Macbeth is one of Shakespeare's finest plays, and this is a most wonderful version of it. I know that some have disliked the sets, finding them too dark and bare, I can see why, there are more interesting sets elsewhere in regard to productions of this play. But I found that the austerity was fitting with the gloomy tone of the play. Besides despite their look, they are made somewhat interesting by the lighting, which throughout with the light and dark contrasts is very atmospheric. The Witches scenes and the sleepwalking scene are lit brilliantly, but the one that stood out was when Macbeth greeted Duncan, the greens and reds was almost like a reference to what was going to happen later. I found it very foreboding and subtle, yet never predictable either. The costumes are acceptable, and again fitting with the play's tone. There are more traditional ones out there, but also much uglier ones. The camera work is unobtrusive and skillful.
The dialogue is as ever brilliant, poetic yet haunting. The stage direction is suitably intense, the Witches scene in Act 4 is chilling as it should be, the Act 4 English scene is very strongly acted and moving and the banqueting scene doesn't fall into the danger of being misconceived. The music is very well-incorporated and quite haunting, yet it is never over-bearing. The acting is really magnificent. The Witches do give you chills(one is younger than the other two but this really did work), Bob Peck is a poignant MacDuff, John Woodvine commands with authority as Banquo-especially in the "Stop, take my sword" speech and in his ghost guise in the banqueting scene- and Ian McDiarmid brings some well-timed comedy amidst the gloom as the Porter. His Ross is also very memorable and very conflicted, more so than I remember the character being. What makes or breaks a Macbeth production(or any production in general) is the quality of the two leads.
You cannot ask for a better Macbeth or Lady Macbeth. Ian McKellen has so much intensity in his line delivery- just listen to the famous "Is This a dagger I see before me" soliloquy- and his descent from loyal to indifferent, hubristic madness chills and moves. In regard to the latter, I did find his "Out, Out, brief candle" extraordinarily moving, after seeing actors sounding as though they are just reading this particular part, it was a joy to actually see and hear McKellen live it. It more than makes up for his perhaps too warm(in features) face, which is more a nitpick and hardly an issue when the actual performance was so good. Judi Dench's Lady Macbeth is both fragile and blood-curdling, while she relishes phrases like "murd'ring ministers" as she prays to lose all womanhood she is at her best in the sleepwalking scene. Her harrowing scream is truly unforgettable. The two are just as effective together in their conspiring, exuding sexual passion and increasing intensity.
Overall, a Macbeth to remember. 10/10 Bethany Cox
The dialogue is as ever brilliant, poetic yet haunting. The stage direction is suitably intense, the Witches scene in Act 4 is chilling as it should be, the Act 4 English scene is very strongly acted and moving and the banqueting scene doesn't fall into the danger of being misconceived. The music is very well-incorporated and quite haunting, yet it is never over-bearing. The acting is really magnificent. The Witches do give you chills(one is younger than the other two but this really did work), Bob Peck is a poignant MacDuff, John Woodvine commands with authority as Banquo-especially in the "Stop, take my sword" speech and in his ghost guise in the banqueting scene- and Ian McDiarmid brings some well-timed comedy amidst the gloom as the Porter. His Ross is also very memorable and very conflicted, more so than I remember the character being. What makes or breaks a Macbeth production(or any production in general) is the quality of the two leads.
You cannot ask for a better Macbeth or Lady Macbeth. Ian McKellen has so much intensity in his line delivery- just listen to the famous "Is This a dagger I see before me" soliloquy- and his descent from loyal to indifferent, hubristic madness chills and moves. In regard to the latter, I did find his "Out, Out, brief candle" extraordinarily moving, after seeing actors sounding as though they are just reading this particular part, it was a joy to actually see and hear McKellen live it. It more than makes up for his perhaps too warm(in features) face, which is more a nitpick and hardly an issue when the actual performance was so good. Judi Dench's Lady Macbeth is both fragile and blood-curdling, while she relishes phrases like "murd'ring ministers" as she prays to lose all womanhood she is at her best in the sleepwalking scene. Her harrowing scream is truly unforgettable. The two are just as effective together in their conspiring, exuding sexual passion and increasing intensity.
Overall, a Macbeth to remember. 10/10 Bethany Cox