German composer Max Richter who also scored Waltz with Bashir (2008) and Shutter Island (2010) scores a beautiful and haunting musical landscape that matches the contemplative directing from Australian writer/director Cate Shortland. It never failed to captivate me at every scene and with every note. Similarly the sound is amazing in every detail and add layers to the sometimes sparse dialog.
Saskia Rosendahl is stellar as breakthrough difficult and subtle role to portray. The directing is very good and allows glimpses of human feelings, frailty, fear and frugality in the midst of madness.
A slow, steady and apt examination of difficult situations, death and horror, seen by an unprepared, misinformed youth. Aren't we all also unprepared and misinformed in many ways?
Saskia Rosendahl is stellar as breakthrough difficult and subtle role to portray. The directing is very good and allows glimpses of human feelings, frailty, fear and frugality in the midst of madness.
A slow, steady and apt examination of difficult situations, death and horror, seen by an unprepared, misinformed youth. Aren't we all also unprepared and misinformed in many ways?