Vicky Arora (Ayushmann Khurana) is an aimless and jobless Delhi boy. He is persuaded by Dr Baldev Chaddha (Annu Kapoor), an infertility clinic owner to become a sperm donor that could help childless couples. After much resistance, he finally agrees to the act to earn some easy money. Soon he makes a fortune out of his potent attribute. He also marries the love of his life Ashima (Yaami Gautam) but things take a drastic turn when she comes to know about his covert contributions to the sperm bank.
Vicky Donor comes with a fresh story. Call it a love story on the backdrop of sperm donation or a film about sperm donation with a love story within - the writing by Juhi Chaturvedi seamlessly integrates the two elements to come up with a wholesome entertainer. Further director Shoojit Sircar flawlessly catches the pulse of Delhi and the drama in the narrative.
While the film lightly touches on the theme of the shortage of sperm donors and the social stigma attached to the act (unlike blood or organ donations), it intentionally refrains from being an issue-based cinema. Vicky's initial opposition to the idea aptly brings out the average apprehensions and his consequent consent reveals the monetary motives behind the act.
The love story between the lead pair that starts off on a flirtatious note but soon translates into an amiable affair, brings a sublime smile on your face throughout. The romance is refreshing and the chemistry between the couple is hot-n-happening. Soon the love affair of the cross-cultural couple gets into the 'Two States' zone. The film takes an unapologetic look at the culture characteristics (or call it clichés) of the Punjabi boy and Bengali girl and the divergent divide expressed in the sequence of scenes that lead to their matrimony is absolutely uproarious.
But beyond having a splendid sense of humour, the film also has a very poignant side to it. The fact that Vicky's fervent fertility isn't of any productive use to himself is where the film defines a strong contrasting conflict in the narrative. Since the couple's camaraderie was so sizzling, you feel the pinch as they part ways. Further Sircar successfully defines and distinguishes emotions, elucidating how the point of marital discord between the couple is not merely mistrust but insecurity. The climax comes across as convenient though isn't unconvincing.
The pacing is fast and the multiple-montage crisp editing never lets you lose the narrative. The dialogues vary from the quirky to the well- worded conversations and contribute immensely to the humour quotient. The music is peppy and goes smoothly with the flow of the film.
Vicky Donor is what it is primarily for the livewire energy of Vicky played by Ayushmann Khurana. The actor is so natural that it never seems he's acting but rather gliding through the role. He is a pro at both the comedy and emotional scenes. Given the right roles, Ayushmann has the potential to be the next big thing in Bollywood. Yaami Gautam is absolutely ravishing and captivates with her unending charm. The beauty also reflects in her performance. The supporting cast is blessed with quirky yet relatable characterizations. Annu Kapoor as the desperate doctor is brilliant and incites most laughs. Dolly Ahluwalia as the hyperactive Punjabi mother is superlative and such a pleasant change from the regular prototypes. Kamlesh Gill as the modern grandma who shares a drink with her daughter-in-law and aspires for iphones and LED TVs is another fabulous characterization and a fantabulous actor. Jayanta Das as the girl's Bengali father is as much amusing.
Vicky Donor comes with a fresh story. Call it a love story on the backdrop of sperm donation or a film about sperm donation with a love story within - the writing by Juhi Chaturvedi seamlessly integrates the two elements to come up with a wholesome entertainer. Further director Shoojit Sircar flawlessly catches the pulse of Delhi and the drama in the narrative.
While the film lightly touches on the theme of the shortage of sperm donors and the social stigma attached to the act (unlike blood or organ donations), it intentionally refrains from being an issue-based cinema. Vicky's initial opposition to the idea aptly brings out the average apprehensions and his consequent consent reveals the monetary motives behind the act.
The love story between the lead pair that starts off on a flirtatious note but soon translates into an amiable affair, brings a sublime smile on your face throughout. The romance is refreshing and the chemistry between the couple is hot-n-happening. Soon the love affair of the cross-cultural couple gets into the 'Two States' zone. The film takes an unapologetic look at the culture characteristics (or call it clichés) of the Punjabi boy and Bengali girl and the divergent divide expressed in the sequence of scenes that lead to their matrimony is absolutely uproarious.
But beyond having a splendid sense of humour, the film also has a very poignant side to it. The fact that Vicky's fervent fertility isn't of any productive use to himself is where the film defines a strong contrasting conflict in the narrative. Since the couple's camaraderie was so sizzling, you feel the pinch as they part ways. Further Sircar successfully defines and distinguishes emotions, elucidating how the point of marital discord between the couple is not merely mistrust but insecurity. The climax comes across as convenient though isn't unconvincing.
The pacing is fast and the multiple-montage crisp editing never lets you lose the narrative. The dialogues vary from the quirky to the well- worded conversations and contribute immensely to the humour quotient. The music is peppy and goes smoothly with the flow of the film.
Vicky Donor is what it is primarily for the livewire energy of Vicky played by Ayushmann Khurana. The actor is so natural that it never seems he's acting but rather gliding through the role. He is a pro at both the comedy and emotional scenes. Given the right roles, Ayushmann has the potential to be the next big thing in Bollywood. Yaami Gautam is absolutely ravishing and captivates with her unending charm. The beauty also reflects in her performance. The supporting cast is blessed with quirky yet relatable characterizations. Annu Kapoor as the desperate doctor is brilliant and incites most laughs. Dolly Ahluwalia as the hyperactive Punjabi mother is superlative and such a pleasant change from the regular prototypes. Kamlesh Gill as the modern grandma who shares a drink with her daughter-in-law and aspires for iphones and LED TVs is another fabulous characterization and a fantabulous actor. Jayanta Das as the girl's Bengali father is as much amusing.