Andy Hardy may have been the shining member of his class in Carvel, but when his family goes to New York with the Judge on business, he finds he can't take it on as he did the less sophisticated people in his home town. He has lied to his girlfriend Polly that he has made friends with a rising young New York débutante named Daphne Fowler (Diana Lewis). She expects evidence or will put a doctored picture of Daphne and Andy on the school's newspaper. I guess Polly had access to some pre-historic version of photo shop because she sends him a copy of the cover she intends to use unless he comes back with proof. In New York, Andy runs into old pal Betsy Booth (Judy Garland) whom he still considers a little girl. But two years have turned Betsy into a lovely teenaged girl and she has moved gracefully out of adolescence into being rather sophisticated herself. She looks like Jane Wyman in the later "Lost Weekend" in her leopard coat and hat. Of course, she still gets two songs belittling her attempts to find romance-"Alone" and "I'm Nobody's Baby". She adds some comic twists to the first song in order to get Andy's attention, and finally does when she starts swingin' to the latter. Andy finally opens his eyes to what he has been missing and sees his feelings for the débutante for the infatuation it was.
As far as the other Hardy's, Andy and Marian don't argue all that much in this one which is a nice omission from the previous films, and Fay Holden's ma finally is the more gentle "would you care for more pie?" type mom rather than the lightly nagging wife she was in the beginning of the series. Sara Haden is back as Aunt Millie although she doesn't appear in the opening credits. She is actually more sympathetic to Andy than his parents are, while some of Lewis Stone's fatherly advice is laughably preachy. French born George P. Breakston is the little boy (whom Andy first assumes is a little girl) who is used in a silly plot twist involving Judge Hardy's attempts to keep funding for the Carvel orphanage from being stopped.
I can't highly recommend this film other than for die-hard Judy fans. It's another MGM moral lesson from Louis B. Mayer's one-sided mind of what the American family should be, never has been, and never could be. The saving grace in this aspect of the film is that Andy does get himself into a shopping cart load of trouble and is less than the peppy All-American teenager Andy was in his home town. Look for references and a photo of Lana Turner's character Cynthia, who is mentioned several times, and referenced to no longer living in town.
As far as the other Hardy's, Andy and Marian don't argue all that much in this one which is a nice omission from the previous films, and Fay Holden's ma finally is the more gentle "would you care for more pie?" type mom rather than the lightly nagging wife she was in the beginning of the series. Sara Haden is back as Aunt Millie although she doesn't appear in the opening credits. She is actually more sympathetic to Andy than his parents are, while some of Lewis Stone's fatherly advice is laughably preachy. French born George P. Breakston is the little boy (whom Andy first assumes is a little girl) who is used in a silly plot twist involving Judge Hardy's attempts to keep funding for the Carvel orphanage from being stopped.
I can't highly recommend this film other than for die-hard Judy fans. It's another MGM moral lesson from Louis B. Mayer's one-sided mind of what the American family should be, never has been, and never could be. The saving grace in this aspect of the film is that Andy does get himself into a shopping cart load of trouble and is less than the peppy All-American teenager Andy was in his home town. Look for references and a photo of Lana Turner's character Cynthia, who is mentioned several times, and referenced to no longer living in town.