A beautiful and moving film. I didn't know what it was about as the trailer didn't reveal much other than the relationship between Nighy and McDonald so I was thinking it was just a gentle love story, a British 'Lost in Translation'.
But what transpired was so much more than that. I thought the way the enormous issue of global poverty and the few people who hold the political power to affect change was dealt with intelligently and sensitively and interwoven poignantly with the strange romance developing between the two leads.
I'm not too familiar with the background of the film but I would hazard a guess that the seeds of the project were sown when Richard Curtis wrote 'Love Actually' which included a subplot where the British PM (Hugh Grant) publicly opposed policies brought forward by the American president (Billy Bob Thornton).
Since 'Love Actually' was a light-hearted romantic comedy, the politics were never elaborated on but I'm sure that 'The Girl in the Cafe' was the opportunity for Curtis to put this topical issue into terms that anyone could understand and empathise with. The timing, of course, is impeccable, with the G8 summit to be held in Scotland within 2 weeks and widespread attention of the summit brought to the masses by Sir Bob Geldof and the simultaneous Live 8 series of concerts.
It goes without saying that the performances of the two leads are spot-on, Bill Nighy is the king of understated pathos as Lawrence and Kelly McDonald is gracious as the mysterious but steely Gina.
The film is shot in (literally) cool locations and makes a fantastic ad for the chilled aloofness that is Reykjavik.
But at the heart of this love story are the nameless, faceless millions who suffer daily and the ease with which this fact is taken as statistic. Africa has never before been on the forefront of social issues as it is today and to anyone who might be under the impression that poverty is an issue for politicians to sort out around the conference table, 'The Girl in the Cafe' is a potent reminder that the power to affect change is more immediate than we might think. Superb.
Make Poverty History
But what transpired was so much more than that. I thought the way the enormous issue of global poverty and the few people who hold the political power to affect change was dealt with intelligently and sensitively and interwoven poignantly with the strange romance developing between the two leads.
I'm not too familiar with the background of the film but I would hazard a guess that the seeds of the project were sown when Richard Curtis wrote 'Love Actually' which included a subplot where the British PM (Hugh Grant) publicly opposed policies brought forward by the American president (Billy Bob Thornton).
Since 'Love Actually' was a light-hearted romantic comedy, the politics were never elaborated on but I'm sure that 'The Girl in the Cafe' was the opportunity for Curtis to put this topical issue into terms that anyone could understand and empathise with. The timing, of course, is impeccable, with the G8 summit to be held in Scotland within 2 weeks and widespread attention of the summit brought to the masses by Sir Bob Geldof and the simultaneous Live 8 series of concerts.
It goes without saying that the performances of the two leads are spot-on, Bill Nighy is the king of understated pathos as Lawrence and Kelly McDonald is gracious as the mysterious but steely Gina.
The film is shot in (literally) cool locations and makes a fantastic ad for the chilled aloofness that is Reykjavik.
But at the heart of this love story are the nameless, faceless millions who suffer daily and the ease with which this fact is taken as statistic. Africa has never before been on the forefront of social issues as it is today and to anyone who might be under the impression that poverty is an issue for politicians to sort out around the conference table, 'The Girl in the Cafe' is a potent reminder that the power to affect change is more immediate than we might think. Superb.
Make Poverty History