This will likely be the most modest review you'll read of this film in the first few pages of a sea of 10s. I nonetheless, am convinced a 7 is the highest the film deserves. Aronofsky creates a unique film about the horrors of four characters spiraling into a chaotic conclusion due drug addiction. However, his reliance on creating an extreme, hyperbolic film undermines the movie's appeal. The film seems to be an example of pushing the boundaries simply for the sake of pushing boundaries, as no real message. It would be similar to calling a horror movie a 'classic' because the director showed a bloody decapitation after bloody decapitation or a romance movie being considered a 'classic' because it has 1/2 hour of real sex. Nonsense. The best films are the ones that leave the gory or gruesome details to the imagination yet leave you with an extraordinary impact and a message. I really got no message from the film which is heavily focused on torturing four miserable characters again and again....and again and again. What's the point? The four main actors in the film are phenomenal. Marlon Wayans surprisingly gives a stunning break out performance for someone known for starring trivial and mediocre pop culture comedies. He may have given the best or second best performance of the four. Jennifer Connelly gives a credible performance as a desperate and loyal girlfriend forced to do unthinkable sex acts. The actors strengths are their modesty and ability to succumb themselves to the most demeaning things possible.
The music of the film is memorable. The film has one main theme song, but it is the most memorable and haunting theme song ever I've ever heard. I downloaded it immediately after the film. The music emphasized the tone of the film.
The major weakness of the film, despite the great acting, are the characters. There's no bones about it, the characters are pure idiots. The fact that they're idiots leaves me little ability to sympathize with them, and I was trying my hardest. Furthermore, despite other reviewers efforts to paint them as "tragic heroes", the main characters are not heroes in any form. It's even a stretch to suggest that they're good people. For instance, Connelly's character initially seduces an older man simply to get money. Leto's character upsets his mother repeatedly by selling her television set. Yes, they all do this to subdue their addiction.. but the term hero cannot be thrown around aimlessly. They're simply dubious protagonists. Yeah, they try to aim to get out of the drug culture and start prosperous lives. The characters have great chemistry with each other, they are somewhat slightly charismatic, but they don't do anything remotely generous or pious in the film to warrant praise as "tragic heroes."
You can watch this film and immediately see the end coming. Part of you naively and helplessly hopes the film takes a sudden right turn into brighter pastures, but that is simply not the case. Aronofonsky might tease you in the beginning, but he brings you to the most overly dramatic conclusion like a car crashing into a brick wall. Ironically, while many critics bashed 'The Passion' for overemphasizing torture and maiming of Christ again and again and again and again over other aspects of Christ (and rightly so, that film has its flaws as well), it surprising these critics praise similar methods of repetitive "how can it get any worse" torture done to rather shady characters nonstop.
I'm not saying this film needed a happy ending to be a good movie. But if it has a tragic ending, it should have a message. If it's just "don't do drugs", than that's a grave disappointment and waste of time for a supposedly deep experimental film.
To his credit, the director utilizes a neat and impressive artistic style known as "hip hop montage." The surreal spinning directing was a doozy but a great asset to the film.
This film I guess is worth a watch once. But once is only time I've seen it, and I'll never sit through that film all the way through again. Period. I'm pretty confident in saying that most of those "10s" people have only seen it once and will make an excuse not to see it again. The only people who will see this film again are overly depressed and eccentric, pessimistic types.... A classic has to be more than a overly nihilistic novelty act.
The music of the film is memorable. The film has one main theme song, but it is the most memorable and haunting theme song ever I've ever heard. I downloaded it immediately after the film. The music emphasized the tone of the film.
The major weakness of the film, despite the great acting, are the characters. There's no bones about it, the characters are pure idiots. The fact that they're idiots leaves me little ability to sympathize with them, and I was trying my hardest. Furthermore, despite other reviewers efforts to paint them as "tragic heroes", the main characters are not heroes in any form. It's even a stretch to suggest that they're good people. For instance, Connelly's character initially seduces an older man simply to get money. Leto's character upsets his mother repeatedly by selling her television set. Yes, they all do this to subdue their addiction.. but the term hero cannot be thrown around aimlessly. They're simply dubious protagonists. Yeah, they try to aim to get out of the drug culture and start prosperous lives. The characters have great chemistry with each other, they are somewhat slightly charismatic, but they don't do anything remotely generous or pious in the film to warrant praise as "tragic heroes."
You can watch this film and immediately see the end coming. Part of you naively and helplessly hopes the film takes a sudden right turn into brighter pastures, but that is simply not the case. Aronofonsky might tease you in the beginning, but he brings you to the most overly dramatic conclusion like a car crashing into a brick wall. Ironically, while many critics bashed 'The Passion' for overemphasizing torture and maiming of Christ again and again and again and again over other aspects of Christ (and rightly so, that film has its flaws as well), it surprising these critics praise similar methods of repetitive "how can it get any worse" torture done to rather shady characters nonstop.
I'm not saying this film needed a happy ending to be a good movie. But if it has a tragic ending, it should have a message. If it's just "don't do drugs", than that's a grave disappointment and waste of time for a supposedly deep experimental film.
To his credit, the director utilizes a neat and impressive artistic style known as "hip hop montage." The surreal spinning directing was a doozy but a great asset to the film.
This film I guess is worth a watch once. But once is only time I've seen it, and I'll never sit through that film all the way through again. Period. I'm pretty confident in saying that most of those "10s" people have only seen it once and will make an excuse not to see it again. The only people who will see this film again are overly depressed and eccentric, pessimistic types.... A classic has to be more than a overly nihilistic novelty act.