Sellar's character's arc from legal beagle to hippie starts slow. Watching the progress requires paying attention to the details in why his quest for Ms. Taylor-Young is so primal (I related), but once the film hits the mid-point (when she sleeps over his place) it makes sharp observations about: wedding planning, the purpose (love vs. guns) behind the social movement of the 60's against "the establishment", and the hilarious effects of accidental recreational drug use.
If you live in Los Angeles, you will appreciate the exterior scenes in the Venice Beach neighborhood and other areas which we frequent in the present world and how much they have/have not changed since the film was made. The ending comment on Sellar's character's choice NOT to walk down the aisle is not entirely plausible (for my taste) as I found "Joyce" a pleasant enough woman to marry and who is 110% in love w/ him.
If you live in Los Angeles, you will appreciate the exterior scenes in the Venice Beach neighborhood and other areas which we frequent in the present world and how much they have/have not changed since the film was made. The ending comment on Sellar's character's choice NOT to walk down the aisle is not entirely plausible (for my taste) as I found "Joyce" a pleasant enough woman to marry and who is 110% in love w/ him.