Miracle Mile (1988)
10/10
A nuclear assault on the senses.
9 June 2007
Warning: Spoilers
In the late 80s, I, along with a couple of like-minded friends, would frequent all night horror film festivals. Over a period of a couple of years, we saw movies featuring psychos, monsters, serial killers, zombies, cannibals, and aliens, and witnessed all manner of unspeakable ways to die, but, for me, perhaps one of the most horrifying films was Miracle Mile. It featured no toothy critters or undead ghouls and there were no lunatics brandishing power tools, but it managed to scare the hell out of me.

Starring a young Anthony Edwards and Mare Winningham, and directed by the virtually unknown Steve De Jarnatt, this taut thriller is suspenseful, action packed, romantic, and heart-breaking. If you thought that Shakespeare was the last word in tragedy, then think again!

Edwards plays 30 year old Harry Washello, a trombone player who finally meets the girl of his dreams, waitress Julie Peters (Winningham). Harry arranges to meet Julie at the end of her late night shift at a roadside diner, but misses the date after his alarm fails to go off. Arriving three hours late, he calls Julie (who has long gone home) to apologise; then, as he is standing outside the diner buying a paper, the phone in the nearby booth begins to ring. Harry answers the call.

The frantic voice of a man reveals that World War 3 is imminent; nuclear missiles are on their way. At first Harry thinks it is a prank, but he eventually becomes convinced that it is indeed a genuine call, intended as a warning to the caller's father, but thanks to an incorrectly dialled number, now a cause of panic for poor Harry.

With only an hour to go, can he find Julie and escape to safety, or will they both die in an atomic blast?

As the movie's protagonist frantically attempts to locate his new love, we are introduced to several other characters who all become inextricably involved in his plight. With the clock ticking, the tension is wound to breaking point, as all manner of obstacles get in his way. And all the while, De Jarnatt toys with his audience, never quite letting on whether Armageddon is genuinely on its way, or whether Harry has got matters slightly confused.

Until the end, that is. The shocking, depressing, totally downbeat end.

Wonderfully inventive, well acted, brilliantly directed, with a great score by Tangerine Dream, Miracle Mile is a fine example of how to create a masterpiece on a low budget.
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