Richard Widmark {Capt. Adam Jones} stars in this Cold War thriller as the leader of a submarine expedition to the frozen depths of Alaska. His mission is to thwart the communist Chinese who are intent on kick starting World War 3.
Hell and High Water is one of the multitude of pictures that serve only as studio efforts made for made's sake. Take your leading actor, surround them with jobbing actors, and mold a picture together as best as you can. Sometimes a film can break free of its B and C movie roots to truly surprise, but others flounder to only serve as time fillers on terrestrial television. This film falls some where in between the two, not particularly bad exactly, but outside of a couple of tight sequences, not necessarily good either.
It was actually in premise, building up to be a promising film. Then we see a shapely pair of legs coming down the submarine stairs and we just know that this film will lose its edge, and sadly, where it's all going to end up. The insistence of many writers and film makers to shoe horn in a love interest in the grittiest of places rarely works, and here it most assuredly doesn't either. Not that Bella Darvi {owner of those shapely legs} is poor or is at fault for the film being average, it just takes the film in a direction that it didn't need to go. Tension is built up, with one face off submarine sequence being particularly hold your breath inducing, but the preposterous romantic angle on a submarine death mission is badly misplaced.
Tidy but unmemorable, and cribbing from Crash Dive released eleven years earlier, it's probably one for Widmark purists only. 5/10
Hell and High Water is one of the multitude of pictures that serve only as studio efforts made for made's sake. Take your leading actor, surround them with jobbing actors, and mold a picture together as best as you can. Sometimes a film can break free of its B and C movie roots to truly surprise, but others flounder to only serve as time fillers on terrestrial television. This film falls some where in between the two, not particularly bad exactly, but outside of a couple of tight sequences, not necessarily good either.
It was actually in premise, building up to be a promising film. Then we see a shapely pair of legs coming down the submarine stairs and we just know that this film will lose its edge, and sadly, where it's all going to end up. The insistence of many writers and film makers to shoe horn in a love interest in the grittiest of places rarely works, and here it most assuredly doesn't either. Not that Bella Darvi {owner of those shapely legs} is poor or is at fault for the film being average, it just takes the film in a direction that it didn't need to go. Tension is built up, with one face off submarine sequence being particularly hold your breath inducing, but the preposterous romantic angle on a submarine death mission is badly misplaced.
Tidy but unmemorable, and cribbing from Crash Dive released eleven years earlier, it's probably one for Widmark purists only. 5/10