The 1990s saw an interesting resurgence of very British comedies set in or around the turn of the century, possibly with the success of Merchant-Ivory outings or the universally acclaimed ENCHANTED APRIL. All in all, this one came and went and barely received little more than a nod here and there but proves that good -- even great -- films don't need to be Oscar-touted and have a grandiose feel.
As a matter of fact, like the Irish town of Kilshannon where the story is set, WIDOW'S PEAK is intimate and small scale. It tells the tale of a clique of widows who are all manners, social rules and regulations, led by Mrs. Doyle Couninhan (Joan Plowright in full matriarch mode), presiding over the town like a sinister spider. Miss O'Hare (Mia Farrow) is not a widow but has a past, and this past comes to taunt her once Edwina Broome (Natasha Richardson) comes into town: immediately they rub each other the wrong way and every encounter escalates in intensity, with each of the women put in a position where we sympathize with them at times, and then we don't (since both behave in less than noble ways), which leaves us unsure of where this is all going -- but enjoying the suspenseful ride nevertheless. While reviewing this film could reveal major secrets, it's enough to say that when the pay-off comes around, it's completely satisfying. All three female leads perform their roles without out-shining the other, but for once, Farrow doesn't act like she's an automated mold straight out of the Woody Allen factory of actors. A delicious comedy, one of those small-yet-hidden gems of films that are worth a try, and worth seeing as a companion piece to A MONTH BY THE LAKE.
As a matter of fact, like the Irish town of Kilshannon where the story is set, WIDOW'S PEAK is intimate and small scale. It tells the tale of a clique of widows who are all manners, social rules and regulations, led by Mrs. Doyle Couninhan (Joan Plowright in full matriarch mode), presiding over the town like a sinister spider. Miss O'Hare (Mia Farrow) is not a widow but has a past, and this past comes to taunt her once Edwina Broome (Natasha Richardson) comes into town: immediately they rub each other the wrong way and every encounter escalates in intensity, with each of the women put in a position where we sympathize with them at times, and then we don't (since both behave in less than noble ways), which leaves us unsure of where this is all going -- but enjoying the suspenseful ride nevertheless. While reviewing this film could reveal major secrets, it's enough to say that when the pay-off comes around, it's completely satisfying. All three female leads perform their roles without out-shining the other, but for once, Farrow doesn't act like she's an automated mold straight out of the Woody Allen factory of actors. A delicious comedy, one of those small-yet-hidden gems of films that are worth a try, and worth seeing as a companion piece to A MONTH BY THE LAKE.