8/10
Pure visual poetry
20 August 2011
Warning: Spoilers
Pedro Almodovar has brought his famous visual flair and panache to perfection in La piel que habito. Few directors have such a distinct style as Almodovar. Bright colours, carefully designed sets, beautiful people in weird, over-the-top situations, unconventional relationships, and a sense for detail worthy of a true perfectionist. It's all there in this film, and better than ever. The story is intriguing enough to keep you on the edge of your seat, with some crazy twists that only Almodovar can come up with. The cinematography is excellent, with some scenes that are pure visual poetry. Make sure to enjoy the scene where Vera tears her dresses apart and removes the pieces with a vacuum cleaner, or the way Almodovar films the murder scene with the camera looking down from the ceiling, or the close-up of Vera's feet wriggling in the black skin-tight socks. There's so much to admire and enjoy.

The film stars Antonio Banderas, who renews his cooperation with Almodovar: the last time the two worked together was in Atame from 1990. Banderas is a rich surgeon who has developed a new sort of artificial skin, and turns out to be a creep who thinks he has the right to literally mold people to his taste and preferences. Banderas plays this man in a properly emotionless way. The very demanding role of Vera is played by Elena Anaya, of 'Lucia y el sexo'-fame, who also played a part in Almodovar's 'Hable con ella'.

In some reviews this film is called a horror-movie. That's a very misleading description. There are hardly any horror elements, there even is very little blood. The only way to describe it, is as a typical Almodovar-movie. This director has created a genre of his own.
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