A second viewing of this slasher / drama. The combination of the two elements aforementioned still don't work perfectly to my taste, but I enjoyed it more than the first time. It helped that the storyline, with all its shifting back and forth in time, became clearer to me this time, and thusly had a greater impact.
Josie Ho is a fine actress and knows how to underplay a definite psycho. The background of her character is worked out well, based on true facts of the practice of rich people forcing out home owners in Hong Kong in the '80s. The moment when she lets her grandfather die, partly because he betrayed her trust, is a pivotal moment to somehow stay on her side as a viewer - although it should not be missed that there is a lot of awfully dark humour in here, as well. And that humour makes it so that the gore (very well worked out, but not easy to stomach - pun intended?) has its rightful place here, too. Altogether, this is a weird one, and it will certainly not be for everyone. It may never be a favorite of mine, either, but the ingredients are separately very effective in any case.
From 6 to 7 out of 10.
Josie Ho is a fine actress and knows how to underplay a definite psycho. The background of her character is worked out well, based on true facts of the practice of rich people forcing out home owners in Hong Kong in the '80s. The moment when she lets her grandfather die, partly because he betrayed her trust, is a pivotal moment to somehow stay on her side as a viewer - although it should not be missed that there is a lot of awfully dark humour in here, as well. And that humour makes it so that the gore (very well worked out, but not easy to stomach - pun intended?) has its rightful place here, too. Altogether, this is a weird one, and it will certainly not be for everyone. It may never be a favorite of mine, either, but the ingredients are separately very effective in any case.
From 6 to 7 out of 10.