A teenage girl (Haley Lu Richardson) fights to protect the last working well in a drought-stricken valley from a greedy water baron (Jon Gries).
What I like about his film is that it concentrates on building a world. Although the location used was probably relatively small, we are given the illusion that the entire world -- or at least enough of it -- has completely dried out. And it is very effective.
We do not have zombies (thank goodness) or unbreathable air. Just the simple idea of a drying up world and the increasing value of water. It works. By gosh, it works. Add in a few guns and a samurai sword, and we have a nice plot. Is it horror? Not really. Science fiction? Sort of, but it is so close to reality it almost gets around that, too.
What I like about his film is that it concentrates on building a world. Although the location used was probably relatively small, we are given the illusion that the entire world -- or at least enough of it -- has completely dried out. And it is very effective.
We do not have zombies (thank goodness) or unbreathable air. Just the simple idea of a drying up world and the increasing value of water. It works. By gosh, it works. Add in a few guns and a samurai sword, and we have a nice plot. Is it horror? Not really. Science fiction? Sort of, but it is so close to reality it almost gets around that, too.