First of all, to watch this movie and get anything out of it, one has to set aside the jadedness of 2012, and go back to the perhaps more innocent times of 1944. Yes, World War II was raging, but society was different, and this movie was a product of that society. It's a simple, rather hopeful movie, filled with basically decent characters who perhaps have to have their hearts and souls stirred to connect with that decency. It's up to Father O'Malley (Bing Crosby) to find that innate decency in all of them and to bring it out.
Essentially the movie revolves around the sometimes tense relationship between O'Malley and Father Fitzgibbon (Barry Fitzgerald.) Fitzgibbon has been the parish priest of St. Dominic's for 45 years, and now things aren't going well. The church is in financial trouble and is in danger of defaulting on its mortgage. The bishop sends O'Malley in to take charge - but without upsetting Fitzgibbon by telling him that O'Malley is in charge - a rather delicate balancing act. Along the way, O'Malley deals with the church busybody, a gang of street boys, a wayward young woman and the holder of the mortgage, and he reconnects with some old friends along the way.
There was maybe a little bit too much going on. I realize that in all of these interactions the theme of O'Malley helping the various characters turn their lives around and develop heart and soul is present - perhaps, though, we didn't need so many story lines to keep hammering the theme away at us. Yes, I know I argued that we have to let go of jadedness, but this does seem somewhat unbelievable. For example, I doubt that - even in 1944 (except in Hollywood) - it would have been so easy to turn a boys' street gang into a church choir! Having said that, it's a nice movie to watch.
It's most famous I suppose for its 10 Oscar nominations (and 7 wins - including Best Picture.) I honestly don't see it as being that good. In fact, I enjoyed it less than its sort of sequel in 1947 - "The Bells of St. Mary's," in which Bing Crosby reprised the role of Father O'Malley. That movie, I thought, was more focused; this one seemed to wander a bit much. It's also noteworthy for 2 of its nominations in particular - Barry Fitzgerald was nominated for both Best Actor (which Crosby won) and Best Supporting Actor (which Fitzgerald took)! That had never happened before and it can never happen again, because the Academy changed the rules afterward to prevent an actor from being nominated for two awards for the same role, so it's a noteworthy bit of background to the movie.
I thought the movie was surprisingly (and I'm sure unintentionally) honest in having music producer Max Dolan (played by William Frawley) reject O'Malley's song "Going My Way." As the title song of the movie, I really didn't think it was that good either! The tug at your heartstrings moment at the very end of the movie (which I won't give away) worked surprisingly well. It was emotional - and I didn't see it coming. I like being taken by surprise, so a point for that! If I thought that the movie itself was a bit overrated, I thought that Crosby and Fitzgerald were both quite good in their respective roles. It's a little bit too long (probably because it does seem to lose its essential focus by trying to follow too many of O'Malley's relationships) but it's a pleasant, enjoyable film. (6/10)
Essentially the movie revolves around the sometimes tense relationship between O'Malley and Father Fitzgibbon (Barry Fitzgerald.) Fitzgibbon has been the parish priest of St. Dominic's for 45 years, and now things aren't going well. The church is in financial trouble and is in danger of defaulting on its mortgage. The bishop sends O'Malley in to take charge - but without upsetting Fitzgibbon by telling him that O'Malley is in charge - a rather delicate balancing act. Along the way, O'Malley deals with the church busybody, a gang of street boys, a wayward young woman and the holder of the mortgage, and he reconnects with some old friends along the way.
There was maybe a little bit too much going on. I realize that in all of these interactions the theme of O'Malley helping the various characters turn their lives around and develop heart and soul is present - perhaps, though, we didn't need so many story lines to keep hammering the theme away at us. Yes, I know I argued that we have to let go of jadedness, but this does seem somewhat unbelievable. For example, I doubt that - even in 1944 (except in Hollywood) - it would have been so easy to turn a boys' street gang into a church choir! Having said that, it's a nice movie to watch.
It's most famous I suppose for its 10 Oscar nominations (and 7 wins - including Best Picture.) I honestly don't see it as being that good. In fact, I enjoyed it less than its sort of sequel in 1947 - "The Bells of St. Mary's," in which Bing Crosby reprised the role of Father O'Malley. That movie, I thought, was more focused; this one seemed to wander a bit much. It's also noteworthy for 2 of its nominations in particular - Barry Fitzgerald was nominated for both Best Actor (which Crosby won) and Best Supporting Actor (which Fitzgerald took)! That had never happened before and it can never happen again, because the Academy changed the rules afterward to prevent an actor from being nominated for two awards for the same role, so it's a noteworthy bit of background to the movie.
I thought the movie was surprisingly (and I'm sure unintentionally) honest in having music producer Max Dolan (played by William Frawley) reject O'Malley's song "Going My Way." As the title song of the movie, I really didn't think it was that good either! The tug at your heartstrings moment at the very end of the movie (which I won't give away) worked surprisingly well. It was emotional - and I didn't see it coming. I like being taken by surprise, so a point for that! If I thought that the movie itself was a bit overrated, I thought that Crosby and Fitzgerald were both quite good in their respective roles. It's a little bit too long (probably because it does seem to lose its essential focus by trying to follow too many of O'Malley's relationships) but it's a pleasant, enjoyable film. (6/10)