10/10
A gem among the history of movies
21 April 2006
Warning: Spoilers
Ingmer Bergman's films are usually about what's happening inside the mind of a character, rather than in the outside world, and Wild Strawberries is a classic of the genre.

The story in the conventional sense is almost nonexistent, and I have no qualms about spilling whatever there is. In any case, it's only my version of the story.

A 78-year old doctor is to be honored on the 50th anniversary of his graduation from the university. The old man's day is normally filled either recalling his dreams while asleep, most of them he is unable to comprehend, or day-dreaming about the girl he loved in his youth, who ditched him to marry his brother. It's no different on the day of coronation, when he is traveling to the university accompanied by his daughter-in-law, estranged from his son.

Significantly, he never day-dreams about his wife he lived with till her death. Occasionally, when she does appear in his dreams, he is guilt-ridden to find himself devoid of any feelings for her other than lust.

During the journey, his daughter-in-law confides in him, that his 38-year old son is cold, detached, selfish and vainly principled - traits she observes in him as well as his 95-year old mother they meet on the way. The old man has loaned an undisclosed sum of money to his son, and in spite of son desperately needing money, and old man having no use for it, both father and son insist on returning the money as a matter of principle. Although feeling sorry for his son not enjoying life in his prime, just like himself, he feels himself absolved of any guilt feelings - it's in the genes - and goes back to day-dreaming of the girl he loved but lost.

It's a film pleasing to the senses - B&W cinematography is exceptionally beautiful, the background score is haunting and nostalgic. As a character study of old age, it's pioneering. Ingmer Bergman is one of the purists of the cinema, who has not compromised the least bit in any of his movies. He, along with few others notably Robert Bresson and Werner Herzog, has made cinema the art form within 100 years of its origin. Bergman's Wild Strawberries (and Seventh Seal) are among the gems.
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