The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/21/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/21/2024
- by Wilson Chapman
- Indiewire
Illustrations by Maddie Fischer.For more Cannes 2024 coverage, subscribe to the Weekly Edit newsletter.In a welcome twist, the most pressing questions I heard on my way to Cannes this year didn’t concern the festival lineups but events that seemed to transcend them. In the days leading up to the opening night, Sous les écrans la dèche, a collective of festival workers, announced it would be striking over salary increases and unemployment benefits; as I type, the strikes haven’t materialized, nor has the rumored list of new sexual abuse allegations about men in the French film industry. “Last year, as you know, we had some polemics,” artistic director Thierry Frémaux told the press on the eve of the fest, hinting at the decision to open the 2023 edition with Maïwenn’s Jeanne du Barry, a film that would have been forgotten a lot faster than it was had it...
- 5/21/2024
- MUBI
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Now that "Dune: Part Two" has crossed box office milestones and set up director Denis Villenueve to keep the spice flowing with a forthcoming "Dune 3," we can forget all about claims that Frank Herbert's original "Dune" novel was "unfilmable." We no longer need to worry that Villeneuve's adaptation would be too arcane and dense with sci-fi lore to appeal to mass audiences. We can simply take in his "Dune" duology for the breathtaking spectacle that it is.
The "Dune" discourse will likely veer toward the forthcoming threequel and the "Dune: Prophecy" series, set to hit Max this fall, but in the meantime, Villeneuve can simply revel in his latest blockbuster's success. But this isn't just a commercial win for Villeneuve. The French Canadian director has, along with cinematographer Greig Fraser and production designer Patrice Vermette, achieved technical feats with the "Dune" films,...
Now that "Dune: Part Two" has crossed box office milestones and set up director Denis Villenueve to keep the spice flowing with a forthcoming "Dune 3," we can forget all about claims that Frank Herbert's original "Dune" novel was "unfilmable." We no longer need to worry that Villeneuve's adaptation would be too arcane and dense with sci-fi lore to appeal to mass audiences. We can simply take in his "Dune" duology for the breathtaking spectacle that it is.
The "Dune" discourse will likely veer toward the forthcoming threequel and the "Dune: Prophecy" series, set to hit Max this fall, but in the meantime, Villeneuve can simply revel in his latest blockbuster's success. But this isn't just a commercial win for Villeneuve. The French Canadian director has, along with cinematographer Greig Fraser and production designer Patrice Vermette, achieved technical feats with the "Dune" films,...
- 5/21/2024
- by Joe Roberts
- Slash Film
It is time to journey into the deserts of Arrakis as the big-screen blockbuster “Dune: Part 2” arrives on Max on Tuesday, May 21. The second installment of director Denis Villeneuve’s epic adaptation of Frank Herbert’s beloved novel was an instant hit at the box office earlier this year and now the continued tales of Paul Atreides are available to stream at home. You can watch with a subscription to Max.
How to Watch 'Dune: Part 2' When: Monday, May 20, 2024 Where: Max Stream: Watch with a subscription to Max. Sign Up$9.99+ / month Max.com About 'Dune: Part 2'
Following the success of 2021’s “Dune,” this year’s sequel continues the exploration of the myth of Paul Atreides (played by Timothée Chalamet). As the former ducal heir of House Atreides meets Chani (Zendaya), he continues his plans to exact revenge on those who led to the downfall of his family.
How to Watch 'Dune: Part 2' When: Monday, May 20, 2024 Where: Max Stream: Watch with a subscription to Max. Sign Up$9.99+ / month Max.com About 'Dune: Part 2'
Following the success of 2021’s “Dune,” this year’s sequel continues the exploration of the myth of Paul Atreides (played by Timothée Chalamet). As the former ducal heir of House Atreides meets Chani (Zendaya), he continues his plans to exact revenge on those who led to the downfall of his family.
- 5/21/2024
- by Matt Tamanini
- The Streamable
After breaking out as a wide-eyed soldier in 1917, the actor showed a darker side to masculinity as a closeted thug in Femme. Now he’s gone further, playing an incel in twisted sci-fi The Beast
George MacKay reaches into his backpack and pulls out a squeezy bottle of honey, squirting it into his americano. “It’s a bit eccentric,” he says sheepishly. He picked up the habit years ago on a shoot in Australia; recognising that requesting a pot of honey might be perceived as “a slightly wanky ask”, he carries his own supply instead. This is typical MacKay – charming, discreet, and more than a little concerned about giving others the wrong idea.
On screen, MacKay frequently plays characters who are suffocated by the codes of traditional masculinity, and turned cruel by them, too. The actor’s breakout role was in Sam Mendes’s Oscar-winning war blockbuster 1917, which plays out as one dizzying,...
George MacKay reaches into his backpack and pulls out a squeezy bottle of honey, squirting it into his americano. “It’s a bit eccentric,” he says sheepishly. He picked up the habit years ago on a shoot in Australia; recognising that requesting a pot of honey might be perceived as “a slightly wanky ask”, he carries his own supply instead. This is typical MacKay – charming, discreet, and more than a little concerned about giving others the wrong idea.
On screen, MacKay frequently plays characters who are suffocated by the codes of traditional masculinity, and turned cruel by them, too. The actor’s breakout role was in Sam Mendes’s Oscar-winning war blockbuster 1917, which plays out as one dizzying,...
- 5/20/2024
- by Simran Hans
- The Guardian - Film News
The central creative team behind Denis Villeneuve’s Dune: Part Two explain how they brought the sci-fi epic to life – and the details you may have missed.
Talking to some of the creative people that helped director Denis Villeneuve bring the spectacular Dune: Part Two to the screen, and certain commonalities emerge. They talk about the scale and the challenge of making a sprawling saga, taking in dozens of central characters and many more extras, a reality. Each talks about how the director’s had a version of Frank Herbert’s sci-fi novel in his head since he’s a teenager, and that he’s specific and precise about what he wants.
“What’s funny is, Denis has such a sense of vision for this movie,” says costume designer Jacqueline West, who’s worked on both Dune chapters. “He sees the whole movie in his head beforehand, I think. I...
Talking to some of the creative people that helped director Denis Villeneuve bring the spectacular Dune: Part Two to the screen, and certain commonalities emerge. They talk about the scale and the challenge of making a sprawling saga, taking in dozens of central characters and many more extras, a reality. Each talks about how the director’s had a version of Frank Herbert’s sci-fi novel in his head since he’s a teenager, and that he’s specific and precise about what he wants.
“What’s funny is, Denis has such a sense of vision for this movie,” says costume designer Jacqueline West, who’s worked on both Dune chapters. “He sees the whole movie in his head beforehand, I think. I...
- 5/20/2024
- by Ryan Lambie
- Film Stories
Strange but true: after 15 years as an international movie star, propelled to fame in 2004 by Wolfgang Petersen’s historical epic Troy, German-born Diane Kruger won the Best Actress award in Cannes for her first-ever performance in her native language. Fatih Akin’s provocative 2017 drama In the Fade, in which she played a widow consumed by revenge after a terror attack, revealed an unexpectedly tough new side of her glamorous persona.
This year she returns to Cannes starring alongside Vincent Cassel in David Cronenberg’s The Shrouds, a very different, and for its director highly personal film about the very same subject, love and loss, following his own wife’s death in 2017. This typically Cronenbergian plot centers on Karsh (Cassel), a businessman and grieving widower who creates a device to connect with the dead, using a high-tech burial shroud. This burial tool — installed at his own state-of-the-art but controversial cemetery — allows...
This year she returns to Cannes starring alongside Vincent Cassel in David Cronenberg’s The Shrouds, a very different, and for its director highly personal film about the very same subject, love and loss, following his own wife’s death in 2017. This typically Cronenbergian plot centers on Karsh (Cassel), a businessman and grieving widower who creates a device to connect with the dead, using a high-tech burial shroud. This burial tool — installed at his own state-of-the-art but controversial cemetery — allows...
- 5/19/2024
- by Damon Wise
- Deadline Film + TV
Neon has acquired the North American rights to “The Seed of the Sacred Fig,” directed by Mohammad Rasoulof. The thriller is set to premiere In Competition in Cannes on May 24, and marks Rasoulof’s first return to the Cannes Film Festival, after being barred from traveling. Neon is planning a North American theatrical release later this year.
The film — which stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha AkhshiVardoogh — follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise.
The deal was negotiated by Neon’s VP of Acquisitions Sarah Colvin with Films Boutique / Parallel 45’s Jean-Christophe Simon and Film Boutique’s Julien Razafindranaly on behalf of the filmmakers.
The film — which stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha AkhshiVardoogh — follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise.
The deal was negotiated by Neon’s VP of Acquisitions Sarah Colvin with Films Boutique / Parallel 45’s Jean-Christophe Simon and Film Boutique’s Julien Razafindranaly on behalf of the filmmakers.
- 5/18/2024
- by Selena Kuznikov
- Variety Film + TV
Neon has secured North American rights from Films Boutique to Mohammad Rasoulof’s The Seed Of The Sacred Fig, ahead of its world premiere in Competition at Cannes on May 24.
Neon is planning a North American theatrical release in 2024.
The story centres on an investigating judge in Tehran’s Revolutionary Court, who grapples mistrust and paranoia as nationwide political protests intensify, leading to suspicion of his own family. The cast includes Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha Akhshi Vardoogh.
Production companies are Germany’s Run Way Pictures and France’s Parallel45. Films Boutique is handling worldwide sales rights to the film,...
Neon is planning a North American theatrical release in 2024.
The story centres on an investigating judge in Tehran’s Revolutionary Court, who grapples mistrust and paranoia as nationwide political protests intensify, leading to suspicion of his own family. The cast includes Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha Akhshi Vardoogh.
Production companies are Germany’s Run Way Pictures and France’s Parallel45. Films Boutique is handling worldwide sales rights to the film,...
- 5/18/2024
- ScreenDaily
“I took it hard. I wanted it to be special for him,” says Diane Kruger of performing in David Cronenberg’s The Shrouds, a film the legendary director wrote as part of his grieving process after the death of his late wife, Carolyn.
The Shrouds, which is screening in competition in Cannes, follows Karsh (Vincent Cassel), a prominent businessman and widower who, inconsolable since the death of his wife, invents a revolutionary and controversial technology that enables the living to monitor their departed loved ones in their graves. Kruger plays three roles — that of the late wife and her sister, as well as a virtual avatar that is a rendering in CG animation.
“One thing [David] said to me, which I think Vincent says in the film, is that when his wife passed and they put her in a coffin, he had this horrible, horrible urge to jump in with her...
The Shrouds, which is screening in competition in Cannes, follows Karsh (Vincent Cassel), a prominent businessman and widower who, inconsolable since the death of his wife, invents a revolutionary and controversial technology that enables the living to monitor their departed loved ones in their graves. Kruger plays three roles — that of the late wife and her sister, as well as a virtual avatar that is a rendering in CG animation.
“One thing [David] said to me, which I think Vincent says in the film, is that when his wife passed and they put her in a coffin, he had this horrible, horrible urge to jump in with her...
- 5/18/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Léa Seydoux’s latest feature will be distributed by Neon.
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has bought North American rights to “The Unknown” (“L’Inconnue”), the hotly anticipated next movie from “Anatomy of a Fall”’s Oscar-winning co-writer Arthur Harari.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
Neon has picked up North American rights to The Unknown, the next feature from Anatomy of a Fall writer Arthur Harari.
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
- 5/17/2024
- by Zac Ntim
- Deadline Film + TV
Neon is plunging into the great unknown with Léa Seydoux and filmmaker Arthur Harari. The indie outfit has landed North American rights to The Unknown, and appropriate for its title, its logline is currently unknown.
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
- 5/17/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Léa Seydoux with her The Second Act co-star Raphaël Quenard Photo: Richard Mowe Léa Seydoux, the star of The Second Act, Quentin Dupieux’s Cannes Film Festival opening film, considers herself fortunate at the start of her career not to have been subjected to the kind of inappropriate behaviour suffered by some of her contemporaries.
At a media gathering after last night’s world premiere in the 77th edition of the festival the one-time James Bond girl confessed: “I’ve been a very fortunate person as an actress. From the beginning I worked with people who respected me - more or less. It’s difficult to compare, however, as some women were really victims and went through a very serious experience.”
Having emerged relatively unscathed she sensed that her stature and standing had protected her. “When you’re a young actress, you are vulnerable,” she said.
Director Quentin Dupieux treats...
At a media gathering after last night’s world premiere in the 77th edition of the festival the one-time James Bond girl confessed: “I’ve been a very fortunate person as an actress. From the beginning I worked with people who respected me - more or less. It’s difficult to compare, however, as some women were really victims and went through a very serious experience.”
Having emerged relatively unscathed she sensed that her stature and standing had protected her. “When you’re a young actress, you are vulnerable,” she said.
Director Quentin Dupieux treats...
- 5/15/2024
- by Richard Mowe
- eyeforfilm.co.uk
by Cláudio Alves
Léa Seydoux and Vincent Lindon in The Second Act.
Another year, another edition of the Cannes at Home miniseries, specially made to combat cinephile Fomo for those of us not at the French Riviera. For the next week or so, let's explore the filmographies of directors in competition. However, since the festival opened with the latest Quentin Dupieux project, it seems fitting to start our at-home festival by considering the auteur's career and the oddball creations that have made him something of a king of weirdness within contemporary French cinema. Not that such status comes with guaranteed acclaim. The opposite is true, with Dupieux's cinema caught in perpetual polemic, each work more divisive than what came before.
Such is the case with The Second Act, where the director proposes a comedy on the absurdities of making an AI-based film. Not even Léa Seydoux, Louis Garrel, Vincent Lindon,...
Léa Seydoux and Vincent Lindon in The Second Act.
Another year, another edition of the Cannes at Home miniseries, specially made to combat cinephile Fomo for those of us not at the French Riviera. For the next week or so, let's explore the filmographies of directors in competition. However, since the festival opened with the latest Quentin Dupieux project, it seems fitting to start our at-home festival by considering the auteur's career and the oddball creations that have made him something of a king of weirdness within contemporary French cinema. Not that such status comes with guaranteed acclaim. The opposite is true, with Dupieux's cinema caught in perpetual polemic, each work more divisive than what came before.
Such is the case with The Second Act, where the director proposes a comedy on the absurdities of making an AI-based film. Not even Léa Seydoux, Louis Garrel, Vincent Lindon,...
- 5/15/2024
- by Cláudio Alves
- FilmExperience
We've seen David Lynch's psychedelic take on the first "Dune" novel in his 1984 film, we witnessed the precipitous rise of Paul Atreides through director Denis Villeneuve's two epic and complex blockbusters, but we've never seen anything quite like this. Amid all the wars and politicking and worm-riding, the mysterious sect of women pulling the strings behind the curtain known as the Bene Gesserit have hardly received the spotlight that they probably deserve. Until "Part Two" introduced us to Léa Seydoux's Lady Margot Fenring, Rebecca Ferguson's Lady Jessica and Charlotte Rampling's Reverend Mother were the only two members of this religious order that viewers ever actually met.
That finally changes in a big way with the upcoming spin-off series slated to debut on Max, initially known as "Dune: The Sisterhood" but since rebranded as "Dune: Prophecy." (Max sadly turned down my own personal pitches for the title: "Space...
That finally changes in a big way with the upcoming spin-off series slated to debut on Max, initially known as "Dune: The Sisterhood" but since rebranded as "Dune: Prophecy." (Max sadly turned down my own personal pitches for the title: "Space...
- 5/15/2024
- by Jeremy Mathai
- Slash Film
Cannes regular Léa Seydoux joined playful press conference for fest opener The Second Act, where talk occasionally turned serious as the actress was peppered with several questions from the international press about her thoughts on the #MeToo era.
“I have been a very fortunate person as an actress. At the beginning of my career, I worked with people who respected me, more or less,” said Seydoux. “Some women were really victims. But in my case, I can’t compare with someone women who really went through and experienced very serious things.”
#MeToo is a contentious issue in France, where the perception is the entertainment industry has been slow to evolve. Seydoux has previously spoken about challenging conditions on Blue is the Warmest Color, her 2013 Palme d’Or winner that landed her international fame, and featured a 7-minute lesbian sex scene that took 10 days to shoot, while the film involved upwards...
“I have been a very fortunate person as an actress. At the beginning of my career, I worked with people who respected me, more or less,” said Seydoux. “Some women were really victims. But in my case, I can’t compare with someone women who really went through and experienced very serious things.”
#MeToo is a contentious issue in France, where the perception is the entertainment industry has been slow to evolve. Seydoux has previously spoken about challenging conditions on Blue is the Warmest Color, her 2013 Palme d’Or winner that landed her international fame, and featured a 7-minute lesbian sex scene that took 10 days to shoot, while the film involved upwards...
- 5/15/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
In Quentin Dupieux’s new satirical comedy The Second Act, which kicked off the Cannes Film Festival on Tuesday night, the pic takes poke at myriad culture wars, including France’s latest #MeToo movement. Asked front and center about her take on the latest wave, the pic’s star Léa Seydoux said “It’s a wonderful thing that women are speaking out. It’s about high time they did.”
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
- 5/15/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Léa Seydoux addressed France’s growing #MeToo movement at the Cannes Film Festival press conference for Quentin Dupieux’s comedy “The Second Act,” which opened the fest on Tuesday night.
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
- 5/15/2024
- by Ellise Shafer and Elsa Keslassy
- Variety Film + TV
Quentin Dupieux returns with The Second Act, a playfully dour satire on the film industry that sees the French absurdist delve further into the apocalyptic mood and gallows humor of his recent Yannick. The Cannes opener stars some of the biggest names in the French film world as heightened versions of themselves: actors working on a film within the film (and perhaps a film within that), a conceit that allows them to break the fourth wall, basically winking at the audience conspiratorially while taking passing shots at themselves and some of the hands that feed them. It’s all in good fun, of course. It’s also quite inside baseball––not that that mattered at the premiere, though you do have to wonder how it might resonate going forward.
Selected to raise the curtain on the world’s most prestigious film festival, The Second Act rolled moments after the opening ceremony closed,...
Selected to raise the curtain on the world’s most prestigious film festival, The Second Act rolled moments after the opening ceremony closed,...
- 5/15/2024
- by Rory O'Connor
- The Film Stage
It could have been hopelessly self-indulgent but Quentin Dupieux’s anarchic and quirky sense of humour finds full flavour in this amusing “appetiser” which still leaves you hankering after a full meal.
Better that than overstaying its welcome as his cast play around with the foibles and artifice of their craft as they are gathered together to make a romantic comedy.
The collective view is that they are making a pretty dire production and to liven things up they keep interrupting the shoot to voice their own grievances against each other, the script and the unseen director who keeps shouting, “Cut!”
Most of the film unfurls in a roadside pub called The Second Act, presided over by the lumbering barkeeper (played by Manuel Guillot).
Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest...
Better that than overstaying its welcome as his cast play around with the foibles and artifice of their craft as they are gathered together to make a romantic comedy.
The collective view is that they are making a pretty dire production and to liven things up they keep interrupting the shoot to voice their own grievances against each other, the script and the unseen director who keeps shouting, “Cut!”
Most of the film unfurls in a roadside pub called The Second Act, presided over by the lumbering barkeeper (played by Manuel Guillot).
Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest...
- 5/14/2024
- by Richard Mowe
- eyeforfilm.co.uk
Dune: Part Two has been available to purchase on Digital services for almost a month now, but Warner Bros. has finally announced a streaming date for Denis Villeneuve's critically-acclaimed sci-fi sequel.
Fans will get to return to Arrakis from the comfort of their couches very soon, as Dune: Part Two is set to premiere on Max next Tuesday, May 21.
Although the movie didn't reach $1 billion as some predicted (always a long shot in the current box office climate), it did pass $700 million worldwide, meaning a third film based on Frank Herbert's second novel, Dune: Messiah, is likely.
Part Three hasn't been officially greenllt, but is believed to be in the early stages of development - though there's no guarantee that Villeneuve will to return to complete the trilogy.
“If we go back, it needs to be real, it needs to be relevant," the filmmaker told Empire in a recent interview.
Fans will get to return to Arrakis from the comfort of their couches very soon, as Dune: Part Two is set to premiere on Max next Tuesday, May 21.
Although the movie didn't reach $1 billion as some predicted (always a long shot in the current box office climate), it did pass $700 million worldwide, meaning a third film based on Frank Herbert's second novel, Dune: Messiah, is likely.
Part Three hasn't been officially greenllt, but is believed to be in the early stages of development - though there's no guarantee that Villeneuve will to return to complete the trilogy.
“If we go back, it needs to be real, it needs to be relevant," the filmmaker told Empire in a recent interview.
- 5/14/2024
- ComicBookMovie.com
The stormy clouds outside the Palais might have dampened some spirits as the credits rolled on the opening night film of the 77th Cannes Film Festival. Or maybe it was the movie itself.
“The Second Act,” Quentin Dupieux’s talky French comedy about the making of the first movie directed by AI, mustered a lukewarm 3.5-minute standing ovation on Tuesday night in Cannes.
Dupieux attedned the premiere along with his French cast of Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard. The four actors all politely stood as a camera quickly passed by through the tepid applause.
In the meta film, these French stars play actors making a romantic comedy they know is pointless, as it’s the first movie written and directed by AI. In the opening scenes, we learn that Florence (Seydoux) wants to take things to the next level with David (Garrel), but he is no...
“The Second Act,” Quentin Dupieux’s talky French comedy about the making of the first movie directed by AI, mustered a lukewarm 3.5-minute standing ovation on Tuesday night in Cannes.
Dupieux attedned the premiere along with his French cast of Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard. The four actors all politely stood as a camera quickly passed by through the tepid applause.
In the meta film, these French stars play actors making a romantic comedy they know is pointless, as it’s the first movie written and directed by AI. In the opening scenes, we learn that Florence (Seydoux) wants to take things to the next level with David (Garrel), but he is no...
- 5/14/2024
- by Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.
There are plenty of laugh lines,...
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.
There are plenty of laugh lines,...
- 5/14/2024
- by Peter Bradshaw
- The Guardian - Film News
Something has subtly shifted in Quentin Dupieux’s perspective, leaving the one-man-band of French cinema a rather different auteur than the anti-comedy punk that nearly stumbled onto the festival stage so many years ago. Chalk it up to maturity or to an impressive professional rise — reaching new highs this year with the opening slot at the Cannes Film Festival — but the director’s tone has softened and his targets have shifted, even as his working methods (and working ethic) remain set-in-stone.
Like a distant Gallic cousin to Wes Anderson and Hong Sang-soo (now there are two names you rarely see together), Dupieux has connected a distinctive voice into a well-honed system built for productivity, allowing him to write-direct-shoot-edit-and-score a new film every year. And sometimes, he finds time for two.
Within the past twelve months, he’s brought films “Yannick” and “Daaaaaalí!” to Locarno and Venice, and now steps into...
Like a distant Gallic cousin to Wes Anderson and Hong Sang-soo (now there are two names you rarely see together), Dupieux has connected a distinctive voice into a well-honed system built for productivity, allowing him to write-direct-shoot-edit-and-score a new film every year. And sometimes, he finds time for two.
Within the past twelve months, he’s brought films “Yannick” and “Daaaaaalí!” to Locarno and Venice, and now steps into...
- 5/14/2024
- by Ben Croll
- Indiewire
Updated with ovation for The Second Act: The Cannes Film Festival opened Tuesday evening with a joyously female vibe as Meryl Streep received the Honorary Palme d’Or from an emotional Juliette Binoche and Greta Gerwig became the first female U.S. director to serve as jury president across its 77 editions.
The ceremony at the Palais led into the festival’s opening-night film The Second Act from Quentin Dupieux. The French pic, starring Léa Seydoux and Louis Garrel, received a lukewarm 3-minute, 46-second standing ovation from the audience.
Earlier, resplendent in a long sequin gown, Gerwig said she was still coming to terms with the fact that she was presiding over the Cannes jury.
“I hardly know what to say… This is holy to me; art is sacred, film is sacred… I cannot believe that I’m getting the chance to spend 10 days in this house of worship.”
The...
The ceremony at the Palais led into the festival’s opening-night film The Second Act from Quentin Dupieux. The French pic, starring Léa Seydoux and Louis Garrel, received a lukewarm 3-minute, 46-second standing ovation from the audience.
Earlier, resplendent in a long sequin gown, Gerwig said she was still coming to terms with the fact that she was presiding over the Cannes jury.
“I hardly know what to say… This is holy to me; art is sacred, film is sacred… I cannot believe that I’m getting the chance to spend 10 days in this house of worship.”
The...
- 5/14/2024
- by Melanie Goodfellow and Nancy Tartaglione
- Deadline Film + TV
Cannes Film Festival kicked off its 77th edition with opening night film The Second Act, an apt title for the French event that kicked off with clear skies and a festive mood after days of looming strikes, #MeToo rumours and a high tension geopolitical landscape.
General delegate Thierry Fremaux set the tone for the evening by walking casually to the Lumiere theatre with microphone in hand with a simple “good evening everyone - Quentin Dupieux” as the director and his starry cast including Lea Seydoux and Louis Garrel took their seats.
French actress Camille Cottin emceed the evening with a blend of humour and sarcasm,...
General delegate Thierry Fremaux set the tone for the evening by walking casually to the Lumiere theatre with microphone in hand with a simple “good evening everyone - Quentin Dupieux” as the director and his starry cast including Lea Seydoux and Louis Garrel took their seats.
French actress Camille Cottin emceed the evening with a blend of humour and sarcasm,...
- 5/14/2024
- ScreenDaily
Who let the dog out?
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
- 5/14/2024
- by Brent Lang and Ramin Setoodeh
- Variety Film + TV
The 77th edition of the Cannes Film Festival is officially underway in the South of France as A-listers, auteurs and America’s most revered actress, Meryl Streep, converged at the Palais’ Grand Theatre Lumiere on Tuesday for a typically glamorous opening ceremony.
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
- 5/14/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Richard Gere is back onscreen with his own mini renaissance.
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
Arnaud Desplechin’s hybrid documentary “Spectateurs!” (“Filmlovers”) debuted a first trailer ahead of the film’s world premiere at Cannes on May 22.
The 88-minute docu is a love letter to cinema, inspired by Desplechin’s own discovery and passion for cinema.
Per the official Cannes description of the film, Desplechin wrote: “What does it mean, to go to the movies? Why have people been going for over one hundred years? I set out to celebrate movie theaters and their manifold magic. So, I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. Memories, fiction and discoveries come together in an irrepressible torrent of pictures.”
“Spectateurs!” weaves documentary and fiction with a cast including Milo Machado Graner, the young breakthrough actor of Justine Triet’s “Anatomy of a Fall,” and well-known French actors Mathieu Amalric (“The Diving Bell and the Butterfly”) and Françoise Lebrun...
The 88-minute docu is a love letter to cinema, inspired by Desplechin’s own discovery and passion for cinema.
Per the official Cannes description of the film, Desplechin wrote: “What does it mean, to go to the movies? Why have people been going for over one hundred years? I set out to celebrate movie theaters and their manifold magic. So, I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. Memories, fiction and discoveries come together in an irrepressible torrent of pictures.”
“Spectateurs!” weaves documentary and fiction with a cast including Milo Machado Graner, the young breakthrough actor of Justine Triet’s “Anatomy of a Fall,” and well-known French actors Mathieu Amalric (“The Diving Bell and the Butterfly”) and Françoise Lebrun...
- 5/14/2024
- by Addie Morfoot
- Variety Film + TV
Et voilà, The Second Act, a bubbly apéritif to open this year’s Cannes Film Festival, and the latest bit of mischief from Quentin Dupieux, the Loki of the French cinematic universe. Dupieux turns out a film roughly once a year, featuring protagonists ranging from a rogue rubber tire cruising the highway for victims to a giant fly captured by a couple of petty crooks who try to turn it into a sideshow attraction. Each wacky new romp brings new fans into the tent and, on the evidence of his recent cast lists, entices more big-name actors to run away and join his circus.
So roll up here to see Bond girl Léa Seydoux, the baggy-eyed veteran Vincent Lindon and the usually smoldering Louis Garrel along with a troupe of faces familiar to Dupieux’s audience. The three of them play actors shooting what appears to be an especially banal rom-com.
So roll up here to see Bond girl Léa Seydoux, the baggy-eyed veteran Vincent Lindon and the usually smoldering Louis Garrel along with a troupe of faces familiar to Dupieux’s audience. The three of them play actors shooting what appears to be an especially banal rom-com.
- 5/14/2024
- by Stephanie Bunbury
- Deadline Film + TV
The stars are out on the Croisette for the 77th Cannes Film Festival, sporting their best looks on the red carpet. Already donning her resort wear best at the first Jury Call photo shoot was Hollywood icon Meryl Streep, who will receive the honorary Palme d’Or on the opening night of the Cannes Film Festival.
This year’s President, Greta Gerwig, will be joined by an illustrious jury that includes Lily Gladstone Eva Green Omar Sy Ebru Ceylan (who co-wrote the 2014 Palme d’Or winner “Winter Sleep”), “Capernaum” director Nadine Labaki, “Society of the Snow” director Juan Antonio Bayona, Italian actor Pierfrancesco Favino and “Shoplifters” director Kore-eda Hirokazu.
The list of star-studded premieres includes George Miller’s “Furiosa: A Mad Max Saga” which stars Anya Taylor-Joy and Chris Hemsworth. Oscar-winner Yorgos Lanthimos will debut his next film, “Kinds of Kindness,” starring Emma Stone, Willem Dafoe and Margaret Qualley on the Croisette.
This year’s President, Greta Gerwig, will be joined by an illustrious jury that includes Lily Gladstone Eva Green Omar Sy Ebru Ceylan (who co-wrote the 2014 Palme d’Or winner “Winter Sleep”), “Capernaum” director Nadine Labaki, “Society of the Snow” director Juan Antonio Bayona, Italian actor Pierfrancesco Favino and “Shoplifters” director Kore-eda Hirokazu.
The list of star-studded premieres includes George Miller’s “Furiosa: A Mad Max Saga” which stars Anya Taylor-Joy and Chris Hemsworth. Oscar-winner Yorgos Lanthimos will debut his next film, “Kinds of Kindness,” starring Emma Stone, Willem Dafoe and Margaret Qualley on the Croisette.
- 5/14/2024
- by Meredith Woerner
- Variety Film + TV
In France, the concept of irony is referred to as “deuxième degré” (second degree), where the “premier degré” is the literal or surface meaning, which can be twisted as audiences read an entirely different, often contrary meaning into the material. But the game doesn’t necessarily stop there. There is also “troisième degré,” “quatrième degré” and so on, as deep as you want to go.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
- 5/14/2024
- by Peter Debruge
- Variety Film + TV
Warner Bros. Pictures and Legendary Pictures’ Dune: Part Two will make its streaming debut on Max next Tuesday, May 21. The streaming service has also revealed the official trailer for House of the Dragon Season 2.
Dune: Part Two explores the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.
The big-screen epic continues the adaptation of Frank Herbert’s acclaimed bestseller Dune with returning and new stars, including Oscar nominee Timothée Chalamet, Zendaya, Rebecca Ferguson, Oscar nominee Josh Brolin, Oscar nominee Austin Butler, Oscar nominee Florence Pugh, Dave Bautista, Oscar winner Christopher Walken, Léa Seydoux, and Souheila Yacoub, Stellan Skarsgård, with Oscar nominee Charlotte Rampling, and Oscar winner Javier Bardem.
Dune: Part Two explores the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.
The big-screen epic continues the adaptation of Frank Herbert’s acclaimed bestseller Dune with returning and new stars, including Oscar nominee Timothée Chalamet, Zendaya, Rebecca Ferguson, Oscar nominee Josh Brolin, Oscar nominee Austin Butler, Oscar nominee Florence Pugh, Dave Bautista, Oscar winner Christopher Walken, Léa Seydoux, and Souheila Yacoub, Stellan Skarsgård, with Oscar nominee Charlotte Rampling, and Oscar winner Javier Bardem.
- 5/14/2024
- by Mirko Parlevliet
- Vital Thrills
"Dune: Part Two", the new science fiction feature, directed by Denis Villeneuve, as a sequel to his 2021 film and second of a two-part adaptation of the 1965 novel "Dune" by Frank Herbert, stars Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Charlotte Rampling, Javier Bardem, Florence Pugh, Austin Butler, Christopher Walken, Léa Seydoux, Souheila Yacoub and Tim Blake Nelson, streaming May 21, 2024 on Max:
"...the new film explores the continuing journey of 'Paul Atreides' who is united with 'Chani' (Zendaya) .
"He seeks revenge against the conspirators who destroyed his family.
2 3 4 "He seems to face a choice between the love of his life and the fate of the known universe...
"...and endeavors to prevent a terrible future…
“…that apparently only he can predict..."
Click the images to enlarge...
5 6 7 8 9 10 11...
"...the new film explores the continuing journey of 'Paul Atreides' who is united with 'Chani' (Zendaya) .
"He seeks revenge against the conspirators who destroyed his family.
2 3 4 "He seems to face a choice between the love of his life and the fate of the known universe...
"...and endeavors to prevent a terrible future…
“…that apparently only he can predict..."
Click the images to enlarge...
5 6 7 8 9 10 11...
- 5/14/2024
- by Unknown
- SneakPeek
Descubre los detalles del largometraje.
Según Variety, la reconocida actriz francesa Léa Seydoux, protagonizará la película “The Unknown” bajo la dirección del guionista Arthur Harari, conocido por su trabajo en “Anatomía de una Caída”.
Aunque el argumento de la película se mantiene en secreto, el proyecto se describe como “una mezcla de crónica urbana realista, película fantástica, investigación, melodrama y ensoñación.”
Nicolas Anthomé, productor de la película, ha compartido su entusiasmo por el proyecto y ha dicho: «The Unknown será una película de fantasía realista, entendiendo la fantasía, ante todo, como una espectacular promesa de vértigo, evocación y poesía.»
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The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
Según Variety, la reconocida actriz francesa Léa Seydoux, protagonizará la película “The Unknown” bajo la dirección del guionista Arthur Harari, conocido por su trabajo en “Anatomía de una Caída”.
Aunque el argumento de la película se mantiene en secreto, el proyecto se describe como “una mezcla de crónica urbana realista, película fantástica, investigación, melodrama y ensoñación.”
Nicolas Anthomé, productor de la película, ha compartido su entusiasmo por el proyecto y ha dicho: «The Unknown será una película de fantasía realista, entendiendo la fantasía, ante todo, como una espectacular promesa de vértigo, evocación y poesía.»
¡SÍGUENOS!
TikTok
YouTube
Threads
The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
- 5/14/2024
- by Marta Medina
- mundoCine
David Cronenberg is unraveling his understanding of the afterlife with “The Shrouds.”
The auteur writes and directs the sci-fi feature that centers on a widower named Karsh (Vincent Cassel) grieving the loss of his wife (Diane Kruger). An inventor, Karsh creates a program called GraveTech to allow for mourners to monitor their late loved ones via shrouds. Yet when multiple graves, including that of Karsh’s wife, are desecrated, he has to find the perpetrators.
Guy Pearce and Sandrine Holt also star.
“The Shrouds” will debut in competition at Cannes. WME is handling U.S. sales and Sbs handling international sales for the film, with Sbs, Prospero Pictures, and Saint Laurent Productions producing. The producers are Saïd Ben Saïd, Martin Katz, and Anthony Vaccarello.
Cronenberg told Variety that he wrote the film while “experiencing the grief of the loss of my wife, who died seven years ago. It was an...
The auteur writes and directs the sci-fi feature that centers on a widower named Karsh (Vincent Cassel) grieving the loss of his wife (Diane Kruger). An inventor, Karsh creates a program called GraveTech to allow for mourners to monitor their late loved ones via shrouds. Yet when multiple graves, including that of Karsh’s wife, are desecrated, he has to find the perpetrators.
Guy Pearce and Sandrine Holt also star.
“The Shrouds” will debut in competition at Cannes. WME is handling U.S. sales and Sbs handling international sales for the film, with Sbs, Prospero Pictures, and Saint Laurent Productions producing. The producers are Saïd Ben Saïd, Martin Katz, and Anthony Vaccarello.
Cronenberg told Variety that he wrote the film while “experiencing the grief of the loss of my wife, who died seven years ago. It was an...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
The 2024 Cannes Film Festival competition jury, led by president Greta Gerwig, met the international press Tuesday — and it didn’t take long before the assembled stars were urged to address the various fraught political issues swirling around this year’s edition of the world’s most glamorous film fest.
On the eve of the 77th festival, Cannes artistic director Thierry Frémaux had set the tone by attempting to distance the event from hot-button topics, saying at his own press conference on Monday, “We are trying to have a festival without these polemics. In Cannes, the politics should be on the screen.”
The French festival head, who has served in his role since 2001, noted how coverage of Cannes has changed over his tenure, as the international media’s interest has shifted from the films on exhibition to an expectation that the festival be responsive to surrounding social issues. That was certainly the case Tuesday,...
On the eve of the 77th festival, Cannes artistic director Thierry Frémaux had set the tone by attempting to distance the event from hot-button topics, saying at his own press conference on Monday, “We are trying to have a festival without these polemics. In Cannes, the politics should be on the screen.”
The French festival head, who has served in his role since 2001, noted how coverage of Cannes has changed over his tenure, as the international media’s interest has shifted from the films on exhibition to an expectation that the festival be responsive to surrounding social issues. That was certainly the case Tuesday,...
- 5/14/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Run, don’t sandwalk, to your living room, because Dune: Part Two will be streaming on Max sooner versus later.
The winter blockbuster, which to date has grossed north of $710 million worldwide, will land on Max on Tuesday, May 21, TVLine has learned.
More from TVLineTVLine Items: Conan O'Brien Must Go Renewed, Harry Potter Baking Competition and MoreSouth Park Wants to Put Cartman on Ozempic in The End of Obesity Paramount+ Special - Watch TrailerBiden, Trump Agree to First Presidential Debate of 2024 Election Season - Find Out When & Where Courtesy of MaxWatch ‘Dune: Part Two’ on Max $9.99/month Buy Now...
The winter blockbuster, which to date has grossed north of $710 million worldwide, will land on Max on Tuesday, May 21, TVLine has learned.
More from TVLineTVLine Items: Conan O'Brien Must Go Renewed, Harry Potter Baking Competition and MoreSouth Park Wants to Put Cartman on Ozempic in The End of Obesity Paramount+ Special - Watch TrailerBiden, Trump Agree to First Presidential Debate of 2024 Election Season - Find Out When & Where Courtesy of MaxWatch ‘Dune: Part Two’ on Max $9.99/month Buy Now...
- 5/14/2024
- by Matt Webb Mitovich
- TVLine.com
Get ready to return to Arrakis, now from the comfort of your couch.
Denis Villeneuve’s “Dune: Part Two” will be available to stream on Max next Tuesday, May 21.
Stream 'Dune: Part Two' On Max $9.99/Month
The blockbuster shook up the box office as it passed $500 million at the global box office in March, surpassing the entire run of “Dune: Part One.” The film opened with $81.5 million in its domestic debut opening weekend, and $97 million at the international box office. Warner Bros. and Legendary Entertainment co-produced and co-financed “Dune: Part Two,” which cost $190 million to produce and around $100 million more to promote.
Based on the second half of Frank Herbert’s 1965 science-fiction novel, “Dune: Part Two” continues the conquest of Timothée Chalamet’s Paul Atreides as he unites with the Fremen and seeks to save the galaxy from the Harkonnen empire, who are responsible for the death of his father.
Denis Villeneuve’s “Dune: Part Two” will be available to stream on Max next Tuesday, May 21.
Stream 'Dune: Part Two' On Max $9.99/Month
The blockbuster shook up the box office as it passed $500 million at the global box office in March, surpassing the entire run of “Dune: Part One.” The film opened with $81.5 million in its domestic debut opening weekend, and $97 million at the international box office. Warner Bros. and Legendary Entertainment co-produced and co-financed “Dune: Part Two,” which cost $190 million to produce and around $100 million more to promote.
Based on the second half of Frank Herbert’s 1965 science-fiction novel, “Dune: Part Two” continues the conquest of Timothée Chalamet’s Paul Atreides as he unites with the Fremen and seeks to save the galaxy from the Harkonnen empire, who are responsible for the death of his father.
- 5/14/2024
- by Selena Kuznikov
- Variety Film + TV
Arthouse streamer Mubi has snatched up Andrea Arnold’s Bird for the U.K. and Ireland ahead of the film’s world premiere in competition in Cannes.
Barry Keoghan, Franz Rogowski, Nykiya Adams, and Jason Buda co-star in the new drama from the American Honey and Red Road director. The film follows a 12-year-old who lives with her brother and single dad in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere.
Bird was produced by Tessa Ross, Juliette Howell and Lee Groombridge for House Productions (The Iron Claw, The Wonder).
Cornerstone is handling international sales for Bird and is co-repping U.S. rights with CAA Media Finance.
Recent Mubi releases include Sofia Coppola’s Priscilla, Wim Wender’s Perfect Days, Molly Manning Walker’s How to Have Sex, and Aki Kaurismäki’s Fallen Leaves, all festival hits. The streamer’s upcoming slate includes Levan Akin’s Crossing,...
Barry Keoghan, Franz Rogowski, Nykiya Adams, and Jason Buda co-star in the new drama from the American Honey and Red Road director. The film follows a 12-year-old who lives with her brother and single dad in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere.
Bird was produced by Tessa Ross, Juliette Howell and Lee Groombridge for House Productions (The Iron Claw, The Wonder).
Cornerstone is handling international sales for Bird and is co-repping U.S. rights with CAA Media Finance.
Recent Mubi releases include Sofia Coppola’s Priscilla, Wim Wender’s Perfect Days, Molly Manning Walker’s How to Have Sex, and Aki Kaurismäki’s Fallen Leaves, all festival hits. The streamer’s upcoming slate includes Levan Akin’s Crossing,...
- 5/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Pathe has boarded “The Unknown,” the highly anticipated next movie from “Anatomy of a Fall” co-writer Arthur Harari, starring Léa Seydoux. “Anatomy of a Fall,” which Harari co-wrote with director Justine Triet, won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
Rolling off “Dune: Part Two,” Seydoux is set to headline the fantasy movie. The actor, whose career spans Hollywood and European productions, recently starred in Bertrand Bonello’s sci-fi romance “The Beast.”
“The Unknown” is produced by Paris-based Bathysphere and is scheduled for completion in the first half of 2026. Pathé is co-producing, and will introduce the package to buyers at the Cannes Market. The banner will also distribute the movie in France.
While the plot remains under wraps, Harari teased that the project is “a mix of realistic urban chronicle, fantasy film, investigation, melodrama and daydream.”
“[It] will continually metamorphose before our eyes,...
Rolling off “Dune: Part Two,” Seydoux is set to headline the fantasy movie. The actor, whose career spans Hollywood and European productions, recently starred in Bertrand Bonello’s sci-fi romance “The Beast.”
“The Unknown” is produced by Paris-based Bathysphere and is scheduled for completion in the first half of 2026. Pathé is co-producing, and will introduce the package to buyers at the Cannes Market. The banner will also distribute the movie in France.
While the plot remains under wraps, Harari teased that the project is “a mix of realistic urban chronicle, fantasy film, investigation, melodrama and daydream.”
“[It] will continually metamorphose before our eyes,...
- 5/13/2024
- by Elsa Keslassy
- Variety Film + TV
The Olympic flame is coming to the Cannes Film Festival red carpet.
The 77th edition of the Festival de Cannes will serve as a preview for the Paris 2024 Olympic Games with the premiere screening of Mickaël Gamrasni’s documentary “Olympiques! La France des Jeux” on May 21.
Paris 2024, in agreement with the Mairie de Cannes, is offering the flame to the film festival as a preview before it’s officially welcomed by the city of Cannes on June 18 along the Olympic Torch Relay, which began in Marseille on May 8. Sports personalities and athletes will be the guests of honor at the special screening: Tony Estanguet (pictured above), Marie-José Pérec, Thierry Rey, Iliana Rupert, Marie Patouillet, Nélia Barbosa, Alexis Hanquiquant, Christine Caron and Brahim Asloum will flank Paralympic champion Arnaud Assoumani, who will carry the Olympic flame onto the red carpet.
“What a joy it is to welcome such a host of Olympic stars,...
The 77th edition of the Festival de Cannes will serve as a preview for the Paris 2024 Olympic Games with the premiere screening of Mickaël Gamrasni’s documentary “Olympiques! La France des Jeux” on May 21.
Paris 2024, in agreement with the Mairie de Cannes, is offering the flame to the film festival as a preview before it’s officially welcomed by the city of Cannes on June 18 along the Olympic Torch Relay, which began in Marseille on May 8. Sports personalities and athletes will be the guests of honor at the special screening: Tony Estanguet (pictured above), Marie-José Pérec, Thierry Rey, Iliana Rupert, Marie Patouillet, Nélia Barbosa, Alexis Hanquiquant, Christine Caron and Brahim Asloum will flank Paralympic champion Arnaud Assoumani, who will carry the Olympic flame onto the red carpet.
“What a joy it is to welcome such a host of Olympic stars,...
- 5/13/2024
- by Angelique Jackson
- Variety Film + TV
We’re now just about a week away from the highly anticipated Cannes Film Festival premiere of Leos Carax’s next film, a 40-minute cine-memoir about his work titled It’s Not Me. While not much is known about the approach for the project, it does come with this mysterious synopsis:
For an exhibition, that in the end never took place, the Pompidou Museum asked the filmmaker to reply, in pictures, to the question:
Where are you at, Leos Carax?
He attempts an answer – full of questions.
About himself and “his” world:
I don’t know, but if I did, I’d reply that…
The director is also prepping his next feature, following up 2021’s Annette, and thus far it’s only known that it’ll mark a reteam with Adam Driver. Now, we have news that one of the greatest French actresses working today has joined the project. In...
For an exhibition, that in the end never took place, the Pompidou Museum asked the filmmaker to reply, in pictures, to the question:
Where are you at, Leos Carax?
He attempts an answer – full of questions.
About himself and “his” world:
I don’t know, but if I did, I’d reply that…
The director is also prepping his next feature, following up 2021’s Annette, and thus far it’s only known that it’ll mark a reteam with Adam Driver. Now, we have news that one of the greatest French actresses working today has joined the project. In...
- 5/11/2024
- by Jordan Raup
- The Film Stage
Chris Pine hopes he just found Luca Guadagnino’s next project: Disney’s “Princess Diaries 3.”
The actor and “Poolman” director proposed collaborating with the “Challengers” director for the third franchise installment during Entertainment Weekly’s Role Call Youtube series.
“‘Princess Diaries 3,’ where is it?’ Have you been reading my diary?” Pine quipped when revisiting his past roles. “I don’t know. I haven’t heard anything about it.”
However, Pine did have his own pitch for the film.
“You know, like, what it would be? It would be like a Luca Guadagnino film,” Pine said. “[If he] directs ‘Princess Diaries 3,’ now that is fucking fire.”
Of course, “Princess Diaries 3” would have to come after Guadagnino’s “Separate Rooms” with Lea Séydoux and Josh O’Connor. Guadagnino is also debuting “Queer” at Cannes 2024.
Pine hasn’t been publicly linked to the next “Princess Diaries” film, but his role in the 2004 sequel proved to be...
The actor and “Poolman” director proposed collaborating with the “Challengers” director for the third franchise installment during Entertainment Weekly’s Role Call Youtube series.
“‘Princess Diaries 3,’ where is it?’ Have you been reading my diary?” Pine quipped when revisiting his past roles. “I don’t know. I haven’t heard anything about it.”
However, Pine did have his own pitch for the film.
“You know, like, what it would be? It would be like a Luca Guadagnino film,” Pine said. “[If he] directs ‘Princess Diaries 3,’ now that is fucking fire.”
Of course, “Princess Diaries 3” would have to come after Guadagnino’s “Separate Rooms” with Lea Séydoux and Josh O’Connor. Guadagnino is also debuting “Queer” at Cannes 2024.
Pine hasn’t been publicly linked to the next “Princess Diaries” film, but his role in the 2004 sequel proved to be...
- 5/11/2024
- by Samantha Bergeson
- Indiewire
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