Was not sure at first about seeing A Royal Night Out, despite having some talented people involved it did seem like it will have slightly tired concept too stretched out. Seeing it with Mum and Dad, this viewer is glad that she gave it a chance, for it is an enjoyable film once you accept that it does play loose with the truth and is almost like a 'what if?' (yes suspension of disbelief is needed here).
There is an awful lot good with A Royal Night Out. The period detail is not just evocative but it looks splendid too, the costumes are so beautifully tailored, the hair and make-up handsomely rendered and the sets and scenery so meticulous that it does feel like one is there in London just after World War II. The film is beautifully shot too. The soundtrack also captures the period brilliantly too, some great period favourites lovingly arranged and it's nicely scored too. On the most part, A Royal Night Out is very nicely scripted, with some poignant drama (like the king preparing and giving the speech) and great lightweight humour with the lion's share of the best lines coming from Margaret.
A Royal Night Out's story moves along at a good pace and is on the most part interesting and entertaining, there is great fun to be had in Margaret's oblivious association with criminals (again once you don't take things seriously and take it as meaning to be totally accurate) and throughout there is a quite believable (if occasionally a little too quaint in the middle act) sense of time and place. It is solidly directed, and very well played by a more than game cast, headed by the very charming and sensitive Sarah Gadon and the scene-stealing Bel Powley.
Jack Reynor is dashing and sympathetic, sharing a lovely rapport with Gadon, while Rupert Everett brings a touching vulnerability that is both surprising and delightful and Emily Watson is firm but compassionate as the Queen Mother. Roger Allam is also fun to spot, but sadly with little screen time.
For all its worthwhile things, A Royal Night Out's script occasionally feels a tad patronising and some of the humour a little awkward. The story does entertain for what it is, but by the last act it does start to feel rather stretched with the pacing getting a bit draggy and the storytelling on the thin side.
Overall, however, entertaining and nicely done film if taken for what it is. 7/10 Bethany Cox
There is an awful lot good with A Royal Night Out. The period detail is not just evocative but it looks splendid too, the costumes are so beautifully tailored, the hair and make-up handsomely rendered and the sets and scenery so meticulous that it does feel like one is there in London just after World War II. The film is beautifully shot too. The soundtrack also captures the period brilliantly too, some great period favourites lovingly arranged and it's nicely scored too. On the most part, A Royal Night Out is very nicely scripted, with some poignant drama (like the king preparing and giving the speech) and great lightweight humour with the lion's share of the best lines coming from Margaret.
A Royal Night Out's story moves along at a good pace and is on the most part interesting and entertaining, there is great fun to be had in Margaret's oblivious association with criminals (again once you don't take things seriously and take it as meaning to be totally accurate) and throughout there is a quite believable (if occasionally a little too quaint in the middle act) sense of time and place. It is solidly directed, and very well played by a more than game cast, headed by the very charming and sensitive Sarah Gadon and the scene-stealing Bel Powley.
Jack Reynor is dashing and sympathetic, sharing a lovely rapport with Gadon, while Rupert Everett brings a touching vulnerability that is both surprising and delightful and Emily Watson is firm but compassionate as the Queen Mother. Roger Allam is also fun to spot, but sadly with little screen time.
For all its worthwhile things, A Royal Night Out's script occasionally feels a tad patronising and some of the humour a little awkward. The story does entertain for what it is, but by the last act it does start to feel rather stretched with the pacing getting a bit draggy and the storytelling on the thin side.
Overall, however, entertaining and nicely done film if taken for what it is. 7/10 Bethany Cox