I've always liked to think of myself as an intelligent and sophisticated viewer of both movies and television. I've always prided myself on appreciating films with strong, uncompromising stories. I know what David Lynch is going on about, okay?
The only trouble is that, for some bizarre reason, the sight of Rik Mayall pretending to kick Adrian Edmondson in the groin (accompanied by an over the top crunching sound effect) never, ever fails to make me laugh like an idiot who's just seen an ex-Doctor Who slip over on a banana skin.
So excited was I at Richie and Eddie's leap to the celluloid fantasy of the big screen ('ere, 'ark at 'im) that I arrived an hour and five minutes early. I'd been waiting for the film ever since the first rumours about a year and a half before hand.
With such a build up, how could it leave up to my expectations? Well, I don't know, but it did.
Hysterical laughter ensued right from the off (that's right, I even laughed at the close up of Richie sleeping that starts the film) and didn't stop for, ooh, some time (half way through the ending titles, I think).
As movie sandwiches go, this one had a good spread, but had some very good chunks added to the mixture. Amongst the best were Richie's hysterical laughter/wince inducing 'Candle in the eye' and the scene with Simon Pegg's nipple ring that got a truly amazing reaction from a woman sat near me.
So, I loved it. True, not everybody finds somebody getting a fire extinguisher in the face, or getting trapped in an oven, or all of the other really painful goings on funny, but we don't talk about them.
Any problems? Well...it ended a bit suddenly. It took me a couple of seconds to realize the film was actually over. It did lack Rik and Ade's usual bitter nastiness - just look how many Bottom escapades ended with Richie and Eddie's untimely deaths.
Still, a good note to end on: It's bloody funny. No, bloody bloody funny.
The only trouble is that, for some bizarre reason, the sight of Rik Mayall pretending to kick Adrian Edmondson in the groin (accompanied by an over the top crunching sound effect) never, ever fails to make me laugh like an idiot who's just seen an ex-Doctor Who slip over on a banana skin.
So excited was I at Richie and Eddie's leap to the celluloid fantasy of the big screen ('ere, 'ark at 'im) that I arrived an hour and five minutes early. I'd been waiting for the film ever since the first rumours about a year and a half before hand.
With such a build up, how could it leave up to my expectations? Well, I don't know, but it did.
Hysterical laughter ensued right from the off (that's right, I even laughed at the close up of Richie sleeping that starts the film) and didn't stop for, ooh, some time (half way through the ending titles, I think).
As movie sandwiches go, this one had a good spread, but had some very good chunks added to the mixture. Amongst the best were Richie's hysterical laughter/wince inducing 'Candle in the eye' and the scene with Simon Pegg's nipple ring that got a truly amazing reaction from a woman sat near me.
So, I loved it. True, not everybody finds somebody getting a fire extinguisher in the face, or getting trapped in an oven, or all of the other really painful goings on funny, but we don't talk about them.
Any problems? Well...it ended a bit suddenly. It took me a couple of seconds to realize the film was actually over. It did lack Rik and Ade's usual bitter nastiness - just look how many Bottom escapades ended with Richie and Eddie's untimely deaths.
Still, a good note to end on: It's bloody funny. No, bloody bloody funny.