It took an infinity of imagination to make The Dark Crystal, a film so overflowing with invention that you literally have to watch it about 100 times just to take it all in. Everyone involved, from the director to the best boy gave the film such loving affection and made it the best it could possibly be. Kid's movies (if you want to call it that) these days simply are not what they used to be and probably never will be again. This is yet another thing that makes The Dark Crystal so damn precious.
The film is set in another world, in another time in an age of wonder. It has been 999 years and 1 year since the powerful, life-giving crystal cracked and stopping shining. Since then the land has become barren and the Urskeks (a race of God-like beings) have split into two separate races, the peaceful Uru 'Mystics' and the evil Skeksis-a horrific cross between bird and reptile. The three suns that shine upon the land are about to line up in a great conjunction that only happens once every 1000 years. If the crystal is not repaired before then the cruel Skeksis will rule the land forever.
Jen is a Gelfling (a sort of fairy creature), believed to be the last of his race. A prophecy tells of a single Gelfling defeating the Skeksis and restoring peace to the land. Raised by the Uru, Jen begins a journey to repair the crystal when the Skeksis Emperor dies (in a truly disturbing scene). On his way he meets Aughra, a sort of witch creature and Kira, another Gelfling and her race of Podling people (sort of like Fraggles). Though there is no specific love scene between them, there is a very nice romance developing through-out the story.
Filmed in gorgeous locations across England and Scotland (with the use of a lot of matte paintings of course) the film really, really does take you to another world. There's not a single human in sight (a perfect world or what) and, with exception to the awful Skeksis, almost every creature is cute and fluffy (such as Kira's Fizzgig). The production design, in particular the genius contributions by Brian Froud, is so immense and impressive that you wish you could jump through the screen and actually be there in order to appreciate it more.
Trevor Jones' breathtaking, beautiful score is among his best work (tying with Merlin in 1998) and is surely some of the best film music you are ever likely to hear. Ever! There was a limited edition of the score put on CD a few years ago but only 5000 were ever printed. It's sure to be quite expensive now but it's so goddamn worth it! Henson, Oz and Froud teamed up again a few years later to make Labyrinth which seems to be more fondly remembered as it's not as sinister as The Dark Crystal and has human actors in it to make it more accessible to those with narrower minds. I prefer this one though (no fruity songs, no David Bowie!) as it has a certain edge to it that Labyrinth lacks.
An epic. A masterpiece. An unforgettable classic. The Dark Crystal is magical, mystical timeless classic. I can't recommend it enough. If only we still had movies like this. I'll take risk-taking The Dark Crystal over PC drek like The Shaggy Dog any day.
The film is set in another world, in another time in an age of wonder. It has been 999 years and 1 year since the powerful, life-giving crystal cracked and stopping shining. Since then the land has become barren and the Urskeks (a race of God-like beings) have split into two separate races, the peaceful Uru 'Mystics' and the evil Skeksis-a horrific cross between bird and reptile. The three suns that shine upon the land are about to line up in a great conjunction that only happens once every 1000 years. If the crystal is not repaired before then the cruel Skeksis will rule the land forever.
Jen is a Gelfling (a sort of fairy creature), believed to be the last of his race. A prophecy tells of a single Gelfling defeating the Skeksis and restoring peace to the land. Raised by the Uru, Jen begins a journey to repair the crystal when the Skeksis Emperor dies (in a truly disturbing scene). On his way he meets Aughra, a sort of witch creature and Kira, another Gelfling and her race of Podling people (sort of like Fraggles). Though there is no specific love scene between them, there is a very nice romance developing through-out the story.
Filmed in gorgeous locations across England and Scotland (with the use of a lot of matte paintings of course) the film really, really does take you to another world. There's not a single human in sight (a perfect world or what) and, with exception to the awful Skeksis, almost every creature is cute and fluffy (such as Kira's Fizzgig). The production design, in particular the genius contributions by Brian Froud, is so immense and impressive that you wish you could jump through the screen and actually be there in order to appreciate it more.
Trevor Jones' breathtaking, beautiful score is among his best work (tying with Merlin in 1998) and is surely some of the best film music you are ever likely to hear. Ever! There was a limited edition of the score put on CD a few years ago but only 5000 were ever printed. It's sure to be quite expensive now but it's so goddamn worth it! Henson, Oz and Froud teamed up again a few years later to make Labyrinth which seems to be more fondly remembered as it's not as sinister as The Dark Crystal and has human actors in it to make it more accessible to those with narrower minds. I prefer this one though (no fruity songs, no David Bowie!) as it has a certain edge to it that Labyrinth lacks.
An epic. A masterpiece. An unforgettable classic. The Dark Crystal is magical, mystical timeless classic. I can't recommend it enough. If only we still had movies like this. I'll take risk-taking The Dark Crystal over PC drek like The Shaggy Dog any day.