Like many other posters have stated, I wanted to like this film; it seemed to have a lot going for it (great cast, interesting plot, terrific visuals). So I dug in and stayed through to the end, hoping it would at least come to a satisfying conclusion. Well it didn't. For one thing, it was about 30 minutes too long- from the opening scenes when Tobe (Wood) meets Harlan (Norton) you know two things are guaranteed: they are going to fall in love, and something tragic is going to happen. Problem is, the director throws in so much unnecessary filler (trippy scenes at a club, repetitive family squabbles) that the focus of the story gets off track.
At its heart this film is a character study/slice of life piece. Tobe, a teenage girl rebelling from her overbearing, violent but caring father Wade (David Morse) and Harlan, a wannabe cowboy with childhood abandonment issues who lives in a delusional world, hook up at a gas station; she is immediately smitten with his "aw shucks" attitude and his focus on her. Harlan tries to ingratiate himself into her family life, attempting to smooth things over with dad and befriending her younger brother Lonnie (Rory Culkin in another mesmerizing turn), who has no male role model in his life (he is adopted, and neglected, by Wade). You know things are going to turn sour when these twisted lives intertwine, especially when we see that Harlan likes to act out old Westerns in his room, using real six shooters. Throw in the fact that Tobe's dad is a corrections officer, veteran, and avid gun collector, and it doesn't take a rocket scientist to see that this crush is going to end badly. But when the tragic events finally do unfold, it's not in the manner I expected, nor hoped; plus the finale drags on to the point where I was praying for it to end already (not a good one to watch after midnight).
This one had so much potential, and there WAS a lot to like about the film: the performances were stellar across the board, the cinematography depicted beautiful images of the new San Fernando Valley where it collides with the Old West, and the ideas were ambitious and commendable. But with some editing and a tighter script, this intriguing little indie could have really been a keeper.
At its heart this film is a character study/slice of life piece. Tobe, a teenage girl rebelling from her overbearing, violent but caring father Wade (David Morse) and Harlan, a wannabe cowboy with childhood abandonment issues who lives in a delusional world, hook up at a gas station; she is immediately smitten with his "aw shucks" attitude and his focus on her. Harlan tries to ingratiate himself into her family life, attempting to smooth things over with dad and befriending her younger brother Lonnie (Rory Culkin in another mesmerizing turn), who has no male role model in his life (he is adopted, and neglected, by Wade). You know things are going to turn sour when these twisted lives intertwine, especially when we see that Harlan likes to act out old Westerns in his room, using real six shooters. Throw in the fact that Tobe's dad is a corrections officer, veteran, and avid gun collector, and it doesn't take a rocket scientist to see that this crush is going to end badly. But when the tragic events finally do unfold, it's not in the manner I expected, nor hoped; plus the finale drags on to the point where I was praying for it to end already (not a good one to watch after midnight).
This one had so much potential, and there WAS a lot to like about the film: the performances were stellar across the board, the cinematography depicted beautiful images of the new San Fernando Valley where it collides with the Old West, and the ideas were ambitious and commendable. But with some editing and a tighter script, this intriguing little indie could have really been a keeper.