In the dark and fathomless depths of shallow contemporary American horror and thriller movies, "Pop Skull" stands as one of the seldom noticed beacons of light. It is not only Adam Wingard's finest picture to date, but one of the best in its genre. Like all great horror and thriller films, "Pop Skull" eludes categorization by invoking fear for something deeper and more interesting than simple jump scares. Juxtaposing hallucinogenic imagery with realistic dialogue, the film captures the essence of today's young generation, giving expression--through the strained words and cathartic thoughts and actions of its characters--to its fears within the context of it's other anxieties, such as loneliness, depression, confusion and aimlessness. Furthermore, by portraying something as common as heartbreak while illustrating a self-destructive addiction to what most people use and have easy access to, i.e., over-the-counter drugs, the narrative acts a disturbing reflection of the audience by connecting them to something they can all relate to and potentially experience. Simply put, "Pop Skull" is a film that manages to present the audience with an insightful social critique within the entertaining confines of the horror genre.
Review of Pop Skull
