The Big Bus (1976)
7/10
"Sure, everyone think's it's a snap driving a bus...it's no snap..."
8 July 2006
Is a society that laughs so hard at its own fads humble, narcissistic, or both? This forgotten spoof, four years before "Airplane!," appeared after years of "Airport" and Irwin Allen films, just as disaster movies were being replaced by the Spielberg shockers that started with "Jaws" and led to "Jurassic Park" (X-treme Discovery Channel, but that's another story). Cylops, a nuclear-powered, double-decker, articulated luxury bus (an impressive set of props & sets) finishes development despite sabotage attacks that cripple the specially trained drivers. Venerable driver Dan Torrance (Bologna) is hired as a replacement even though he's in disgrace after a disastrous run in which he was accused of eating his passengers while stranded! The bus's designer, Kitty (Channing) is his former love whom he dumped after cheating on her repeatedly. The film is a mostly unsubtle jab at all-star disaster movies in which subplots are resolved by the characters being forced to find common ground to survive the burning building, burning airship, overturned liner, earthquake, et. al. Scruffy engineer Scotty (Beatty) and a fugitive housewife (Gordon) are openly based on George Kennedy's & Helen Hayes' characters in "Airport," respectively. There are also a failed priest (Auberjonois, spoofing his "MASH" role), an oversexed, vengeful fashion maven (Redgrave), a spoiled, bickering couple celebrating their divorce (Mulligan & Kellerman) and a vet disgraced for experimenting with lapine birth control (Dishy). Shull, as a terminally ill man, parodies Lionel Barrymore in "Grand Hotel," reminding us of how uncomfortably similar that old classic is to "The Towering Inferno." The bus's nemesis is a powerful family (Ferrer & Margolin) who create disasters to destroy technical innovation & are apparently responsible for most disasters, real or fictional, filmed since the 1950s, including the "Titanic." The script is wildly erratic, ranging from comic genius to contrived stupidity. The latter include the opening press conference & the encounter with the pickup truck. But the former include most of the scenes involving the bus, including the one in which Dan deals with a bomb, which was redone dramatically in "Speed" nearly 20 years later. Cyclops has a bowling alley, swimming pool & dining room, all hilariously reduced to dollhouse-size, as well as self-changing tires, an Automatic Washing Mechanism (AWM) and soda-pumping & luggage-ejection features. Despite its contrivances, the story holds together amazingly & even provides real suspense up to the very end. Bologna is a bit hammy as the troubled Bus Captain, but Channing is brilliant, both believable & funny, as the nuclear scientist/love interest. The scene in which she drives while sitting on the lap of unconscious co-driver Shoulders (Beck) is almost enough in itself to make the whole film worthwhile. But Murphy Dunne nearly steals the show as the most offensive lounge piano player ever ("Thank yooou!"). Despite the in-your-face satire, look for some very subtle comic touches like the jab at TV news & the pictures in Iron Man's hall.
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