How does one define oddness? I'd suggest by starting with two words: Peter Greenaway. You can also use those two words to define "Unique cinema visions," "total control," "beautiful views" and "don't mess with me." Greenaway is his own world, and you're either eager for a visit or you'll insist on staying off the space ship. I'd suggest you prepare for your visit by packing away any compulsion you might have to explain things...such as his meaning, his importance...all those categories, lists and twos of things...and your own squeamishness. "I don't make pictures that have a sell-by date," Greenaway once said. That's especially true of A Zed and Two Noughts, where a good many of the things we'll see have long passed their sell-by date.
We start the movie with a double death in a car crash by a zoo...death by swan on a lane called Swan's Way. The wives of our two zoologists may be gone, but their husbands, twins and formerly joined twins Oswald and Oliver Deuce, will lead us on an exploration of grief and decay, illustrated by their stop motion movies. We will meet a beautiful amputee, soon to have her remaining leg off by a mad surgeon, probably for issues of symmetry. In addition to wet decay, we'll enjoy vomiting, frontal nudity, Vermeer, Greenaway's magnificent color palette, black and white animals, a white mare named Hortense, several interesting fetishes, plus the movie's unique chapter headings: Mercury, Apple, Prawn, Fish, Crocodile, Swan, Dog, Zebra and Escargot. Black comedy, indeed.
I'll admit I don't think I understood a thing about A Zed and Two Noughts. I started to read what some critics and fans have offered by way of analysis and found much of what they had to say, from my point of view, largely incomprehensible, too detailed or too dull. Greenaway is chilly, controlling and all about style layered heavily on top of substance. He can make Stanley Kubrick look loosey-goosey. I found a Zed and Two Noughts, in a perverse kind of way, enjoyable. I suspect that's because Greenaway comes up with such odd, intriguing and often disturbing visions. They can almost make you forget what the devil he's getting at. For me, Prospero's Books is a perfect blend of style and story; The Cook, the Thief, His Wife and Her Lover is an almost perfect match of style and story; The Draughtsman's Contract is an amusing overlay of manners, murder, style and story. But A Zed and Two Noughts? Well, I found it chilly, sometimes uninvolving and often amusing. I enjoyed it, more or less, most of the time. (I occasionally used the fast-forward button). If ten people can tell me what the movie means, beyond the old standbys of death, grief and snails, I'll bet I'll read ten wildly different opinions. That's no particular criticism of either Greenaway or the film.
We start the movie with a double death in a car crash by a zoo...death by swan on a lane called Swan's Way. The wives of our two zoologists may be gone, but their husbands, twins and formerly joined twins Oswald and Oliver Deuce, will lead us on an exploration of grief and decay, illustrated by their stop motion movies. We will meet a beautiful amputee, soon to have her remaining leg off by a mad surgeon, probably for issues of symmetry. In addition to wet decay, we'll enjoy vomiting, frontal nudity, Vermeer, Greenaway's magnificent color palette, black and white animals, a white mare named Hortense, several interesting fetishes, plus the movie's unique chapter headings: Mercury, Apple, Prawn, Fish, Crocodile, Swan, Dog, Zebra and Escargot. Black comedy, indeed.
I'll admit I don't think I understood a thing about A Zed and Two Noughts. I started to read what some critics and fans have offered by way of analysis and found much of what they had to say, from my point of view, largely incomprehensible, too detailed or too dull. Greenaway is chilly, controlling and all about style layered heavily on top of substance. He can make Stanley Kubrick look loosey-goosey. I found a Zed and Two Noughts, in a perverse kind of way, enjoyable. I suspect that's because Greenaway comes up with such odd, intriguing and often disturbing visions. They can almost make you forget what the devil he's getting at. For me, Prospero's Books is a perfect blend of style and story; The Cook, the Thief, His Wife and Her Lover is an almost perfect match of style and story; The Draughtsman's Contract is an amusing overlay of manners, murder, style and story. But A Zed and Two Noughts? Well, I found it chilly, sometimes uninvolving and often amusing. I enjoyed it, more or less, most of the time. (I occasionally used the fast-forward button). If ten people can tell me what the movie means, beyond the old standbys of death, grief and snails, I'll bet I'll read ten wildly different opinions. That's no particular criticism of either Greenaway or the film.