Black Angel (1946)
7/10
Duryea goes on a bender
4 May 2013
Not too many people are going to mourn the passing of Constance Dowling who by all accounts was a two timing blackmailer. John Phillips has drifted into an affair with her and she's making him pay big time. So when she's found strangled and he's nearby suspicion falls on him and homicide cop Broderick Crawford makes the arrest. Phillips is scheduled to die in the gas chamber.

That does not sit well with Phillips's wife June Vincent who is a nightclub singer. She's still working to prove her man innocent and she collaborates with Dowling's former husband, composer Dan Duryea who has a drinking problem to rival Ray Milland's in The Lost Weekend. In fact the last ten minutes of the film are dominated by a very powerful performance by Duryea, very much rivaling what Milland got an Oscar for in The Lost Weekend. I'm betting that's what attracted Duryea to the role.

As singer and accompanist Vincent and Duryea take a job at Peter Lorre's nightclub. Lorre is known to be mobbed up to the gills and the team hopes to find answers there.

Black Angel is a real sleeper of a noir film with great performances all around by a talented group of players. But even with a scene stealer like Peter Lorre exuding the menace he does, the film is dominated by Dan Duryea who is a tragic figure.
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