3/10
Very One Dimensional Indeed
16 October 2005
I found this a highly disappointing film in that it seems to focus almost entirely on the misogynistic side of Picasso's personality, and his selfish insensitivity towards others. While these aspects of Picasso no doubt existed (his treatment of his children was appalling) the film fails to portray a rounded depiction of the man or what drove him. This very one-dimensional and oblique angled view is no doubt due to the fact that the film is based on the memories of his disillusioned wife, and I am reminded of the book written by Deborah Curtis about her husband the singer Ian Curtis, in which she whines on about the domestic reality of their relationship but offers virtually no insight into his art - which was surely the most interesting thing about him. The problem is that the relationships which these women have with their husbands is based on love and its commitments, and has nothing to do with their art or creativity. The world is full of brutal and misogynistic people, but what makes Picasso interesting is what he created. To make a film about an artist which ignores the inner imagination, psychology, and creative aspect of that person is pointless and uninteresting. Anthony Hopkins offers a fairly convincing performance, but this just isn't enough. For an artist biopic with more depth and substance I recommend Love Is The Devil (about painter Francis Bacon).
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