SPOILERS Not only does this movie boasts three Roberts,but it also possesses all that makes a film noir great:a murky sticky atmosphere, a fine supporting cast , a lot of characters we remember even if they appear on the screen barely fifteen minutes(Gloria Grahame and her husband for instance).The first scene sets the tone:a murder ;we can only see the shadows on the wall.
Edward Dmytryk,whose career would dismally end (the likes of "Shalako") ,was here at the height of his powers:he films his story with a stunning virtuosity and there are unforgettable moments:the scene in the Jew's apartment seen thru the eyes of the drunken soldier;the way the director films brilliant Robert Ryan ,using dizzying high and low angle shots.He's arguably the stand-out and his performance is really spooky;the conversation during which you can only see Ryan's face in a mirror;all these stairs which seem to be death traps.
It seems that these soldiers can only survive in the dark:in the nightclubs,in Grahame's seedy apartment,in a movie theater.They are just about at breaking point,as if they had come from hell to wind up in another one.But one should notice that ,at least in the first half of the movie,their camaraderie,their solidarity remain intact:brothers in arms indeed;the police are the enemy.
Robert Young's cop is a thousand miles above your usual detective routine:the scenarists achieves the feat of including his own story (actually his grandfather)in this murder mystery.He really pleads for the right to difference:today the Jews,tomorrow the hillbillies from Tennessee ,then the guys with striped ties...His words have a contemporary feel:it's because they don't know the Jews,the fags (check the novel)that some people use them as scapegoats.
Robert Ryan's portrayal is one of the most frightening of all the film noir genre.It's interesting to compare his part with the one he plays in Robert Wise's "odds against tomorrow"(1959).In both movies ,his character is a racist or anti-Semite;in both movies no explanation.Ryan was known for his very liberal ideas,what a clever actor he was!
Edward Dmytryk,whose career would dismally end (the likes of "Shalako") ,was here at the height of his powers:he films his story with a stunning virtuosity and there are unforgettable moments:the scene in the Jew's apartment seen thru the eyes of the drunken soldier;the way the director films brilliant Robert Ryan ,using dizzying high and low angle shots.He's arguably the stand-out and his performance is really spooky;the conversation during which you can only see Ryan's face in a mirror;all these stairs which seem to be death traps.
It seems that these soldiers can only survive in the dark:in the nightclubs,in Grahame's seedy apartment,in a movie theater.They are just about at breaking point,as if they had come from hell to wind up in another one.But one should notice that ,at least in the first half of the movie,their camaraderie,their solidarity remain intact:brothers in arms indeed;the police are the enemy.
Robert Young's cop is a thousand miles above your usual detective routine:the scenarists achieves the feat of including his own story (actually his grandfather)in this murder mystery.He really pleads for the right to difference:today the Jews,tomorrow the hillbillies from Tennessee ,then the guys with striped ties...His words have a contemporary feel:it's because they don't know the Jews,the fags (check the novel)that some people use them as scapegoats.
Robert Ryan's portrayal is one of the most frightening of all the film noir genre.It's interesting to compare his part with the one he plays in Robert Wise's "odds against tomorrow"(1959).In both movies ,his character is a racist or anti-Semite;in both movies no explanation.Ryan was known for his very liberal ideas,what a clever actor he was!