It is now twenty years since the US/UK co-production of Doctor Who: The Movie was broadcast. Shown seven years after the cancellation of the television series and nine years before the relaunched series with Christopher Eccleston.
It was the only new Who in the 1990s. It also brings a lot of ingredients that was used in the relaunched series as Russell T Davies studied what it did right and what it got wrong.
Sylvester McCoy returns as the seventh Doctor, he gets shot and after receiving botched hospital treatment, regenerates into Paul McGann's eighth doctor.
The Tardis lands in San Francisco in 1999. The Master escapes in a snakelike form from the Tardis and plans to take control of the Eye of Harmony once he has occupied the body of a paramedic (Eric Roberts).
The Doctor must find a beryllium atomic clock and stop the Master with the help of Dr Grace Holloway.
British director Geoffrey Sax made use of the higher budget with good use of special effects even though he was hampered with a reduced number of shooting days.
The Tardis is much bigger but I guess the HG Wells like interior setting does not make it look like a Gallifreyan time machine.
The visuals were grand and obviously some of the morphing techniques were inspired by films such as Terminator 2.
The casting of Paul McGann was the master stroke, with the 60 minutes screen time he had, you really felt that he was the Doctor. A Byronesque romantic (he even got to have a kiss) and man of action.
It was a shame we have seen so little of McGann's time lord apart from the mini adventure, The Night of the Doctor; although there are plenty of Eighth Doctor audio adventures.
I also liked the malevolent interpretation of the Master by Eric Roberts who really pushes up the dial with his campiness when he puts on the time lord regalia. He shifted the emphasis of the Master from the moustache twirling villain of Anthony Ainley and it has been carried on by the subsequent Master's since then, male or female.
The story was not that great, you felt it needed a bit more reworking and it had rather a lot of continuity which was fine for fans of the original show, but what about new viewers?
A point not lost in the 2005 re-continuation which started afresh and only added continuity in small measures over subsequent seasons.
Some of the elements of the television film might have introduced a few groans. The cloaking device to describe the Tardis chameleon circuit and the Doctor being half human. However it was a lot less Americanised than people feared and had it contained lots of links to the television series.
There were a segment of fans who were disappointed after this was shown in 1996. Yet the movie received very good viewing figures in the UK and two decades on it was worth revisiting McGann's outing.
It was the only new Who in the 1990s. It also brings a lot of ingredients that was used in the relaunched series as Russell T Davies studied what it did right and what it got wrong.
Sylvester McCoy returns as the seventh Doctor, he gets shot and after receiving botched hospital treatment, regenerates into Paul McGann's eighth doctor.
The Tardis lands in San Francisco in 1999. The Master escapes in a snakelike form from the Tardis and plans to take control of the Eye of Harmony once he has occupied the body of a paramedic (Eric Roberts).
The Doctor must find a beryllium atomic clock and stop the Master with the help of Dr Grace Holloway.
British director Geoffrey Sax made use of the higher budget with good use of special effects even though he was hampered with a reduced number of shooting days.
The Tardis is much bigger but I guess the HG Wells like interior setting does not make it look like a Gallifreyan time machine.
The visuals were grand and obviously some of the morphing techniques were inspired by films such as Terminator 2.
The casting of Paul McGann was the master stroke, with the 60 minutes screen time he had, you really felt that he was the Doctor. A Byronesque romantic (he even got to have a kiss) and man of action.
It was a shame we have seen so little of McGann's time lord apart from the mini adventure, The Night of the Doctor; although there are plenty of Eighth Doctor audio adventures.
I also liked the malevolent interpretation of the Master by Eric Roberts who really pushes up the dial with his campiness when he puts on the time lord regalia. He shifted the emphasis of the Master from the moustache twirling villain of Anthony Ainley and it has been carried on by the subsequent Master's since then, male or female.
The story was not that great, you felt it needed a bit more reworking and it had rather a lot of continuity which was fine for fans of the original show, but what about new viewers?
A point not lost in the 2005 re-continuation which started afresh and only added continuity in small measures over subsequent seasons.
Some of the elements of the television film might have introduced a few groans. The cloaking device to describe the Tardis chameleon circuit and the Doctor being half human. However it was a lot less Americanised than people feared and had it contained lots of links to the television series.
There were a segment of fans who were disappointed after this was shown in 1996. Yet the movie received very good viewing figures in the UK and two decades on it was worth revisiting McGann's outing.