As an aging Western fan, just consider me a lone sentinel standing watch against this current spate of other movie genres masquerading as Westerns. THIS MOVIE IS NOT A WESTERN.
This movie contains a purely pornographic plot and script, even if the visuals might somehow escape an XXX-rating . . . its R-rating makes a joke of the MPAA film rating system.
It is almost impossible to find a shred of redeeming value in this movie . . . perhaps it was the oddity of finding the beautiful daughter of Clint Eastwood, Francesca Eastwood, appearing on screen with her mother in a cameo role, Frances Fisher – "Unforgiven" (1992). Well, the dialog was so mumbled, so garbled, so poorly delivered and edited that much of it was unintelligible . . . and that is a good thing.
This movie works diligently to destroy everything we Americans regard as sacred, e.g., parenthood, Christianity, family, home, and childhood. Retribution? There is none.
Director J. T. Mollner's first full-length movie, and maybe his last?
This movie contains a purely pornographic plot and script, even if the visuals might somehow escape an XXX-rating . . . its R-rating makes a joke of the MPAA film rating system.
It is almost impossible to find a shred of redeeming value in this movie . . . perhaps it was the oddity of finding the beautiful daughter of Clint Eastwood, Francesca Eastwood, appearing on screen with her mother in a cameo role, Frances Fisher – "Unforgiven" (1992). Well, the dialog was so mumbled, so garbled, so poorly delivered and edited that much of it was unintelligible . . . and that is a good thing.
This movie works diligently to destroy everything we Americans regard as sacred, e.g., parenthood, Christianity, family, home, and childhood. Retribution? There is none.
Director J. T. Mollner's first full-length movie, and maybe his last?