An unknown title, by an unknown director, starring an unknown lead, what does that form? Only one of the best damn dramas of this century to date. Inspiring, intense, reverent, Damien Chazelle's jazz-infused drama is an incredibly complex character study that has newcomer Miles Teller and veteran J.K. Simmons at the top of their game in this brilliant effort, 'Whiplash' is arguably the most riveting and sensational drama from 2014.
J.K. Simmons stars as antihero Terence Fletcher, a character we look at as the opportunity of Andrew's success, but also we hate for his brutal portrayal. From his profanity-clad embodiment of evil to the ever-hopeful light at the end of the film, we go through stages of loving, hating and even fearing him, a character who despite his occasional moments of sympathy, cares solely about the outcome of his orchestra, and shuns away anyone who tries to destroy that. Simmons's performance is flawless and breathless, a truly resonant achievement, and one of the most Oscar-deserving performances of recent years.
The gold and black colour palette, fast-paced editing, fluent and claustrophobic cinematography - every single component adds a fresh face to 21st century cinema and independent films as a whole, further supporting my conclusion that indie films have overtaken blockbusters for the provision of unique visions and entertainment. Chazelle's effort pays off as he creates not only one of the greatest villains of the 21st century in the form of Fletcher, but also one of the greatest movies of the 21st century, if not of all time, through which he rekindled the dying flame that is jazz.
The fusion of emotions throughout make this a film that thrusts the audience into a world of obsession, dedication and confrontation, thus ensuing a tale of inspiration, a man and his dreams of becoming a "somebody", and to conclude, let's just note that final drum solo and sense of rebellion Andrew feels, it is utter gold, truly perfect. This movie is powerful, it is intense, it is unique, it is a stunning masterpiece!
J.K. Simmons stars as antihero Terence Fletcher, a character we look at as the opportunity of Andrew's success, but also we hate for his brutal portrayal. From his profanity-clad embodiment of evil to the ever-hopeful light at the end of the film, we go through stages of loving, hating and even fearing him, a character who despite his occasional moments of sympathy, cares solely about the outcome of his orchestra, and shuns away anyone who tries to destroy that. Simmons's performance is flawless and breathless, a truly resonant achievement, and one of the most Oscar-deserving performances of recent years.
The gold and black colour palette, fast-paced editing, fluent and claustrophobic cinematography - every single component adds a fresh face to 21st century cinema and independent films as a whole, further supporting my conclusion that indie films have overtaken blockbusters for the provision of unique visions and entertainment. Chazelle's effort pays off as he creates not only one of the greatest villains of the 21st century in the form of Fletcher, but also one of the greatest movies of the 21st century, if not of all time, through which he rekindled the dying flame that is jazz.
The fusion of emotions throughout make this a film that thrusts the audience into a world of obsession, dedication and confrontation, thus ensuing a tale of inspiration, a man and his dreams of becoming a "somebody", and to conclude, let's just note that final drum solo and sense of rebellion Andrew feels, it is utter gold, truly perfect. This movie is powerful, it is intense, it is unique, it is a stunning masterpiece!