Fallen (1998)
Half detective, half supernatural thriller, this movie really moves. It's clever but not preposterous, and Denzel Washington anchors the whole things with his smiling believability. This is a good one. And the rest of the cast is fabulous, from John Goodman to Donald Sutherland. The one woman is the convincing Embeth Davidtz, and there is a small role even for the late James Gandolfini.
The plot seems straight up at first, as Denzel's character, Hobbes, looks for a murderer who seems to become a serial murderer. This morphs slowly into a a supernatural evil force inhabiting people and making them bad. This grows without a sense of shock so that there is a logic gradually built up.
And the target of this evilness seems to be Hobbes, though we never quite know why. (He catches bad guys and one of them is executed at the start, but the spirit shouldn't have been bothered by this.) Hobbes of course feels that the crimes don't make sense, and his encounter with Davidtz's character, who studies angels and spirits, is a turning point.
There are of course hundreds of horror films with similar kinds of plots, and what makes this one rise above most of them is how well made it is. Credit here goes beyond Washington, though he's clearly key. The cinematographer, Newton Thomas Sigel, is excellent (he also shot "Three Kings" and "Drive") and the coherence of the complex movie is partly because of a consistent visual flow.
Director Gregory Hoblit is mostly a TV guy, but around the time of this movie he made a few others with similar success, including "Fracture" which is quite good in the same solid way and "Primal Fear" which has a terrific performance by Edward Norton.
"Fallen" does come out of a familiar mold, and that is one reason why it is satisfying (many of us know we like this kind of film) and also limited ultimately (it isn't completely fresh, after all). I suspect nearly everyone will like aspects of this, even if the most demanding viewer will groan at some of the clichés. The acting alone rises up in so many cases, the rest is easy to really like.
Half detective, half supernatural thriller, this movie really moves. It's clever but not preposterous, and Denzel Washington anchors the whole things with his smiling believability. This is a good one. And the rest of the cast is fabulous, from John Goodman to Donald Sutherland. The one woman is the convincing Embeth Davidtz, and there is a small role even for the late James Gandolfini.
The plot seems straight up at first, as Denzel's character, Hobbes, looks for a murderer who seems to become a serial murderer. This morphs slowly into a a supernatural evil force inhabiting people and making them bad. This grows without a sense of shock so that there is a logic gradually built up.
And the target of this evilness seems to be Hobbes, though we never quite know why. (He catches bad guys and one of them is executed at the start, but the spirit shouldn't have been bothered by this.) Hobbes of course feels that the crimes don't make sense, and his encounter with Davidtz's character, who studies angels and spirits, is a turning point.
There are of course hundreds of horror films with similar kinds of plots, and what makes this one rise above most of them is how well made it is. Credit here goes beyond Washington, though he's clearly key. The cinematographer, Newton Thomas Sigel, is excellent (he also shot "Three Kings" and "Drive") and the coherence of the complex movie is partly because of a consistent visual flow.
Director Gregory Hoblit is mostly a TV guy, but around the time of this movie he made a few others with similar success, including "Fracture" which is quite good in the same solid way and "Primal Fear" which has a terrific performance by Edward Norton.
"Fallen" does come out of a familiar mold, and that is one reason why it is satisfying (many of us know we like this kind of film) and also limited ultimately (it isn't completely fresh, after all). I suspect nearly everyone will like aspects of this, even if the most demanding viewer will groan at some of the clichés. The acting alone rises up in so many cases, the rest is easy to really like.