The Big Lebowski is perhaps the most surreal film from the Coen brothers, who have made their careers on surreal, dark comedies. There are numerous diversions, but the main plot is a take on ransom films. The film would have been a massive failure if not for some key performances. Jeff Bridges is The Dude, a.k.a. Jeff Lebowski, who is mistaken for a millionaire of the same name whose wife owes money to a pornographer. The Dude is an unemployed layabout who bowls with his two friends Walter and Donny. Walter is played by John Goodman, who portrays the character as a short-tempered Vietnam vet who uses his military service to justify his behavior. He constantly yells at Donny (Steve Buscemi) for no real reason, and waves guns at minor bowling infractions. The Dude finds himself caught up in the Big Lebowski's ransom as the millionaire hires him to give the ransom to the kidnappers. The millionaire's aide is Phillip Seymour Hoffman, who plays a sycophantic named Brandt. Hoffman is the third most enjoyable character in the film, with his forced laugh and yes-man lines.
The simple ransom goes horribly wrong and the plot gets ever more complex as more characters are added. This one of a few comedies that warrants multiple viewings just to understand it. There are enough quotable lines to be entertaining upon first watch but you have to see it again to discern the genius of the plot turns.
The dream sequences take away from the film as they are too long and don't really move the movie forward or even introduce a side-plot. Still, the film is one of the best Coen films (not as great as Fargo, but what is?) and it remains a cult classic and one of the best comedies ever made.
The simple ransom goes horribly wrong and the plot gets ever more complex as more characters are added. This one of a few comedies that warrants multiple viewings just to understand it. There are enough quotable lines to be entertaining upon first watch but you have to see it again to discern the genius of the plot turns.
The dream sequences take away from the film as they are too long and don't really move the movie forward or even introduce a side-plot. Still, the film is one of the best Coen films (not as great as Fargo, but what is?) and it remains a cult classic and one of the best comedies ever made.