Being a redditor, and being just an avid internet consumer, led me to follow what happened to Aaron Schwartz, and going into this film I was already disgusted by what the DA had done during his investigation and prosecution. Therefore my expectation for this film were minimal; I just wanted to be informed about the aspects of the case that were did not pop up in the shallow articles on the net. And in that aspect the film doesn't fail.
Brian Knappenberger reveals the case against Schwartz chronologically, so as each piece of Schwartz's case was pushed against him we cut to reaction or an interview with a family member or friend who was there for these revelations. The feeling in the film is one of frustration, exhaustion and anger; Schwartz's family seem particularly distraught by the whole experience, and this is conveyed well through the talking head format. Knappenberger structures the documentary in black and white terms though. Schwartz is given this messiah like platform in the film, each talking head that speaks about his youth sing nothing but his praises. He is given no flaws at any stage; genius, family man, best friend one could have, etc. This created a sense of disconnection, and I felt that in showing the loss of a "great man" we are supposed to be more outrage than the loss of a "human".
The documentary's black side; the villains, the betrayals etc. I would also consider a distraction. Quinn Norton is given a particularly difficult time and coming away from the film she easily became a lightning rod for people's anger. A conversation I had a few days after watching the film focused mainly on how stupid she was, and only briefly spoke about the structures of society that allowed Schwartz's to end up this situation.
Splicing the film with homemade footage and only speaking from personal experience about the events that transpired, also made the structure feel shallow. Exposing exactly what went on seems like a secondary objective for Knappenberger, and can't understand why this is. After the film do I feel like I know more about the Aaron Schwartz case? A little bit more. If this is a biographical documentary do I feel like I know Schwart more? Nope. This feels like something emotionally cathartic than an actual informational film.
Brian Knappenberger reveals the case against Schwartz chronologically, so as each piece of Schwartz's case was pushed against him we cut to reaction or an interview with a family member or friend who was there for these revelations. The feeling in the film is one of frustration, exhaustion and anger; Schwartz's family seem particularly distraught by the whole experience, and this is conveyed well through the talking head format. Knappenberger structures the documentary in black and white terms though. Schwartz is given this messiah like platform in the film, each talking head that speaks about his youth sing nothing but his praises. He is given no flaws at any stage; genius, family man, best friend one could have, etc. This created a sense of disconnection, and I felt that in showing the loss of a "great man" we are supposed to be more outrage than the loss of a "human".
The documentary's black side; the villains, the betrayals etc. I would also consider a distraction. Quinn Norton is given a particularly difficult time and coming away from the film she easily became a lightning rod for people's anger. A conversation I had a few days after watching the film focused mainly on how stupid she was, and only briefly spoke about the structures of society that allowed Schwartz's to end up this situation.
Splicing the film with homemade footage and only speaking from personal experience about the events that transpired, also made the structure feel shallow. Exposing exactly what went on seems like a secondary objective for Knappenberger, and can't understand why this is. After the film do I feel like I know more about the Aaron Schwartz case? A little bit more. If this is a biographical documentary do I feel like I know Schwart more? Nope. This feels like something emotionally cathartic than an actual informational film.