Although somewhat artificial, the humor and "heartburn" of this Nora Ephron film seem more affecting and less manufactured than those in her more slick subsequent films, When Harry Met Sally... and Sleepless in Seattle. Perhaps the autobiographical slant helped.
Meryl Streep and Jack Nicholson play a couple based on Ephron and Carl Bernstein. They meet, marry, settle in Washington, and have children. Streep's wedding-day jitters, it turns out, were amply justified; she discovers an affair between her husband and a social-climbing hostess.
Streep is so luminous and so natural that one may not realize until the end of the film how completely insipid and devoid of any distinguishing qualities her character is. "Rachel" changes from a wan, nervous divorcee (before meeting Nicholson's character) to an obsessively devoted wife and mother who keeps babbling about how happy she is.
Nicholson is well-cast as the rakish but (initially) endearing husband. The supporting cast reflects the expert hand of Juliet Taylor, Woody Allen's longtime casting director, who peppered it with many familiar faces, including Allen favorites Joanna Gleason, Caroline Aaron, and Karen Akers. Maureen Stapleton is particularly droll as Streep's shrink. Nineties audiences will enjoy seeing Kevin Spacey as a neurasthenic mugger.
The comedy in the film is somewhat uneven, but often extremely engaging, as in a running parody of "Masterpiece Theatre." And compare the spontaneous bravado of Nicholson's lopsided rendition of "Soliloquy" from Carousel (the comic highlight) to the forced quirkiness of Meg Ryan's tone-deaf "Surrey with the Fringe on Top" in When Harry Met Sally...
Meryl Streep and Jack Nicholson play a couple based on Ephron and Carl Bernstein. They meet, marry, settle in Washington, and have children. Streep's wedding-day jitters, it turns out, were amply justified; she discovers an affair between her husband and a social-climbing hostess.
Streep is so luminous and so natural that one may not realize until the end of the film how completely insipid and devoid of any distinguishing qualities her character is. "Rachel" changes from a wan, nervous divorcee (before meeting Nicholson's character) to an obsessively devoted wife and mother who keeps babbling about how happy she is.
Nicholson is well-cast as the rakish but (initially) endearing husband. The supporting cast reflects the expert hand of Juliet Taylor, Woody Allen's longtime casting director, who peppered it with many familiar faces, including Allen favorites Joanna Gleason, Caroline Aaron, and Karen Akers. Maureen Stapleton is particularly droll as Streep's shrink. Nineties audiences will enjoy seeing Kevin Spacey as a neurasthenic mugger.
The comedy in the film is somewhat uneven, but often extremely engaging, as in a running parody of "Masterpiece Theatre." And compare the spontaneous bravado of Nicholson's lopsided rendition of "Soliloquy" from Carousel (the comic highlight) to the forced quirkiness of Meg Ryan's tone-deaf "Surrey with the Fringe on Top" in When Harry Met Sally...