in the running for this year’s Palme d’Or are Francis Ford Coppola’s long-anticipated Megalopolis, Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness,...
Oscar-nominated The Killers of the Flower Moon lead Lily Gladstone, French stars Eva Green and Omar Sy, and Italian actor Pierfrancesco Favino are among the A-listers who will join Barbie director Greta Gerwig, this year’s jury president for the 77th Cannes Film Festival, in selecting the winners, including the best film Palme d’Or, from the 2024 competition lineup.
A trio of international Oscar-nominated directors: Lebanese filmmaker Nadine Labaki (Capernaum), Spain’s Juan Antonio Bayona (Society of the Snow) and Japanese director Hirokazu Kore-eda (Shoplifters), as well as Turkish screenwriter and photographer Ebru Ceylan, co-writer of 2014 Palme d’Or winner Winter Sleep (with director husband Nuri Bilge Ceylan), complete the five-woman, four-man jury.
Among the films in the running for this year’s Palme d’Or are Francis Ford Coppola’s long-anticipated Megalopolis, Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness,...
- 4/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
The Cannes Film Festival has unveiled new additions to the Official Selection for its upcoming 77th edition from May 14 to May 25.
Three new films have been added to the Competition lineup: Oscar-winning director Michel Hazanavicius’ animated feature The Most Precious of Cargoes, Iranian director Mohammad Rasoulof’s Seed of the Sacred Fig and Emanuel Parvu’s Three Miles to the End of the World.
The Artist skyrocketed Hazanavicius to international fame in 2011 as the film won best picture at the Academy Awards, and received 10 Oscar nominations and five wins. Hazanavicius for his latest film adapted the Second World War novel of the same title by Jean-Claude Grumberg that is set against the events of the Holocaust and told with magical realism.
Rasoulof is not expected to attend his Cannes premiere as the director a year ago was barred by Iranian authorities from leaving the country to attend the Cannes Film...
Three new films have been added to the Competition lineup: Oscar-winning director Michel Hazanavicius’ animated feature The Most Precious of Cargoes, Iranian director Mohammad Rasoulof’s Seed of the Sacred Fig and Emanuel Parvu’s Three Miles to the End of the World.
The Artist skyrocketed Hazanavicius to international fame in 2011 as the film won best picture at the Academy Awards, and received 10 Oscar nominations and five wins. Hazanavicius for his latest film adapted the Second World War novel of the same title by Jean-Claude Grumberg that is set against the events of the Holocaust and told with magical realism.
Rasoulof is not expected to attend his Cannes premiere as the director a year ago was barred by Iranian authorities from leaving the country to attend the Cannes Film...
- 4/22/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
The Cannes Film Festival has unveiled the official poster for its 77th edition.
Cannes likes to evoke cinematic history in its official merch, and this year’s poster is no exception. It features a scene from Rhapsody in August, Japanese classic from the late Akira Kurosawa, which premiered out of competition in Cannes in 1991.
In the film, Kurosawa’s penultimate feature as a director, a grandmother who was a victim of the Nagasaki bombing passes on her faith in love and integrity as a bulwark against war and violence to her grandchildren and her American nephew.
The poster chimes nicely with what is becoming a bit of a Japanese theme at this year’s Cannes festival. Earlier this week, Cannes announced it would present an honorary Palme d’Or this year to Japanese anime house Studio Ghibli (The Boy and the Heron, Spirited Away), the first time the French festival...
Cannes likes to evoke cinematic history in its official merch, and this year’s poster is no exception. It features a scene from Rhapsody in August, Japanese classic from the late Akira Kurosawa, which premiered out of competition in Cannes in 1991.
In the film, Kurosawa’s penultimate feature as a director, a grandmother who was a victim of the Nagasaki bombing passes on her faith in love and integrity as a bulwark against war and violence to her grandchildren and her American nephew.
The poster chimes nicely with what is becoming a bit of a Japanese theme at this year’s Cannes festival. Earlier this week, Cannes announced it would present an honorary Palme d’Or this year to Japanese anime house Studio Ghibli (The Boy and the Heron, Spirited Away), the first time the French festival...
- 4/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Asphalt City (Jean-Stéphane Sauvaire)
I entered Asphalt City at last year’s EnergaCAMERIMAGE festival with nothing but morbid curiosity. Having engendered some rank responses from its Cannes premiere and not secured any known U.S. distributor, Jean-Stéphane Sauvaire’s film had the right kind of bad-object energy one needs at the jetlagged start to their week in a small Polish city. (Or just the comfort I personally get from a Brooklyn-shot feature featuring two Club Random guests.) I walked away boasting complicated, fascinated enthusiasm: nearly every second is ridiculous and never boring, and it doesn’t not deserve to play at a cinematography festival––having the most cinematography counts for something. Starting and ending with a blatant homage to The New World...
Asphalt City (Jean-Stéphane Sauvaire)
I entered Asphalt City at last year’s EnergaCAMERIMAGE festival with nothing but morbid curiosity. Having engendered some rank responses from its Cannes premiere and not secured any known U.S. distributor, Jean-Stéphane Sauvaire’s film had the right kind of bad-object energy one needs at the jetlagged start to their week in a small Polish city. (Or just the comfort I personally get from a Brooklyn-shot feature featuring two Club Random guests.) I walked away boasting complicated, fascinated enthusiasm: nearly every second is ridiculous and never boring, and it doesn’t not deserve to play at a cinematography festival––having the most cinematography counts for something. Starting and ending with a blatant homage to The New World...
- 4/19/2024
- by Jordan Raup
- The Film Stage
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Francis Ford Coppola’s passion project “Megalopolis” will officially premiere in competition at the Cannes Film Festival, according to an individual familiar with the project. The film will debut in a gala slot on May 17.
“Megalopolis” boasts an all-star cast, including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Shia Labeouf, Coppola’s sister Talia Shire, Jason Schwartzman (Shire’s son), Chloe Fineman, Kathryn Hunter, Dustin Hoffman, D.B. Sweeney, Baily Ives, Grace VanderWaal and James Remar.
Coppola wrote the screenplay in the 1980s and has finally brought the film to fruition, investing over $100 million of his own money into the project.
Last week, Cannes Film Festival director Thierry Fremaux told Variety that he’d been courting Coppola to bring his latest film to the Croisette after the famed director presented “Apocalypse Now Redux” during Fremaux’s first year at the festival in 1995.
“‘Megalopolis’ is a project that he...
“Megalopolis” boasts an all-star cast, including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Shia Labeouf, Coppola’s sister Talia Shire, Jason Schwartzman (Shire’s son), Chloe Fineman, Kathryn Hunter, Dustin Hoffman, D.B. Sweeney, Baily Ives, Grace VanderWaal and James Remar.
Coppola wrote the screenplay in the 1980s and has finally brought the film to fruition, investing over $100 million of his own money into the project.
Last week, Cannes Film Festival director Thierry Fremaux told Variety that he’d been courting Coppola to bring his latest film to the Croisette after the famed director presented “Apocalypse Now Redux” during Fremaux’s first year at the festival in 1995.
“‘Megalopolis’ is a project that he...
- 4/9/2024
- by Katcy Stephan and Angelique Jackson
- Variety Film + TV
A fresh #MeToo case has broken in France with 10 actresses accusing director Philippe Loiret of inappropriate behavior in an investigative report carried out by radio and news network France Info.
According to the report released on Tuesday, the accusations are related to the casting process for Loiret’s 2011 feature All Our Desires, when the director was at the peak of his fame in the wake of award-winning box office hit Welcome starring Mélanie Laurent.
The accusations comes amid France’s recent embrace of the #MeToo movement sparked in large part by actress Judith Godrèche’s decision to speak up about her under-age relationship with director Benoît Jacquot, and filing of an official police complaint him for “rape with constraint”. He has denied the charges.
Loosely adapted from a novel by Emmanuel Carrère, All Our Desires revolved around a young female magistrate suffering from cancer who teams up with an older...
According to the report released on Tuesday, the accusations are related to the casting process for Loiret’s 2011 feature All Our Desires, when the director was at the peak of his fame in the wake of award-winning box office hit Welcome starring Mélanie Laurent.
The accusations comes amid France’s recent embrace of the #MeToo movement sparked in large part by actress Judith Godrèche’s decision to speak up about her under-age relationship with director Benoît Jacquot, and filing of an official police complaint him for “rape with constraint”. He has denied the charges.
Loosely adapted from a novel by Emmanuel Carrère, All Our Desires revolved around a young female magistrate suffering from cancer who teams up with an older...
- 4/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
The first installment of Kevin Costner’s Western epic “Horizon, an American Saga” is set to premiere out of competition at Cannes Film Festival.
Costner directed the four-part project, which he also stars in with Sienna Miller, Sam Worthington and Jena Malone. The “Yellowstone” and “Dances With Wolves” actor will be on the Croisette to present the film on May 19.
“Horizon” will also be released in theaters in two parts, with the first installment bowing on June 28 and the second on Aug. 16.
“I’d like to thank the Festival de Cannes for including my film ‘Horizon, an American Saga’ in this year’s selection,” Costner said in a statement. “It’s been 20 years since I’ve had the pleasure of being on the Croisette. I’ve been waiting for the right time to return and I’m proud to say that this time has come. ‘Horizon, an American Saga’ is...
Costner directed the four-part project, which he also stars in with Sienna Miller, Sam Worthington and Jena Malone. The “Yellowstone” and “Dances With Wolves” actor will be on the Croisette to present the film on May 19.
“Horizon” will also be released in theaters in two parts, with the first installment bowing on June 28 and the second on Aug. 16.
“I’d like to thank the Festival de Cannes for including my film ‘Horizon, an American Saga’ in this year’s selection,” Costner said in a statement. “It’s been 20 years since I’ve had the pleasure of being on the Croisette. I’ve been waiting for the right time to return and I’m proud to say that this time has come. ‘Horizon, an American Saga’ is...
- 4/8/2024
- by Ellise Shafer
- Variety Film + TV
Welcome back, Insider crew. Jesse Whittock taking you through another eventful week in film and TV. Let’s begin.
Drama In UK Drama ‘This Is Going to Hurt’
Antitrust the process: Not great news for the UK’s fabled TV drama community this week as we brought news that the antitrust investigation spooking producers will be prolonged for at least six months – and likely far longer. A reminder: the Competition and Markets Authority’s (CMA) probe is examining whether BBC Studios, ITV Studios and four other storied indies colluded by informally fixing freelancers’ wage rates. The extension will see the CMA implement “further investigatory steps” and assessment of evidence” for the next six months, and those Max spoke with said the authority has an enormous wealth of evidence to get through. “Stressed” and “jittery” was the vibe described by one connected source about those being probed, who now face months...
Drama In UK Drama ‘This Is Going to Hurt’
Antitrust the process: Not great news for the UK’s fabled TV drama community this week as we brought news that the antitrust investigation spooking producers will be prolonged for at least six months – and likely far longer. A reminder: the Competition and Markets Authority’s (CMA) probe is examining whether BBC Studios, ITV Studios and four other storied indies colluded by informally fixing freelancers’ wage rates. The extension will see the CMA implement “further investigatory steps” and assessment of evidence” for the next six months, and those Max spoke with said the authority has an enormous wealth of evidence to get through. “Stressed” and “jittery” was the vibe described by one connected source about those being probed, who now face months...
- 4/5/2024
- by Jesse Whittock
- Deadline Film + TV
Spanish filmmaker Rodrigo Sorogoyen, best known for his 2023 feature The Beasts, has been announced as jury president for this year’s edition of Cannes Critics’ Week.
The parallel Cannes section devoted to emerging talents and first and second features will unfold from May 15 to 23 this year.
“It is a big responsibility, which I look forward to,” Sorogoyen said in a video statement on X, formerly Twitter, announcing his presidency.
“La Semaine de la Critique supports and rewards first and second feature films as well as short films, thus providing vital support to cinema, new voices, and new ways to tell stories. Without these new voices, there would be no new cinema. They’re the ones who make it live and make it work.”
Rodrigo Sorogoyen sera le Président du Jury de la 63e Semaine de la Critique ! À cette occasion, le réalisateur de "Que Dios nos perdone", "El Reino" ou...
The parallel Cannes section devoted to emerging talents and first and second features will unfold from May 15 to 23 this year.
“It is a big responsibility, which I look forward to,” Sorogoyen said in a video statement on X, formerly Twitter, announcing his presidency.
“La Semaine de la Critique supports and rewards first and second feature films as well as short films, thus providing vital support to cinema, new voices, and new ways to tell stories. Without these new voices, there would be no new cinema. They’re the ones who make it live and make it work.”
Rodrigo Sorogoyen sera le Président du Jury de la 63e Semaine de la Critique ! À cette occasion, le réalisateur de "Que Dios nos perdone", "El Reino" ou...
- 4/5/2024
- by Zac Ntim
- Deadline Film + TV
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Truman Show.Joana Vicente has resigned from her post at the helm of the Sundance Film Festival after less than three years. Some industry sources have pointed to a contentious relationship with the board on fundraising matters as one possible explanation.This year’s Cannes Film Festival will open with Quentin Dupieux’s The Second Act, a surrealist backstage comedy starring Léa Seydoux, Vincent Lindon, Louis Garrel, and Raphaël Quenard.Concerns about copyright, continuity, tech business models, and the uncanny valley lead industry insiders to speculate that generative AI won’t soon be making its big-screen debut, though it will increasingly be a part of pre-production workflows.Christopher Nolan’s Oppenheimer (2023) has opened in Japan to mixed...
- 4/3/2024
- MUBI
Quentin Dupieux’s The Second Act gets the opening out of competition berth at the Cannes Film Festival Photo: Courtesy of Cannes Film Festival Ahead of next week’s big reveal of the Cannes Film Festival’s main programme for the 77th edition the organisers have jumped the gun by announcing Quentin Dupieux's The Second Act (Le Deuxième Acte) will open the event with an out of competition premiere. The latest production from the wacky and prolific French director, screenwriter and musician will also seen simultaneously at French cinemas across the country on the same night ahead of its French release.
The occasion will deliver a starry cast of among others Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, and of course, Dupieux himself who has managed to make 13 features including Deerskin, Rubber, Mandibles, Incredible But True and Smoking Causes Coughing shown at Cannes out of competition in 2022.
Quentin...
The occasion will deliver a starry cast of among others Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, and of course, Dupieux himself who has managed to make 13 features including Deerskin, Rubber, Mandibles, Incredible But True and Smoking Causes Coughing shown at Cannes out of competition in 2022.
Quentin...
- 4/3/2024
- by Richard Mowe
- eyeforfilm.co.uk
This year’s Cannes Film Festival is getting … zany? Such is the news today, as the festival has announced that Quentin Dupieux’s “Le Deuxième Acte” (“The Second Act”) will open the 77th edition of the lauded festival in an out of competition slot. The film will premiere on opening day, Tuesday, May 14.
The film stars Léa Seydoux, Vincent Lindon, and Louis Garrel — and, yes, you can thank Cannes brass for that “zany” designation, as today’s official announcement shares that the trio are entering the filmmaker’s “zany universe for the first time” — and they will be joined by Dupieux regular Raphaël Quenard (who previously starred in the singular filmmaker’s “Mandibles,” “Smoking Causes Coughing,” and “Yannick”).
“The Second Act” is a “four-part comedy” that, per the festival, “shows itself to be a new mise en abyme around acting.” Per its official synopsis: “Florence wants to introduce David, the...
The film stars Léa Seydoux, Vincent Lindon, and Louis Garrel — and, yes, you can thank Cannes brass for that “zany” designation, as today’s official announcement shares that the trio are entering the filmmaker’s “zany universe for the first time” — and they will be joined by Dupieux regular Raphaël Quenard (who previously starred in the singular filmmaker’s “Mandibles,” “Smoking Causes Coughing,” and “Yannick”).
“The Second Act” is a “four-part comedy” that, per the festival, “shows itself to be a new mise en abyme around acting.” Per its official synopsis: “Florence wants to introduce David, the...
- 4/3/2024
- by Kate Erbland
- Indiewire
Quentin Dupieux’s Le Deuxième Acte (The Second Act), starring Léa Seydoux and Vincent Lindon, will kick off the 77th Cannes Film Festival.
The French director will world premiere his latest film out of competition on May 14, with the surreal comedy to be released in French cinemas on the same day. Dupieux and his cast will walk the red carpet at the Grand Théâtre Lumière, to help launch the film and the wider Cannes Film Festival.
Cannes organizers praised the prolific French director for having “freed himself from convention through an already extensive body of work (13 feature films in 17 years), establishing the absurd as a genre in its own right and shaking up all the others – of which The Second Act is a perfect case in point!”
The marquee French festival earlier announced Barbie director Greta Gerwig will serve as the Cannes jury president, becoming only the second female director to take over the post,...
The French director will world premiere his latest film out of competition on May 14, with the surreal comedy to be released in French cinemas on the same day. Dupieux and his cast will walk the red carpet at the Grand Théâtre Lumière, to help launch the film and the wider Cannes Film Festival.
Cannes organizers praised the prolific French director for having “freed himself from convention through an already extensive body of work (13 feature films in 17 years), establishing the absurd as a genre in its own right and shaking up all the others – of which The Second Act is a perfect case in point!”
The marquee French festival earlier announced Barbie director Greta Gerwig will serve as the Cannes jury president, becoming only the second female director to take over the post,...
- 4/3/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Quentin Dupieux’s The Second Act will open the 77th edition of the Cannes Film Festival.
The four-part comedy will have its world premiere out of competition on May 14, the same day it opens in French cinemas via Diaphana Distribution.
Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard star in the film surrounding four characters who meet in a restaurant in the middle of nowhere.
It is produced by Chi-Fou-Mi Productions with Kinology handling international sales.
Dupieux’s Smoking Causes Coughing screened at Cannes out of competition back in 2022. The Second Act marks the French director’s 14th feature.
The four-part comedy will have its world premiere out of competition on May 14, the same day it opens in French cinemas via Diaphana Distribution.
Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard star in the film surrounding four characters who meet in a restaurant in the middle of nowhere.
It is produced by Chi-Fou-Mi Productions with Kinology handling international sales.
Dupieux’s Smoking Causes Coughing screened at Cannes out of competition back in 2022. The Second Act marks the French director’s 14th feature.
- 4/3/2024
- ScreenDaily
The 77th Cannes Film Festival (May 14-25) will open with Quentin Dupieux’s French-language comedy road movie Le Deuxième Acte (The Second Act).
Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard star and will be in attendance. Above is a first-look still.
Presented Out of Competition as a world premiere on the Croisette on Tuesday, May 14, the four-part feature will be released in French cinemas on the same day.
The official synopsis reads: “Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.”
Chi-Fou-Mi Productions produces. Kinology handles sales.
Deerskin and Daaaaaaali! filmmaker Dupieux was at Cannes two years ago with Smoking Causes Coughing. The prolific filmmaker — 13 features in 17 years — is...
Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard star and will be in attendance. Above is a first-look still.
Presented Out of Competition as a world premiere on the Croisette on Tuesday, May 14, the four-part feature will be released in French cinemas on the same day.
The official synopsis reads: “Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.”
Chi-Fou-Mi Productions produces. Kinology handles sales.
Deerskin and Daaaaaaali! filmmaker Dupieux was at Cannes two years ago with Smoking Causes Coughing. The prolific filmmaker — 13 features in 17 years — is...
- 4/3/2024
- by Andreas Wiseman
- Deadline Film + TV
The 77th edition of the Cannes Film Festival will kick off with Quentin Dupieux’s “The Second Act,” a star-studded surreal French comedy headlined by Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, Variety has learned.
The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology. The film will play out of competition on May 14 and will be released on the same day in French theaters.
Laced with absurdist humor, the meta movie follows actors starring in a doomed film production. Dupieux is one of France’s most popular and prolific filmmakers. He delivered two films in 2023: “Daaaaaalí,” which played out-of-competition at Venice, and “Yannick,” a French box office hit that sold around the world.
In confirming the film’s selection at Cannes, the festival described Quentin as a “filmmaker who embraces freedom – in tone, form and...
The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology. The film will play out of competition on May 14 and will be released on the same day in French theaters.
Laced with absurdist humor, the meta movie follows actors starring in a doomed film production. Dupieux is one of France’s most popular and prolific filmmakers. He delivered two films in 2023: “Daaaaaalí,” which played out-of-competition at Venice, and “Yannick,” a French box office hit that sold around the world.
In confirming the film’s selection at Cannes, the festival described Quentin as a “filmmaker who embraces freedom – in tone, form and...
- 4/3/2024
- by Elsa Keslassy
- Variety Film + TV
Roll up, roll up for Part 2 of our Cannes Film Festival preview, this time with a focus on international, mainly non-English-language fare. If you didn’t catch Andreas’ English-language-focused Part 1, check it out.
As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest, delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.
With less than four weeks to go until the bulk of the 77th edition (running May 14-25) is revealed at the press conference in Paris on April 11, we’ve rounded up a host of the titles ready and in the running for a splash in either Official Selection or the main parallel sections of Directors’ Fortnight and Critics’ Week.
The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive...
As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest, delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.
With less than four weeks to go until the bulk of the 77th edition (running May 14-25) is revealed at the press conference in Paris on April 11, we’ve rounded up a host of the titles ready and in the running for a splash in either Official Selection or the main parallel sections of Directors’ Fortnight and Critics’ Week.
The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive...
- 3/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
Sean Penn and Tye Sheridan Endure New York’s Darkest Nights in Trailer for Cannes Title Asphalt City
I entered Asphalt City at last year’s EnergaCAMERIMAGE festival with nothing but morbid curiosity. Having engendered some rank responses from its Cannes premiere and not secured any known U.S. distributor, Jean-Stéphane Sauvaire’s film had the right kind of bad-object energy one needs at the jetlagged start to their week in a small Polish city. (Or just the comfort I personally get from a Brooklyn-shot feature featuring two Club Random guests.)
I walked away boasting complicated, fascinated enthusiasm: nearly every second is ridiculous and never boring, and it doesn’t not deserve to play at a cinematography festival––having the most cinematography counts for something. Starting and ending with a blatant homage to The New World before thanking Terrence Malick in its credits; Michael Pitt relaunching a troubled career by billing himself Michael C. Pitt and asking Tye Sheridan “you believe in Heaven, bro?” with a mile-thick Noo...
I walked away boasting complicated, fascinated enthusiasm: nearly every second is ridiculous and never boring, and it doesn’t not deserve to play at a cinematography festival––having the most cinematography counts for something. Starting and ending with a blatant homage to The New World before thanking Terrence Malick in its credits; Michael Pitt relaunching a troubled career by billing himself Michael C. Pitt and asking Tye Sheridan “you believe in Heaven, bro?” with a mile-thick Noo...
- 2/21/2024
- by Nick Newman
- The Film Stage
Gilles Bourdos’ Cross Away, starring Vincent Lindon, a French remake of Steven Knight’s 2013 film Locke that starred Tom Hardy, is being launched at the EFM by Newen Connect.
Lindon plays the head of a construction company who takes a series of telephone calls in his car during one long night. The voices of his wife, his mistress, his boss and his co-worker and will be played by Micha Lescot, Pascale Arbillot, Gregory Gadebois, Brigitte Catillon and Cédric Kahn. Curiosa Films is producing.
Also in post for Newen is Marie-Hélène Roux’s second feature Mending Lives about real-life Congolese doctors Denis Mukwege,...
Lindon plays the head of a construction company who takes a series of telephone calls in his car during one long night. The voices of his wife, his mistress, his boss and his co-worker and will be played by Micha Lescot, Pascale Arbillot, Gregory Gadebois, Brigitte Catillon and Cédric Kahn. Curiosa Films is producing.
Also in post for Newen is Marie-Hélène Roux’s second feature Mending Lives about real-life Congolese doctors Denis Mukwege,...
- 2/17/2024
- ScreenDaily
Playtime has boarded sales on Francois Ozon’s upcoming feature film When Fall Is Coming and released fresh details about the production which has largely been under wraps.
When Fall Is Coming marks the prolific French director’s 24th feature and follows hot on the tail of hit dramaThe Crime Is Mine which was one of Ozon’s most successful movies at the French box office to date.
Ozon has said previously cryptically said that When Fall Is Coming is inspired by a childhood memory and revolves around a crime family dinner.
As per a new synopsis sent out in a wide release by Playtime on Wednesday, the film revolves around grandmother, Michelle, who is enjoying a peaceful retirement in a charming Burgundy village, close to her long-time friend Marie-Claude.
She is looking forward to her grandson spending the school vacation. However, when her Parisian daughter, with whom she has a conflictual relationship,...
When Fall Is Coming marks the prolific French director’s 24th feature and follows hot on the tail of hit dramaThe Crime Is Mine which was one of Ozon’s most successful movies at the French box office to date.
Ozon has said previously cryptically said that When Fall Is Coming is inspired by a childhood memory and revolves around a crime family dinner.
As per a new synopsis sent out in a wide release by Playtime on Wednesday, the film revolves around grandmother, Michelle, who is enjoying a peaceful retirement in a charming Burgundy village, close to her long-time friend Marie-Claude.
She is looking forward to her grandson spending the school vacation. However, when her Parisian daughter, with whom she has a conflictual relationship,...
- 1/31/2024
- by Melanie Goodfellow
- Deadline Film + TV
Playtime (“Son of Saul”) is reteaming with celebrated French directors François Ozon (“By the Grace of God”) and sister duo Delphine and Muriel Coulin (“17 Girls”) on their respective upcoming films, “When Fall Is Coming” and “The Quiet Son.”
“When Fall is Coming” marks Ozon’s follow up to “The Crime Is Mine.” The film stars Hélène Vincent (“The Specials”), Josiane Balasko (“Back to Mom’s”), Ludivine Sagnier (“Lupin”) and Pierre Lottin (“Notre-Dame on Fire”).
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
The film is self-produced by Ozon through his vehicle Foz. Diaphana Distribution will release it in France.
“When Fall is Coming” marks Ozon’s follow up to “The Crime Is Mine.” The film stars Hélène Vincent (“The Specials”), Josiane Balasko (“Back to Mom’s”), Ludivine Sagnier (“Lupin”) and Pierre Lottin (“Notre-Dame on Fire”).
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
The film is self-produced by Ozon through his vehicle Foz. Diaphana Distribution will release it in France.
- 1/31/2024
- by Elsa Keslassy
- Variety Film + TV
The French sales outfit has the first image of Tomer Sisley in The Price Of Money: A Largo Winch Adventure.
Goodfellas has boarded Claire Burger’s anticipated coming-of-age drama Langue Etrangère, starring Chiara Mastroianni and Nina Hoss, ahead of this week’s Rendez-Vous with France Cinema this week in Paris.
Langue Etrangère is about teenage pen pals in France and Germany and is produced by Anatomy of a Fall producer Marie-Ange Luciani’s Les Films de Pierre with Belgium’s Les Films du Fleuve and Germany’s Razor Film Produktion. Burger wrote the film in collaboration with The Five Devils’ Léa Mysius.
Goodfellas has boarded Claire Burger’s anticipated coming-of-age drama Langue Etrangère, starring Chiara Mastroianni and Nina Hoss, ahead of this week’s Rendez-Vous with France Cinema this week in Paris.
Langue Etrangère is about teenage pen pals in France and Germany and is produced by Anatomy of a Fall producer Marie-Ange Luciani’s Les Films de Pierre with Belgium’s Les Films du Fleuve and Germany’s Razor Film Produktion. Burger wrote the film in collaboration with The Five Devils’ Léa Mysius.
- 1/15/2024
- by Rebecca Leffler
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.